Top 81 Quotes & Sayings by Denis Villeneuve - Page 2

I always have a strange feeling that projects choose you. It's always mysterious.

I feel that one of the fields that I need to learn a lot is screenwriting. I used to write my own screenplays, but it's just that I remember that at that time, I was saying to myself, 'I wish one day I will meet a screenwriter that will help me because I feel that I need to learn.'

I have joy. Canadians have the reputation of making dark movies because we are in this society where we have the space to explore darkness. That's the way I see it.

I always thought, like everyone, that Hollywood was a superhero factory.

I'm among the hardcore fans of 'Blade Runner.' 'Blade Runner' is one of my favorite movies of all time. It's a movie that is linked with my love and passion for cinema.

When you do casting in Hollywood, it's always the same question: 'Who is available?'

I feel, since 2001, this huge need for Americans to have superheroes on the screen. This idea that a super-being will protect you. That this being can go above the law but, at the end of the day, would be a good force and defeat the evil. This idea that this half-god exists. This need in the subconscious of America to find these gods.

'Sicario' is about how the Western world reacts toward problems outside of its borders. Should we become monsters in order to fight the monsters? It's not about the cartels. The movie could have been set in Africa or the Middle East.

The beauty of Toronto is that it has not been shot a lot in movies, for itself at least. I mean, most of the time, Toronto is shot to portray something else.

I'm someone who thinks that the world would be a better place if there was a big middle class. I mean, middle class is peace. In a perfect world, everybody would have enough to eat and we'd be living in security. It's obvious. I'm very happy to pay my taxes and all that. I would say I'm more of a Social Democrat.

I love, in movies, when you feel and you understand the past of the character without it being said or having a flashback or something that explains. I think, in 'Prisoners,' we need to understand that Loki's character's past was not first class. He was not the first in his class.

I was saying to myself that I would love to try it once, just one time, to know what it's like to make a movie in Hollywood. I was so curious because most of my favorite directors were there. There's a history; there's a way of working.

Cannes is the oldest film festival in the world, and I've long dreamed of having one of my films there in competition. It's a dream that lay dormant for a long time; I stopped believing in it.

I'm coming from a small town in Quebec where, at that time, there was no Internet, and the way to be in contact with movies were those American fan magazines like 'Fantastic Films' and 'Starlog,' and I still remember the shock, the impact of seeing the first frames, the first pictures coming out of 'Blade Runner.'

The truth is, I'm someone coming from a spoiled society - the worst thing we deal with in Canada is winter.

I remember when I read the screenplay for 'Sicario,' I fell in love with it, but at the same time, I went, 'Oh no, not again.' I mean, I would love to fall in love with something that is more light, like a rom-com or a comedy. I would love to. Because it's very demanding to go to dark places like this.

Very early on, I was writing stories, and I was amazed at Spielberg's movies when I was young. Coming from the countryside, I was so impressed with the way he was able to tell stories and the way he was able to deal with le merveilleux - the wonders.

When I was a kid, I was always going to bed creating a story and that was the birth of filmmaking for me. I would like going to the dream-state by telling the story to someone else in my mind. That was my imaginary friend; it was an imaginary audience listening to my story.

Sometimes you have compulsions that you can't control coming from the subconscious they are the dictator inside ourselves.

The movies I did before were movies with a lot of characters, a lot of locations, and low budgets, which meant that I was running all over the place and never had the chance to build a relationship with an actor. I was always having big, strong relationships with the cinematographers or editors or production designers, but not with the actors.

You cannot make promises because you never know what your next project will be.