Top 558 Zombie Apocalypse Quotes & Sayings - Page 9

Explore popular Zombie Apocalypse quotes.
Last updated on November 15, 2024.
At 7 in the morning, Rob Zombie calls. I just let the machine answer it, because I'm like, "Who's calling me at 7 in the morning?" It's Rob leaving this message, going, "That was the best birthday present I ever got in my whole life. I looked at Halloween script from cover to cover. No one else will ever get their fingers on this. It's wrapped in plastic. It's going in my vault. I love it. Thank you."
No matter where the skeptical thought originates, or how it gets access to our minds, we see at once that it flattens the level of life and every aspiration. It makes our character less vigorous. The gospel is not simply a philosophy of religion or law of life, but it is an apocalypse, showing the heavens to our thought, and so bringing its spiritual benedictions to every heart and life.
She looks at me out of the side of her uncovered eye. "Chess, Zombie: defending yourself from the move that hasn't happened yet. Does it matter that he doesn't light up through our eyepieces? That he missed us when he could have taken us own? If two possibilities are equally probable but mutually exclusive, which one matters the most? Which one do you bet your life on?
Before progressives were apocalyptic about climate change they were apocalyptic about nuclear energy. Then, after the Cold War ended, and the threat of nuclear war declined radically, they found a new vehicle for their secular apocalypse in the form of climate change.
You never know!” Neith snapped. “The point is, I’ll survive the apocalypse. I can live off the land!” She jabbed a finger at me. “Did you know the palm tree has six different edible parts?” “Um—” “And I’ll never be bored,” Neith continued, “since I’m also the goddess of weaving. I have enough twine for a millennium of macramé!” I had no reply, as I wasn’t sure what macramé was.
I am a total zombie just after I wake up. It takes me half an hour even to get my eyes open. Ask anyone who knows me. I can't see; I can't talk properly; I can't do anything without help. The only think I can do properly is think. And I know how to exploit my condition. I've had years of practice.
I had been very impressed with the voiceover of 'Apocalypse Now,' with Martin Sheen's voice. That was a great voiceover; it really internalized the Martin Sheen character, who was essentially fairly low key and didn't say a lot during the whole movie. But he thought a lot, so I always thought that was really great.
It is amazing to me how deeply into the popular culture the creature has become. There are zombie walks in every major city. I live in Toronto, and last year 3,000 people came out dressed as zombies.... I do not get it. Maybe it's an easy costume: Splash some ketchup on and rip up your jeans -- although most people already have torn jeans -- and you're done.
I can be absolutely comfortable with an apocalyptic Jesus because he was simply wrong. As long as he's wrong I don't worry about him, and basically everyone else who was announcing in the year 2000 at midnight, the end of the world is coming, I expect them to be wrong. Now if they're right of course, I'll be very uncomfortable that night. But as long as everyone for 2000 years has been wrong about the apocalypse, I can be quite comfortable with it. It's space fiction.
Korean Zombie beat me, and I was prepared that night. He beat me, he beat me that night. — © Dustin Poirier
Korean Zombie beat me, and I was prepared that night. He beat me, he beat me that night.
The pornography of violence of course far exceeds, in volume and general acceptance, sexual pornography, in this Puritan land of ours. Exploiting the apocalypse, selling the holocaust, is a pornography. For the ultimate selling job on ultimate violence one must read those works of fiction issued by our government as manuals of civil defense, in which you learn that there's nothing to be afraid of if you've stockpiled lots of dried fruit.
I was telling somebody about in grammar school we used to have the duck-and-cover drills where we'd have to go down to a fallout shelter in the basement. We'd sit on our butts on the ground next to the wall with a textbook over our heads and our knees sort of drawn up to our chest. I don't think they still do that. They're sort of sobering. You leave recess and come in for the apocalypse drill.
