Top 1200 Youth Culture Quotes & Sayings - Page 18

I could give examples of cabinet ministers, including defence ministers, who have no technological culture at all. In other words, what I am suggesting is that the hype generated by the publicity around the Internet and so on is not counter balanced by a political intelligence that is based on a technological culture.

'Memorial Day' is about 'spring break' girls-gone-wild culture which is the seedy underbelly of our American Puritanism, the inverse side of the coin. It's also about how we forcefully exported that culture and then pretended to not know what we were doing.

I stand before you as a writer without any ground of being out of which to write: really blown about from country to country, culture to culture till I feel - till I am - nothing. As it happens, I like it that way.

But one thing that seems pretty clear when we look at human religion is that it's highly tied in with human culture. So if, as seems to be the case, culture's governing a lot of what whales do, it's perhaps not an unreasonable hypothesis to think that it's got elements of...what I guess you'd call the supernatural.

Our society offers little in the way of reeducation for those who have been torn away from their traditional culture and suddenly exposed to all the blandishments of mass culture-even the churches which follow the hillbillies to the city often make use of the same "hard sell" that the advertisers and politicians do.

We don't want this globalised economic system which does us so much harm. Men and women have to be at the centre (of an economic system) as God wants, not money. The world has become an idolator of this god called money. To defend this economic culture, a throwaway culture has been installed. We throw away grandparents, and we throw away young people. We have to say no to his throwaway culture. We want a just system that helps everyone.

My whole shtick is that I want to contribute to New York's culture via restaurants, nightlife, whatever... but to be more conscious, more aware, more sustainable. It's more than just 'being responsible as a culture.' It's having an ethical chain of production.

I'm finding out what part of punk culture or white indie culture I actually still want to hold onto - What are the values? What are the contributions that I actually like? - and it not coming from a place of desperation or wanting to be embraced or wanting approval, essentially.

Slow travel now rivals the fly-to-Barcelona-for-lunch culture. Advocates savour the journey, travelling by train or boat or bicycle, or even on foot, rather than crammed into an airplane. They take time to plug into the local culture instead of racing through a list of tourist traps.

In so far as the culture industry arouses a feeling of well-being that the world is precisely in that order suggested by the culture industry, the substitute gratification which it prepares for human beings cheats them out of the same happiness which it deceitfully projects.

Terence McKenna says, "The culture is not your friend." I am not sure we can change this culture. But I think we can rise above it and create a new world. That's why I so deeply believe in alternative spaces. That's why I believe in the power of art and activism.

And there are so many people in the third world suffering so horribly right now, and we are so focused on ourselves and our culture that a lot of things are showing up in our culture that are making it impossible for us to focus on others. We're so self-focused.

There's something retro about the pop culture references in the paintings, so I'd imagine it's not as much a pop culture reference as a pop art reference.

When Ron Howard does 'Rush,' he has to learn and steep himself in F1 culture and European racing culture, and that's part of the fun of the gig. You learn to learn. Your real skill as a director is being a learner and an observer. You're constantly learning another thing in context.

We have to realize our black heritage in order to give us strength to move on and progress. But as far as returning to the old African culture, it's unnecessary and it's not advantageous in many respects. We believe that culture itself will not liberate us. We're going to need some stronger stuff.

Maybe it's naïve, but I would love to believe that once you grow to love some aspect of a culture-its music, for instance -you can never again think of the people of that culture as less than yourself. I would like to believe that if I am deeply moved by a song originating from some place other than my own homeland, then I have in some way shared an experience with the people of that culture. I have been pleasantly contaminated. I can identify in some small way with it and its people.

Almost by definition, secularism cannot be a future: it's a present-tense culture that over time disconnects a society from cross-generational purpose. Which is why there are no examples of sustained atheist civilizations. "Atheistic humanism" became inhumanism in the hands of the Fascists and Communists and, in its less malign form in today's European Union, a kind of dehumamism in which a present-tense culture amuses itself to extinction. Post-Christian European culture is already post-cultural and, with its surging Muslim populations, will soon be post-European.

This happens to a lot of kids from different backgrounds - they lose a lot of their parents' and grandparents' teachings, language and culture because they have to deal with another language and culture 24/7. By the time I was 44, I was terrible at Spanish. I was always intimidated whenever I had to speak it.

