Top 73 Quotes & Sayings by Chuck Jones

Painting does what we cannot do - it brings a three-dimensional world into a two-dimensional plane.

There is absolutely no inevitability as long as there is the willingness to think.

Once you have heard a strange audience burst into laughter at a film you directed, you realize what the word joy is all about.

The whole essence of good drawing - and of good thinking, perhaps - is to work a subject down to the simplest form possible and still have it believable for what it is meant to be.

I started reading when I was about three, a little over three.

The author O. Henry taught me about the value of the unexpected. He once wrote about the noise of flowers and the smell of birds - the birds were chickens and the flowers dried sunflowers rattling against a wall.

Disney was not a good animator, he didn't draw well at all, but he was always a great idea man, and a good writer.

The rules are simple. Take your work, but never yourself, seriously. Pour in the love and whatever skill you have, and it will come out.

I have come to know Bugs so well that I no longer have to think about what he is doing in any situation.

If you start with character, you probably will end up with good drawings.

Comedy is unusual people in real situations; farce is real people in unusual situations.

The Coyote is limited, as Bugs is limited, by his anatomy.

The only thing an adult can give a child is time.

The older I get, the more individuality I find in animals and the less I find in humans.

Human beings will line up for miles to buy a bucket of catastrophes, but don't try selling sunshine and light - you'll go broke.

In 1918, when I was 6 or 7 years old, radio was just coming into use in the Great War.

Each character represented a trait that resides in me.

If you want a midget to look like a baby, don't put a cigar in his mouth.

We must not confuse distortion with innovation; distortion is useless change, art is beneficial change.

The only time a wife listens to her husband is when he's asleep.

Mark Twain's Roughing It is a book that many people don't know about, but I highly recommend to anybody at any age.

When critics sit in judgment it is hard to tell where justice leaves off and vengeance begins.

A lion's work hours are only when he's hungry; once he's satisfied, the predator and prey live peacefully together.

I have to think as Bugs Bunny, not of Bugs Bunny.

Anxiety is the handmaiden of creativity.

Fog and smog should not be confused and are easily separated by color.

Well, directing is doing the key drawings, not the key animation, mind you.

Comedy is a very, very, very stringent business.

Early experiences convinced me that animals can and do have quite distinct personalities.

Jackie Gleason said that comedy is the most exacting form of dramatic art, because it has an instant critic: laughter.

Anyone can negatively criticize - it is the cheapest of all comment because it requires not a modicum of the effort that suggestion requires.

I'm still astonished that somebody would offer me a job and pay me to do what I wanted to do.

There's only one test of a great children's book, or a great children's film, and that is this: If it can be read or viewed with pleasure by adults, then it has the chance to be a great children's film, or a great children's book.

Animation means to invoke life, not to imitate it.

Artists don't need criticism, artists need love

The road is better than the inn.

A comedian is not a person who opens a funny door - he's the person who opens a door funny.

Animation isn't the illusion of life; it is life

The author O. Henry taught me about the value of the unexpected. He once wrote about the noise of flowers and the smell of birds—the birds were chickens and the flowers dried sunflowers rattling against a wall.

You do not 'suffer' if you decide 'that's the way it is' rather than 'why is it this way?'

All of you here have one hundred thousand bad drawings in you. The sooner you get rid of them, the better it will be for everyone.

Bugs is who we want to be. Daffy is who we are.

Often Anxiety is the hand maiden of creativity.

Every artist has thousands of bad drawings in them and the only way to get rid of them is to draw them out.

Anyone can say 'no'. It is the first word a child learns and often the first word he speaks. It is a cheap word because it requires no explanation, and many men and women have acquired a reputation for intelligence who know only this word and have used it in place of thought on every occasion.

Eschew the ordinary, disdain the commonplace. If you have a single-minded need for something, let it be the unusual, the esoteric, the bizarre, the unexpected.

You've got a million bad drawings in you; you better get started.

You can't force inspiration. It's like trying to catch a butterfly with a hoop but no net. If you keep your mind open and receptive, though, one day a butterfly will land on your finger.

If you make a fool of yourself in front of a cat, he will sneer at you, if you are sober; he will leave the room if you are drunk. If you make a fool of yourself in front a dog, he will make a fool of himself, too.

An animator is an actor with a pencil.

You have a coyote inside you and you have to get it out

The only time a wife listens to her husband is when he’s asleep.

Censorship, I believe, is the most dangerous enemy to all human communication, and piety of intention is probably the most dangerous, the most virulent and the most self-satisfying.

Every great artist must begin by learning to draw with the single line, and my advice to young animators is to learn how to live with that razor-sharp instrument or art. An artist who comes to me with eight or ten good drawings of the human figure in simple lines has a good chance of being hired. But I will tell the artist who comes with a bunch of drawings of Bugs Bunny to go back and learn how to draw the human body. An artist who knows that can learn how to draw ANYTHING, including Bugs Bunny.

Painting does what we cannot do—it brings a three-dimensional world into a two-dimensional plane.

In timing a film, we used to assume that sneaks move slowly. This was great for animators-thirty-six to forty-eight drawings for a single step-but it was sheer hell for the pace of the picture. So the rapid tiptoe was invented.

All worthwhile endeavors are 90% work and 10% love, and only the love should show.

An idea has no worth at all without believable characters to implement it; a plot without characters is like a tennis court without players. Daffy Duck is to a Buck Rogers story what John McEnroe was to tennis. Personality. That is the key, the drum, the fife. Forget the plot.

As you become acquainted with a character you are creating, you add parts of yourself that are pertinent to that character.

[W]hen the coyote falls, he gets up and brushes himself off; it's preservation of dignity. He's humiliated, and it worries him when he ends up looking like an accordion. A coyote isn't much, but it's better than being an accordion.