The problem is that if we had known Satan was taking over the world we would have needed a whole other budget for, like, dragons and flying demons and, you know, like the sun disappearing from the world. Winter is coming. It would have been so expensive the way we would have needed to do it, had we known that the apocalypse was coming.
Something is very, very wrong with American culture. The signs are everywhere. I think the country is in almost terminal descent. The business class is combined with the evangelicals. And I think the evangelicals want to provoke an immense global disaster to precipitate the second coming of Christ. So they are very happy about what we're doing to Iraq - and the menace we present now for Syria and for Iran - because they think that the apocalypse is an important thing to get into so that they can see vindicated their most literal interpretation of the Bible.
And along with indifference to space, there was an even more complete indifference to time. "There seems to be plenty of it", was all I would answer when the investigator asked me to say what I felt about time. Plenty of it, but exactly how much was entirely irrelevant. I could, of course, have looked at my watch but my watch I knew was in another universe. My actual experience had been, was still, of an indefinite duration. Or alternatively, of a perpetual present made up of one continually changing apocalypse.
What's important in a cellar is having wines that have a broad range of drinkability, which California Cabernet does. Wines with a broad range of drinkability give you a lot of flexibility; they are the sort of wines that make me feel secure. I think of my wine cellar as security - if the apocalypse comes, I can just go down to the cellar.
We might be on the brink of an apocalypse if, instead of poor people with suicide bombs killing middle class guys, middle-class people with suicide bombs started killing rich guys.
You mean Teletubbies? (Berith) The fact that you know what they’re called, Berith, truly scares me. (Jericho) As a demon of torture, it behooves me to know all things that are deeply annoying. You’d be amazed how many people in the modern age no longer fear zombies as much as Teletubbies. (Berith) Not really. I’d rather battle a brain-eating zombie any day than hear them sing. (Jericho)
Salt is a powerful symbol in Haiti, as elsewhere. Salt of the earth, for example is an American phrase. In Haiti, myth and legend has it that if you are turned into a zombie, if someone gives you a taste of salt, then you can come back to life. And in the life of the fishermen, there are so many little things about salt that I wanted to incorporate. The salt in the air. The crackling of salt in the fire. There's all this damage, this peeling of the fishing boats from the sea salt. But there is also healing from it, sea baths that are supposed to heal all kinds of aches and wounds.
When you are young, you always expect that the world is going to end. And then you get older and the world still chugs along and you are forced to re-evaluate your stance on the apocalypse as well as your own relationship to time and death. You realize that the world will indeed continue, with or without you, and the pictures you see in your head. So you try to understand the pictures instead.
We have about three hours of homework a night, and our evening study period is only two hours, so if you want to spend the break at half-past-nine not freaking out, you have to cram. I'm not sure that the picture of the wide-eyed zombie girl biting out the brains of senior douchebag James Page is part of Sam's homework, bit if it is, his physics teacher is awesome.
I've noticed that the more flooding there is, the more bullshit gets talked. I mean it was very noticeable in the Asian tsumai. It happened around Christmas-New Year. The Muslims of Sri Lanka said 'We knew this would happen because the Christians were using alcohol for their Christmas celebrations.' The Buddhists said 'We knew this would happen because of the horrible Muslim slaughter practices.' It's amazing to see how apocalypse or catastrophe makes people behave primitively.
Fanfiction is what literature might look like if it were reinvented from scratch after a nuclear apocalypse by a band of brilliant pop-culture junkies trapped in a sealed bunker. They don't do it for money. That's not what it's about. The writers write it and put it up online just for the satisfaction. They're fans, but they're not silent, couchbound consumers of media. The culture talks to them, and they talk back to the culture in its own language.
Karou saw them with her human eyes, this army she had rendered more monstrous than ever nature had, and she knew what the world would see in them if they flew to fight the Dominion: demons, nightmares, evil. The sight of the seraphim would be heralded as a miracle. But chimaera? The apocalypse.
