Top 14 Quotes & Sayings by David Dobkin

Explore popular quotes and sayings by an American director David Dobkin.
Last updated on September 18, 2024.
David Dobkin

David Dobkin is an American director, producer and screenwriter. He is best known for directing the films Clay Pigeons, Shanghai Knights, Wedding Crashers, The Judge, and Eurovision Song Contest: The Story of Fire Saga.

Art is the only thing that can save me from my opinions about the world. I tend to get very worked up about what I see going on, and I feel, you know, impotent to make the kind of changes and the kind of difference that I would like to make.
On the comedy side of what I love as a filmmaker are Richard Pryor, Lenny Bruce, and Eddie Murphy; those are my favorites.
I watch comedy on TV, and it's too cutty for me. I get a little jarred, and it succeeds. It's not like it's not working, and I look at certain things, and it has the cutting... it's not like I'd make terribly different cuts, but for some reason, it moves too fast for me.
I honestly never thought in my career I was going to do a body-switching movie. — © David Dobkin
I honestly never thought in my career I was going to do a body-switching movie.
People who do not have funny in them are not funny when they read funny lines. Sorry. Just doesn't work that way. Seriously, this is the biggest rule of all. You live and die with your casting decisions. Your actors are the heart and soul of the whole thing. Without brilliant actors, you will not have a brilliant film.
I'm not funny. Never have been and, as far as I can tell, I never will be.
I'm very comfortable with an R-rating. I feel like it sounds like what people talk like in real life; I think it's more real to me.
I generally don't walk out of films. If I start a book, and I don't love it by page 100, I will stop reading because it's just too much of a time commitment. But you never know with a movie what's going to turn around.
I do believe in God. I don't believe in God as a person, but I believe in God as a state of energy and consciousness that we all share.
Laughter is binary: It either happens or it doesn't. As each joke arrives in the course of a film, the cavernous space of the theater is either filled with joy and laughter or with the quiet of cringing embarrassment. Every time you step to the plate to make a joke, you're going to experience one or the other.
I believe comedy should be free to go anywhere. I believe that there is tasteful and untasteful, I think they're very close to each other, and it's how you handle it tonally. But I'm an equal opportunity offender.
Laughter is really a gift. It's the most vulnerable state you can be in.
I believe comedy should be free to go anywhere. I believe that there is tasteful and untasteful, I think they're very close to each other, and it's how you handle it tonally. But I'm an equal opportunity offender. I'm happy to go at anything that has a cause to be laughed at.
Comedy, when it works, is light on its feet and has the illusion of complete spontaneity: as if there is no film, no camera. You are standing there experiencing it all in real time. This illusion, I believe, is why so many people think comedy is easy.
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