People are only mean when they're threatened, and that's what our culture does...And when you get threatened, you start looking out only for yourself. You start making money a god. It is all part of this culture.

Apple Music is trying to create an entire pop culture experience that includes audio and video. If South Park walks into my office, I'm not going to say, 'You're not musicians.' We're going to do whatever hits pop culture smack on the nose.

I'm just so amazed by people who are willing to share things that, in the past, no one would have ever talked about. Folks in popular culture being willing to take on issues, I think that is such a key part of having a culture shift and an institutional shift.

The novelist has more and more to say to readers who have less and less time to read: where to find the energy to engage a culture in crisis when the crisis consists in the impossibility of engaging with the culture?

And so popular culture raises issues that are very important, actually, in the country I think. You get issues of the First Amendment rights and issues of drug use, issues of AIDS, and things like that all arise naturally out of pop culture.

Now, when you look at somebody, it's not simply, 'Are you like me or unlike me? Has your culture produced great artists? What are your rituals?' It's: 'Is your culture safe or not? Will it produce terrorists?'

When culture is created in boardrooms with a panel of six or seven strategists for the masses to follow, to me that is no different than an aristocracy. It's not created from the people in the middle of the streets, so to speak. It is created from a petri dish for the sake of making money, and it is undermining the longevity of the culture.

Often culture gets stuck in static, traditional narratives. Contemporary ideas give culture elasticity, flexibility, which is always a breath of fresh air. But these ideas shouldn't only be for people who can afford to go to a museum or a symposium in the "better part of town."

When I was training in medicine for example, there was a culture in medicine that strong people didn't need sleep, that the less you slept, the more you just powered through a tough call not on no sleep, the stronger you were. That is not helpful to have a culture that supports healthy practices like that.

The great achievement of Western culture since the Enlightenment is to make many of us peer over the wall and grant some respect to people outside it; the great failure of Western Culture is to deny that walls are inevitable or important.

The U.S. has always understood itself to be united around political principles and not around culture, whereas the nations of Europe have a much more traditional conception of nationhood that is connected to romanticism, which thinks of religion and culture as ingredients of nationhood.

I am trying to encourage kids to do something that isn’t yet on their mind because it is not in popular culture. Popular culture tells you 'music, music, sports, sports.' It neglects the importance of a STEM education.

I'm sorry - you know, culture is elitist. Culture has to be elitist: it's about seeing and knowing and about knowledge.

Classical music is at odds with contemporary culture precisely because of its insistence on the tension between the bodily and intellectual, the material and the spiritual, the thinglike and its transcendence in thought. A culture that is merely sensuous and that denies the activity of the mind within sensuous materials risks becoming pornographic.

In Scotland over many years we have cultivated through our justice system what I hope can be described as a 'culture of compassion.' On the other hand, there still exists in many parts of the U.S., if not nationally, an attitude towards the concept of justice which can only be described as a 'culture of vengeance.'

Good design is a visual statement that maximizes the life goals of the people in a given culture (or, more realistically, the goals of a certain subset of people in the culture) that draws on a shared symbolic expression for the ordering of such goals.

To propel our Louisiana culture into the future seems to be quite a task, but if one lives for the music as Cedric does, the path seems effortless. These songs may well be early brushstrokes of a life's worth of possibilities, not only for himself, but also for the identity survival of a culture.

Culture is everything. Culture is the way we dress, the way we carry our heads, the way we walk, the way we tie our ties - it is not only the fact of writing books or building houses.

At Microsoft, we're aspiring to have a living, learning culture with a growth mindset that allows us to learn from ourselves and our customers. These are the key attributes of the new culture at Microsoft, and I feel great about how it seems to be resonating and how it's seen as empowering.

In 'Losing My Cool,' I argue repeatedly that it is a terrible lie, which has been foisted on us and sold to us for decades now, that hip-hop culture equals black culture, that being authentically black means keeping it real.

We are a culture that relies on technology over community, a society in which spoken and written words are cheap, easy to come by, and excessive. Our culture says anything goes; fear of God is almost unheard of. We are slow to listen, quick to speak, and quick to become angry.

We're evolving as a culture as well and as more equality gets supplanted in society, well, in the U.S. anyway, it's only helping women. We do have much more work to do though, in spreading awareness about where we fall short in our culture and in other cultures.