I've always been afraid of video games - not afraid that I wouldn't like them, but that I would like them too much, and that after mere seconds in front of any particularly bright and absorbing game, I would abandon all ambition, turn into a mouth-breathing zombie, and develop a wide, sofa-shaped rear end.
That's the thing about zombies. They don't adapt and they don't think. Literally, you could have a zombie on one side of a chain link fence and you could be on the other side and they could be trying to get to you and six feet down could be an open door and they will not go through that door in the fence. That's why they're so scary.
As a matter of fact, that was a bit of a problem for me at the beginning of my career - the problem of identification. In The Conversation I played a character who was gay, so nobody recognised me from American Graffiti. When I did Apocalypse Now, after Star Wars, I played an intelligence officer of the American army. George Lucas saw the footage I had done and didn't recognise me until halfway through the scene.
I did 'Slither,' so I've done seven hours in the makeup chair. So two hours for zombie makeup is like nothing. That's a walk in the park for me. When you do seven-hour makeup and then eight hours of work, you're thinking, 'Oh God, what did this do to me?' You're under that rubber forever. It's crazy.
Maybe some people got sick, but what I saw was people applauding the effects. When the helicopter zombie stood up, people applauded. When a guy gets the top of his head lopped off, are they applauding that some horrible thing happened to a person, or are they applauding how it was technically pulled off in a realistic way?
Narcissists are everywhere in this ripe age of self-love, which amazes me because so much in life would seem to foster humility. Each of us is a potential source of foolishness, each of us must endure the consequences of the foolishness of others, and in addition to all of that, Nature frequently works to impress upon us our absurdity and thereby remind us that we are not the masters of the universe that we like to suppose we are. - Odd Thomas - Odd Apocalypse by Dean Koontz pg 62 chapter 8
It is an old, old adage that if you want someone to do something, get them to believe it is their idea. Humanity is mind controlled and onlyslightly more conscious than your average zombie. Far fetched? No, no. I define mind control as the manipulation of someone's mind so that they think, and therefor act, the way you want them to.
God, you mean I lost my virginity to the apocalypse?" Morgan sighed again. "The whole thing was really embarrassing; my parents sent me to Brooklyn when they found out." She shrugged. "I thought I’d be safe in a gay bar, okay? What were you doing in there anyway?" Lace looked at me sidelong. "You were where?" I took a sip of beer, swallowed it. "I, uh, hadn’t been in the city...very long. I didn’t know.
When I was on the set, I was not talking on the phone or reading anything else. I was just reading things, listening to music and watching things that had to do with the state of the scene. So it would be a constant, maintaining for the whole day that state. If I had an hour off for lunch, I would put on a movie or something that would help me stay in that area. And at the end of the day, I was like a zombie.
The kid who didn't go back when he should have and now goes back when he shouldn't. The kid called Zombie, who made a promise, and if he breaks that promise, the war is over - not the big war, but the war that matters, the one in the battlefield of his heart. Because promises matter. They matter now more than ever.
I would definitely say Zombie has been the best time I've ever had. It is just so great and so fun because, you know, we all get along so well, and, you know, it's just like, everybody, we're just all friends here, and we're just having a really, really, really great time.
I was never really that aware of commercial things. The stuff that was really influential to me were bands like the Misfits or the Birthday Party, or things like that. If someone said, "Do you love Judas Priest?" - I never really even had a Judas Priest record. That's not what I grew up with. That wasn't really my scene, you know? That's why White Zombie never really fit. I still don't fit.
I’m too young, too smart, and too good-looking to die. Yeah, and then some. The world needed him to improve the gene pool. Not to mention, at fourteen he hadn’t even had his first date yet. He’d only just, this night, had his first kiss. He should have recognized that alone as a sign that the apocalypse was coming and that his death was imminent.’ – Nick
One could dismiss the zombie trend as merely feeding a mass public that craves the strange and bizarre. Such an explanation would be only skin-deep. Popular culture often provides a window into the subliminal or unstated fears of citizens, and zombies are no exception. Some cultural commentators argue that the September 11, 2001, terrorist attacks are a primary cause for renewed interest in the living dead, and the numbers appear to back up this assertion.
