Top 1200 Young Filmmakers Quotes & Sayings - Page 20

"Ageism" or whatever you want to call it, is a very English phenomenon. You don't get it too much in many other cultures. And no one says it about authors or poets or filmmakers. "Oh, they're too old to make films or write books." You know what I mean?

It's a funny thing because you look at the careers of other filmmakers, and you see them sort of slow down, and you realize, maybe this becomes harder to do as you get older. That's sort of a cautionary thing. I hope it doesn't happen to me.

A mental shutdown can happen when a young person is put in front of a Shakespeare play. My pieces are designed to release young audiences into the story and then creep up with the real Shakespeare, almost by stealth.

James Cameron has always been one of my favorite filmmakers. The first 'Terminator' is such a phenomenal film. It's not just that, though - he's also a very interesting person, James Cameron. It's fascinating to talk to him about science and engineering.

Now young faces grow sad and old and hearts of fire grow cold We swore blood brothers against the wind I'm ready to grow young again

I do not think it is a coincidence that young people gravitated toward populist voices in the French election and that the two issue positions where Donald Trump and young voters seem to agree most - global engagement and trade - are rooted in populism.

Politics will take care of itself. I'm interested in people who are involved in the situations that politicians create. Politics is taken care of by politicians - they're not filmmakers.

One's mind suffers only when one is young and while one is ignorant of the world. When one has lived for some time, one learns that the young think too little and the old too much, and one grows careless about both.

Bagehot did what so many thousand of young graduates before him had done,--he studied for the bar; and then, having prepared himself to practise law, followed another large body of young men in deciding to abandon it.

The Trevor Project provides crisis-intervention and suicide-prevention services to lesbian, gay, bisexual, transgender, and questioning teens and young adults. It's truly a lifeline to so many young people who just need someone to listen to them.

Joanna Priestley is one of the most interesting and adept personal animators and filmmakers. I have enjoyed her work for years and been amazed at how she gets into her own thoughts onto the screen in a very elegant and focused way. You have to see this.

Our focused customers are small business and young people. We did a great job in China. How can we help those young people in India, in Pakistan, in Africa. If they can use in the same ways.

Literally, the piece at the end is where the universe is cracked apart, it's a big moment. Basically, they, the filmmakers, have directed the story earlier in the book. It happens, it's called adapting a book, you have to make decisions about things. It's not unusual having to cut out scenes.

I don't know why everyone feels the pressure to look young. Personally, I hate it. I don't want to inject Botox and look young forever. It's living in denial and anything that has an undercurrent of this philosophy is bad for your growth.

The work of popular education, the temperance movement, the peace movement, are to a great extent carried on by the young. Their meetings show that the young understand one of their tasks: that of bringing together the different classes through social intercourse.

If you look at the most meaningful science fiction, it didn't come from watching other films. We seem to be in a place now where filmmakers make films based on other films because that's where the stimuli and influence comes from.

Iranian filmmakers are not passive. They fight whenever they can, as creative expression means a lot to them. The restrictions and censorship in Iran are a bit like the British weather: one day it's sunny, the next day it's raining. You just have to hope you walk out into the sunshine.

But for me, it is when a student has died. I find the death of a young person the most difficult and painful of times. To explain it to other young people, to see a bright future snuffed out, is just awful. I am haunted by those deaths.

It's not always expected of filmmakers to do stereotyped stories. But one has to be willing to travel to festivals and hook up with people, engage people intellectually about your passion and the kinds of films that interest you, and sooner or later you find people that have the same affinity that you have.

My first two books, 'Letters to a Young Brother' and 'Letters to a Young Sister,' were... distributed pretty widely. Judges in juvenile justice facilities started citing the book as required reading.

I thing for female filmmakers a big issue is making their second and third films. You see the statistics, and the dropoff on the second and third [films] , are dire.

I love talking about acting. I'm just such a fan of actors and filmmakers, and I try to choose roles where I get to talk to great actors about acting and learn.

I don't like to do press. But I know sometimes I need to do it because every time I do there's young people - black and white, but I think about young African-Americans because that's the experience I grew up with - who hear it.

Emotionally, light very much influences, I feel, the audience. It's not something that most audience members are conscious of, which is a good thing, because it means as filmmakers, we have the opportunity to gently control an audience into feeling a certain way.

There's not really too many artists that young girls and young people can look up to and be inspired by. So I take it as my responsibility, sometimes, to be the person who has the voice to give people some truth about what we're doing.

One thing I've noticed is that I can tell when a young actor or a young actress is going to become a huge star. Everybody else will say, "Oh come on, Michelle Pfeiffer, are you kidding?" and I'm pretty much always right about that.

The Cannes Film Festival is the biggest, most prestigious film festival in the world. This is where filmmakers are discovered, where futures are made, and the most important films premiered.

In spring a young mans fancy turns to a fancy young man.

Too old to die young, and too young to grow up.

I think great filmmakers will always talk in terms of storytelling. These guys were always about the story. That is how I love to talk about a film.

Of course it's true: the public want to see young people - young people are the people who go to the cinema. It's a sad fact of life, but you've got to accept it and not whine about it.

For any female actor, the age between 35 to 45 is treacherous. Filmmakers tell me, I am at that awkward age. No parts are written for women in this age bracket, while men at that age flourish and have great careers.

