Top 22 Quotes & Sayings by Alain Resnais

Explore popular quotes and sayings by a French director Alain Resnais.
Last updated on December 3, 2024.
Alain Resnais

Alain Resnais was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included Night and Fog (1956), an influential documentary about the Nazi concentration camps.

It was repugnant, but it was the only way to communicate.
So I used formal techniques to make the film more perceptive emotionally.
I saw part of The Singing Detective on TV in New York. I said, Something is going on here. — © Alain Resnais
I saw part of The Singing Detective on TV in New York. I said, Something is going on here.
There was a darkness, a melancholy, that people had trouble accepting. Maybe now, it would work better.
That's easy to answer: I never had any special appetite for filmmaking, but you have to make a living and it is miraculous to earn a living working in film.
I am never driven. Every film I've made has been an assignment.
Since we had little money and few documents, we had nothing.
The present and the past coexist, but the past shouldn't be in flashback.
Luck, I never looked to make difficult movies on purpose. You make the films you can make.
Oh, yes, that never happened to me in my life before. It was a risky film, and I warned the producer.
I'd even say it's a realistic film because that's the way it happens in our heads; that was the idea.
I never thought of becoming a director. When I was twelve, the passage from silent film to the talkies had an impact on me - I still watch silent films.
My films seem to be better understood and better received by the monthly publications. On television the first reactions are usually unfavorable.
I am never driven. Every film Ive made has been an assignment.
I never had any special appetite for filmmaking, but you have to make a living and it is miraculous to earn a living working in film.
When I was twelve, the passage from silent film to the talkies had an impact on me-I still watch silent films. I don't think that there is any such thing as an old film; you don't say, 'I read an old book by Flaubert,' or 'I saw an old play by Moliere.'
There cannot be any communication except through form. If there is no form, you cannot create emotion in the spectator.
When I was 12 I made some little films with my friends. I tried to make gangster films, like Fantomas, but I remember being very disappointed with them. They weren't frightening at all. I'm sure they'd be very funny now.
A viewer as opposed to a filmmaker might see a film differently. But I'm extremely comfortable with my style. — © Alain Resnais
A viewer as opposed to a filmmaker might see a film differently. But I'm extremely comfortable with my style.
I can't see any reason why a film shouldn't be stylized and visually beautiful. I don't think a beautiful set is pretentious.
For me an unfavorable initial reaction happens fairly often. For some reason the more time that elapses after the film opens, the more favorable the reviews become.
We should all die with a sharp, brusque heart attack. My father was lucky like that. One day he went hunting. He had a good day, he killed a lot of game, he was with his best friends. He said, "Ah, I'm still a good hunter." Then he said, "I don't feel well," and in 30 seconds it was all over.
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