Top 72 Quotes & Sayings by Baz Luhrmann

Explore popular quotes and sayings by an Australian director Baz Luhrmann.
Last updated on December 21, 2024.
Baz Luhrmann

Mark Anthony "Baz" Luhrmann is an Australian filmmaker and actor with projects spanning film, television, opera, theatre, music and recording industries. He is regarded by some as a contemporary example of an auteur for his style and deep involvement in the writing, directing, design, and musical components of all his work. He is the most commercially successful Australian director, with four of his films in the top ten highest worldwide grossing Australian films of all time.

A life lived in fear is a life half lived.
All good, clean stories are melodrama; it's just the set of devices that determines how you show or hide it.
I never see things I make in the same way that the audience does. You can never do that. — © Baz Luhrmann
I never see things I make in the same way that the audience does. You can never do that.
I often think to myself, at the end of an interesting life it's maybe not such a bad thing to spend your last days with your friends sitting by the blue, blue ocean reliving the story of your life while sitting in the dangerous sun.
The party is a true art form in Sydney and people practise it a great deal. You can really get quite lost in it.
Western films don't do very well in India.
I've always loved the old epics that tell a simple emotional story, whether it's the tumultuous relationship between Rhett and Scarlett or Lawrence of Arabia's passion to get lost in a faraway place.
I do find walking is fundamental to my creative process.
In the '80s, everyone wanted to be in opera. It was groovy.
At a very young age I was allowed to go into the cinema and watch adult films.
I understand that anything actors are doing, good or bad, is motivated by fear.
I think dance in any culture, in any form, is a true leveler.
Opera was the cinema of its time, so to bring back that popular appeal, you just need to unleash its visceral immediacy and excitement. Most productions don't manage that - but when an opera does do it, you never forget it.
When I was growing up you would see big American films that really mythologised their landscape, that really showed the vastness and the drama of their country. — © Baz Luhrmann
When I was growing up you would see big American films that really mythologised their landscape, that really showed the vastness and the drama of their country.
I am always worried when someone says, 'This is perfect.'
In terms of the mechanics of story, myth is an intriguing one because we didn't make myth up; myth is an imprinture of the human condition.
Fitzgerald coined the phrase the 'Jazz Age,' and now we're living in the Hip-Hop Age.
I mean the future has become old fashioned.
If you wanted to show a mirror to people that says, 'You've been drunk on money,' they're not going to want to see it. But if you reflected that mirror on another time they'd be willing to. People will need an explanation of where we are and where we've been, and 'The Great Gatsby' can provide that explanation.
You really think that on my films people tell me what to do? I don't think so. On my films I decide.
In the '60s not everybody was wearing flowers in their hair and flowing caftans.
Sydney in general is eclectic. You can be on that brilliant blue ocean walk in the morning and then within 20 minutes you can be in a completely vast suburban sprawl or an Italian or Asian suburb, and it's that mix of people, it's that melting pot of people that give it its vital personality.
I grew up around jazz. I love jazz.
Sydney is rather like an arrogant lover. When it rains it can deny you its love and you can find it hard to relate to. It's not a place that's built to be rainy or cold. But when the sun comes out, it bats its eyelids, it's glamorous, beautiful, attractive, smart, and it's very hard to get away from its magnetic pull.
My father made sure that I had lots of levels of education - from ballroom-dancing to painting, commando training, theatre and magic.
I've tried to make 'Strictly Ballroom' impossible to date. It does feel a bit '80s but I consciously made sure there was no technology in the movie that could date it.
Fitzgerald was a modernist.
I really believe musical form will go on. There's got to be a way of making musical form in cinema live again.
The food in Sydney is an Asian Pacific cuisine. It's eclectic but above all it's fresh, inventive and creative and that's what I love about it.
Australia, to the rest of the world, is just far away, and Australia in the Thirties was the faraway of the faraway.
Look, I had a passion for comic books growing up.
Historically, epics are set in Africa or Asia or the Wild West, but if you make an epic today it's hard to disassociate from the contemporary realities of those places.
Ultimately, you have to pursue your own path, not someone's idea of the right path. You need to stay on your path.
I feel like a member of any group comprised of outsiders.
I always have a point of view. It may not be right, but it's my own.
I don't have fights with actors. In absolute honesty, I've never fought with any actor ever.
I feel funny about owning art. I don't really want to say: 'Wow, come and see my Monet - it's in a dark room at the bottom of my cellar.'
Some of the greatest relationship films of all time, the two stars have hated each other, but mostly you see that chemistry. — © Baz Luhrmann
Some of the greatest relationship films of all time, the two stars have hated each other, but mostly you see that chemistry.
I love dancing.
One of my great all-time loves in cinema, and I've seen it three times, is Bondarchuk's 'War and Peace.' Not a lot of people may have seen that film. It was made during the Soviet era.
I feel a kinship with anyone who feels that their road, their life or who they really are is not good enough. I really relate to that.
When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
The ugly duckling is a misunderstood universal myth. It's not about turning into a blonde Barbie doll or becoming what you dream of being; it's about self-revelation, becoming who you are.
There's a whole system in Hollywood where the director never speaks to the studio, but I like to engage them in a discussion. I listen.
If Paris is a city of lights, Sydney is the city of fireworks.
Everything I make starts very personally.
I wouldn't take a directing job if I didn't think it was enriching life.
One of the great things about Sydney is that it has a great acceptance of everyone and everything. It's an incredibly tolerant city, a city with a huge multicultural basis.
I mean, '8½' to me is such a great dissertation on the whole, you know, act of filmmaking and creativity. — © Baz Luhrmann
I mean, '8½' to me is such a great dissertation on the whole, you know, act of filmmaking and creativity.
Your choices are half chance, so are everybody else's.
Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long, and in the end, it's only with yourself
Accept certain inalienable truths.
All good, clean stories are melodrama, it's just the set of devices that determines how you show or hide it.
The race is long but in the end it is only with YOURSELF.
Trust yourself that you can do it and get it
Be careful whose advice you buy, but be patient with those who supply it.
Enjoy the power and beauty of your youth.
Don't worry about the future.
Why live life from dream to dream, and dread the day when dreaming ends.
Advice is a form of nostalgia.
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