I did an internship with Dove when they were doing the 'real beauty' campaign, and I was really inspired by that. Growing up in L.A., being a young woman, and seeing how the media tells young women to be everything you're not, I kind of wrote about that experience.

I drew influence from Mike Leigh, Ruben Ostlund, a lot of Scandinavian filmmakers, Lukas Moodysson. I also drew influence from horror films and thrillers, which is something I would never think to do earlier in my career.

I was an executive producer. I've done a lot of jobs and I think each one helps you get closer to what you want as a director. It also helps you - when you work with different filmmakers - to absorb, to adapt, to know what to watch out for, to know pitfalls.

Filmmakers now have the freedom to create the type of movie they want. More screenwriters, directors, and producers now have the chance to see their words on screen now that VOD and streaming outlets are available. Overall, it's a good thing for filmmaking and documentarians.

I think I draw most inspiration from writers like Richelle Mead and filmmakers like John Hughes. They both really understand the experience of being a teenager and how insistent and intense everything feels, but they're also smart, savvy, and fun.

When my film went to the Venice Film Festival and won the best script writing, the jury [prize], it didn't go to my head. I know how many black filmmakers that I am operating with whose name will never be mentioned. But I'm part of them in that silent existence.

I cannot understand why any young man - or young woman, for that matter - would wish to undergo the painful process of disfiguring the skin with various multicolored representations of people, animals, and various symbols.

It is important to keep the filmmakers interested in you so they can offer you everything and anything. We actors are not given work on the basis of audience poll; the filmmaker will cast you after they see and like your work. It is essential to do different kind of films and not get typecast.

Many European guys go to the N.H.L. at a young age, even without knowing English. But they quickly adapt to new conditions, another game, a new country. They are also young, receptive, can move mountains.

Catholicism is so steeped in imagery. It's one of the many reasons Catholicism has given birth to so many great filmmakers compared to the Protestant tradition - even in America, where we're primarily Protestant.

When I was very young, there was a lot of music at home, mostly jazz. I was walking around singing and pretending I was in bands from a very young age. But the first song that was really personal to me was 'Blue Suede Shoes'.

I can't remember a time when I didn't want to be a doctor. The doctors I knew as a very young child must have helped to plant the desire in me, when I was as young as five or six. One homeopathic physician, Dr. Justice Gage Wright, was a great model.

I just hope that in some ways, 'Minari' can pave the way for other filmmakers, other actors, other projects that maybe don't fit within traditional boxes - if it helps those films get made in the future, I'd be so thrilled.

God bless you young women and young men who struggle through the worrisome teenage years. Some of you may not yet have found yourselves, but you are not lost, for Jesus is the Christ, the Son of God, our Savior and Redeemer.

Film entertains with different angles, quick moves, like a commercial. But filmmakers like [Wim] Wenders allow themselves to observe a subject for a long time without changing an angle, and allow you to do that along with them.

I like to allow young readers to keep writing in their heads after they've finished reading. Not to leave the ending too open, but enough so they can imagine: What does this mean? My young adult books usually end in a far more obscure way.

Many young Muslims see no opportunities for themselves and do not feel they have control over their lives or a stake in their nation's future. Such pessimism leads to disengagement. We risk losing a generation of young Muslims to apathy and extremism.

When you make a young player feel young, it doesn't necessarily help them - they often want to be treated like everyone else. If you respect their talent, then that can give them the confidence to express themselves.

What it meant for me to win the Emmy is I found it. It's not just the award. It's what it's going to mean to young girls - young brown girls, especially. When they saw a physical manifestation of a dream, I felt like I had fulfilled a purpose.

If you are not a New Yorker, when you arrive there for the first time you have the impression you grew up there because you've seen it in so many films. It's been filmed from every single angle and by so many different filmmakers that you know the streets, the sidewalks, the architecture, the cabs, the temper of the people.

I guess I have a fascination with the idea of puppeteering. I think, in a lot of ways, directing is puppeteering. I guess I see a lot of analogies between what puppeteers and filmmakers do.

I thought one way to try to hold on to the power was to write the script myself. That way, I could say to filmmakers, "I'm not asking you to hire me unseen. I'm just saying, 'Here's my script. Can we work together?'" So that worked out well.

Joining a radical movement when one is young is very much like falling in love when one is young. The girl may turn out to be rotten, but the the experience of love is so valuable it can never be entirely undone by the ultimate disenchantment.

I feel like God has intrusted a lot into me and I don't want to sit on it and be selfish. I want to think long term on how we can help this next generation of Christian filmmakers to make a big impact for God.

My first two books, Letters to a Young Brother and Letters to a Young Sister, were... distributed pretty widely. Judges in juvenile justice facilities started citing the book as required reading.

I hope to inspire everyone - especially young people, women, and young girls all over the world, and in Middle Eastern countries that do not provide women with the same opportunities as men - to not give up their dreams and to pursue them.

Roman Polanski is one of my favorite filmmakers, and John Phillips one of my favorite songwriters. I had the honor to meet each of these men and was almost giddy to be blessed with the chance to tell each artist what his work meant has to me.

And the danger is - and it's happening - is we're seeing an incredibly big rise amongst young gay people, young heterosexual people as far as catching HIV, which is, you know, in an educated country like this or in Britain, it's frightening.