These proven positive consequences of elevated CO2 are infinitely more important than the unsubstantiated predictions of apocalypse that are hypothesized to result from global warming, which itself, may not be occurring from rising atmospheric CO2 levels. The aerial fertilization effect of atmospheric CO2 enrichment is the only aspect of global environmental change about which we can be certain; and to restrict CO2 emissions is to assuredly deny the biosphere the many benefits that accrue from this phenomenon.
We don’t need a cure,” the other zombie said. “That’s right,” Scapegrace nodded. “We’re happy the way we are.” “Happy with the power,” Scapegrace clarified. “Very happy, just the two of us, and there’s nothing wrong with us either. It’s very natural in fact. Nothing to be ashamed of—” “Thrasher,” said Scapegrace, “shut up.
I think it's pretty classic if you look at the way entertainment reflects the country's status. There was a reason in the '50s when communism was bubbling that there were a million zombie movies. Because that is the direct allocation. So for the last two years we've been hearing, "Make America great again." People go, "Well, America was never great." What do you mean? What you mean is that they want to look back in history. And so I think it's only natural for entertainment to reflect that.
I loved Jack because of every little thing about him. The way he laughed, the way he made me smile, the way he'd stay up until nine in the morning watching zombie movies he'd seen a hundred times, and the way he could never hold a grudge. I loved him because I loved him, not because it was fate or destiny or in my blood, We had chosen each other, and that felt more powerful and more magical.
Voodoo Girl Her skin is white cloth, and she's all sewn apart and she has many colored pins sticking out of her heart. She has many different zombies who are deeply in her trance. She even has a zombie who was originally from France. But she knows she has a curse on her, a curse she cannot win. For if someone gets too close to her, the pins stick farther in.
For most affairs, this eventually becomes the most fundamental of questions, the only one that matters: Do we love each other more than the lives we already have? It is the question that hovers in the background of every secret phone call, flavors every tryst with the head of possibilities of apocalypse and renewal; and it is the answer to that question, or the lack thereof, that so often dooms an affair to failure.
You will say good-bye for all the right reasons. You're tired of living in wait for his apocalypse. You have your own fight on your hands, and though it's no bigger or more noble than his, it will require all of your energy. It's you who has to hold on to earth. You have to tighten your grip -- which means letting go of him.
My medications make me easier to deal with. They don't interfere with my creativity or turn me into a zombie or dull my real personality. They help me connect with people, allow me to stay calm when situations seem overwhelming, and help keep my thoughts from racing out of control. They help me leave the house when I'm scared to. They help.
My personal success would be that people understand what I was trying to do. It was the most palatable when I watchmen_7_mdid Dawn. With Watchmen, too, I feel the same way. The movie's ironic and satirical and it's funny and serious and that's kind of the same way I felt about Dawn. Like I really was making a movie that knows it's a zombie movie and enjoys that and wants the audience to say, yeah, that's okay.
Hello, Officer? Can you help me? My dad got turned into a zombie. You know, we’ve been travelling around getting rid of things that aren’t real, and this time they hit back. I really need someplace to stay – but can you make sure I have some holy water or something wherever it is? And some silver-jacketed bullets? That’d be sweet. Yeah, that’d be totally cool. Thanks. And while you’re at it, can you tell the guys with the straitjackets that I’m really sane? That would help.
The Los Angeles Times reported that sixty-three percent of American families are now considered dysfunctional. Good. 'Cause that means when Armageddon really happens, thirty-seven percent of this population is going to lose their minds. Oh my God, the world is over! Us sixty-three percent? We're going to go, Hey... there's no one watching the Lexus dealership! We're going to the Apocalypse with leather and a CD changer! You guys have been great. Thank you.