The Internet, to me, is about rebel culture, and I've always loved it. When I think of rebel culture, I think of rock-and-roll or hip-hop, and for a long time now, it's been the Internet.

I would consider myself a casual fan growing up because obviously wrestling was such a huge part of pop culture, and still is. I was a fan as much as it was a part of pop culture.

You won't find a CEO who doesn't talk about a 'powerful culture' as a source of competitive advantage. At the same time, you'd be hard-pressed to find a CEO who has much of a clue about the strength of that culture.

They who seek religion for culture's sake are aesthetic, not religious, and will never gain that grace which religion adds to culture, because they never can have the religion.

Wrestling has grown so big... it's almost a culture. And it's a culture of all types of vibes, just like hip-hop has all kinds of vibes and rap has all kinds of vibes.

I grew up in Jerusalem and went to school here. I studied at the Hebrew University - mostly Islam and Arabic: Arab literature, Arab poetry and culture, because I felt like we are living in this region, in the Middle East, and we are not alone: There are nations here whose culture is Arab.

Being 'out and proud' can feel like a real luxury of Western culture, where people are often white and see existing white gay people in their culture. That's a kind of privilege people don't know they possess.

Confidence is not just in people's heads; it comes from the culture of the organization. It's easier to expect success when working in an organization that has a culture of accountability, collaboration, and initiative. Without this, it's easier - and more self-protective - to assume failure so the person is not disappointed and instead pleasantly surprised.

Realistically, my favorite thing really is going out and seeing the different problems that people have in different geographical areas. Not just from a standpoint of the area that they may be in or the city they may be in but the different kind of car culture or motorcycle culture there is.

People ask a lot about how I can be a believer in a culture that perhaps is counter cultural to what you believe in. I've come to the conclusion that I'm able to be in this culture and in this industry and fruitful because I don't look to my circumstances to determine what I believe to be true about God.

Especially for those of us living in the Western culture, death to a large extent is still a taboo subject. It's considered something dreadful that shouldn't be happening. It's usually denied. The fact of death is not faced. What we don't realize in Western culture is that death has a redemptive dimension.

It's the culture, not the blood. If you can go anywhere in the world and adopt these babies and put them into households that were already assimilated in America, those babies will grow up as American as any other baby with as much patriotism and love of country as any other baby. It's not about race. It's never been about race. In fact the struggles across this planet, we describe them as race, they're not race. They're culture based. It's a clash of culture, not the race. Sometimes that race is used as an identifier.

When I speak of artistic universals, I am not denying the enormous role played by culture. Obviously culture plays a tremendous role, otherwise you wouldn't have different artistic styles - but it doesn't follow that art is completely idiosyncratic and arbitrary, either, or that there are no universal laws.

In the French culture, they talk politics. I didn't find it was part of our culture to have political arguments at the table. My husband's family will get into major politics, and it's not an aggressive thing. It's so interesting and you learn so much, whether it's Right or Left, and that to me has been really great.

I travel a lot. Japanese culture is very ancient and very strong. That's why most people who commission work from Japanese architects expect them to create works that have an element of exoticism, the kind typical of Japanese culture. I don't do that.

There's something unique about the United States, a sense of individual rights and freedoms, and a sense of social and civic responsibility that we contributed to so much of the world. We lost that mission in the 1980s and 1990s, when we entered a gilded age, and the culture of individualism became a culture of avarice.

There's a rich history at Westboro of parodying pop culture. The thing about pop culture is that it gives us a shared language. We were constantly trying to co-opt things that were popular to deliver our own message.

Much of what we think of as human evolved long after the use of tools. It is probably more correct to think of much of our structure as the result of culture than it is to think of men anatomically like ourselves slowly developing culture.

At Harman, we had to reinvent ourselves so that we can compete on a global playing field. We did it by instituting a culture where teams can take calculated risks. But to inspire such a shift in mindset requires meaningful rewards across the ranks and freedom to experiment and innovate. I like to think of it as our courage culture.

In Western culture, particularly North America, a lot of rules are descriptors for sociopathy: a general acceptance of lying as long as you win, an attitude of "me first," an attitude that what it looks like is more important than what it is. This makes it much easier for a sociopath to be camouflaged in our culture.