What better way to learn about life in the ocean--and how we are changing it--than through stories of blind zombie worms, immortal jellyfish, and unicorns of the sea? The Extreme Life of the Sea is an insightful book that inspires awe and wonder about our ocean, and brilliantly shows us the immense possibilities of life on Earth.
1. Organize before they rise! 2. They feel no fear, why should you? 3. Use your head: cut off theirs. 4. Blades don't need reloading. 5. Ideal protection = tight clothes, short hair. 6. Get up the staircase, then destroy it. 7. Get out of the car, get onto the bike. 8. Keep moving, keep low, keep quiet, keep alert! 9. No place is safe, only safer. 10. The zombie may be gone, but the threat lives on.
Now when you get something like the Apocalypse of John, when this avenging God is going to have blood to the bridle bits for 200 miles, I think that's venous, I don't think that's justice, I don't think that's Jesus, and I don't think it's the God of Jesus. That's the killer God, and the trouble with the killer God is that it justifies us doing the same, and in fact it invites us maybe to start with a bit.
Everybody is waiting for the end to come, but what if it already passed us by? What if the final joke of Judgment Day was that it had already come and gone and we were none the wiser? Apocalypse arrives quietly; the chosen are herded off to heaven, and the rest of us, the ones who failed the test, just keep on going, oblivious. Dead already, wandering around long after the gods have stopped keeping score, still optimistic about the future.
Well, after Zombie Birdhouse came out, I toured behind it in the fall of 1982, into the spring, and in the summer in the Far East. At that time, I found my work self-referential; it was getting to be rock songs about a rock singer who lived a rock life on the rock road, and I was starting to wonder what I would be like to rent my own apartment, what it would be like to have a checkbook.
Between birth and burial, we find ourselves in a comedy of mysteries. If you don't think life is mysterious, if you believe you have it all mapped out, you aren't paying attention or you've anesthetized yourself with booze or drugs, or with a comforting ideology. And if you don't think life's a comedy - well, friend, you might as well hurry along to that burial. The rest of us need people with whom we can laugh. -Odd Thomas -Odd Apocalypse by Dean Koontz pg 30 chapter 4
You mean to say that when an imbecile walks into a church, office, day care center, or school, stumbling about, almost zombie-like, with gun-filled hands at his side, blabbering incoherently to his next victim, the reaction of grown men and women is to run, cry, whimper, and hide under a desk or pew? The sheeping of America is nearly complete.
Apocalypse does not point to a fiery Armageddon but to the fact that our ignorance and our complacency are coming to an end. The exclusivism of there being only one way in which we can be saved, the idea that there is a single religious group that is in sole possession of the truth—that is the world as we know it that must pass away. What is the kingdom? It lies in our realization of the ubiquity of the divine presence in our neighbors, in our enemies, in all of us.
There is always in the healthy mind an obscure prompting that religion teaches us rather to dig than to climb; that if we could once understand the common clay of earth we should understand everything. Similarly, we have the sentiment that if we could destroy custom at a blow and see the stars as a child sees them, we should need no other apocalypse. This is the great truth which has always lain at the back of baby-worship, and which will support it to the end.
I suppose I knew on an intellectual level that graves weren't especially made for getting out of. I mean, you start with a hermetically sealed casket and then you dump six feet of dirt on top of it. Over time the earth gets compacted, which can't make it easy to dig through. So even if you're a very angry and determined zombie, you've kind of got your work cut out for you just escaping from the grave.
I'm a huge fan of director's cuts or reassemblies if they're good, but I remember being really excited about the restored version of Apocalypse Now, and then I preferred the original film. Kingdom of Heaven as a director's cut is the real picture, but in fact someone recently told me that there was another cut, the original first cut, which he said was just extraordinary. I've never seen it - and of course now I want to, if it exists, and so would everybody else.
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