Top 98 Quotes & Sayings by Elia Kazan
Explore popular quotes and sayings by an American director Elia Kazan.
Last updated on December 21, 2024.
Acting... was the biggest charge I ever had. What other artist has it so good? Approval so quick?
I joined the Communist Party late in 1934. I got out a year and a half later.
I may be getting old, but not foolish.
I was taken in by what might be called the Hard Times version of the Communists' advertising or recruiting technique.
I didn't have that much confidence. Maybe it looks that way. I'm glad it does.
The world was like a huge red carpet out ahead of me to be walked on. And it stretched on and on, no end.
I spoke without fear of contradiction. I simply did not suffer self-doubt.
The essence of the stage is concentration and penetration. Of the screen action, movement, sweep.
Anybody who informs on other people is doing something disturbing and even disgusting.
What's called a difficult decision is a difficult decision because either way you go there are penalties.
I have no spy stories to tell, because I saw no spies. Nor did I understand, at that time, any opposition between American and Russian national interest.
Stylized acting and direction is to realistic acting and direction as poetry is to prose.
I was not what you'd call a first-class actor, but I did all right.
I gave my life to the Group Theatre, because in it I'm building something for myself. What I build, I am.
There is only one thing I respect in so-called Broadway actors... and that is their competitive sense.
I will say nothing to an actor that cannot be translated into action.
I used to spend most of my time straining to be a nice guy so people would like me.
I think there should be collaboration, but under my thumb.
The belief that the good in American society will finally win out... I don't believe any more.
A film director has to get a shot, no matter what he does. We're desperate people.
I was not a collective person or a bohemian; I was an elitist.
I wouldn't go up on a stage now if you paid a thousand dollars for one minute of acting. It's a nasty experience. You're up there all by yourself. You're so damn exposed.
I was very intense. I think it's a privilege to be an actor.
I truly believe that all power corrupts. Such is probably the thinking behind every political film ever made in Hollywood.
I was always a self-conscious person.
You can't just sit there and do the lines. You have to do something revealing or unusual.
Every fighter has one fight that makes or breaks him.
The makers of entertainment must try, in our field, to be honest and grown-up.
I value peace when it is not bought at the price of fundamental decencies.
Our relationship was cursed by the fact that we agreed on everything.
The thing about Brando was that I'd make these directions, and he'd walk away. He'd heard enough... to get the machine going.
I knew the exuberance of playing before an admiring audience and hearing my secret voice.
Very often the Group actor is a critic when he's acting and an actor when he's criticizing.
You've got to keep fighting - you've got to risk your life every six months to stay alive.
The motion pictures I have made and the plays I have chosen to direct represent my convictions.
I like directors who come on the set and create something that's a little dangerous, difficult or unusual.
I was the true future. I understood Communism better than they did.
I question the value of stars. I think they're overrated. They get too much money, too much praise.
The physical life of the scene is determined by whether the set squeezes people together or whether the set has an escape place in it.
I said to Tennessee, this thing is becoming the Marlon Brando show.
A good director's not sure when he gets on the set what he's going to do.
I'm small, but I'm neither compliant nor agreeable.
I would rather do what I did than crawl in front of a ritualistic Left and lie the way those other comrades did betray my own soul.
I was an outsider... but I was also sympathetic with people that were struggling to get up, because I struggled to get up.
The writer, when he is also an artist, is someone who admits what others don't dare reveal.
Every picture that is successful has one little miracle in it.
To be a member of the Communist Party is to have a taste of the police state. It is a diluted taste but is bitter and unforgettable.
I hate the Communists and have for many years and don't feel right about giving up my career to defend them. I will give up my film career if it is in the interests of defending something I believe in, but not this.
The Communists automatically violated the daily practices of democracy to which I was accustomed.
The more ambivalent you are and the more uncertain you are, then you can get something that you cannot anticipate.
I was the hero of the young insurgent working class art movement.
For years after I resigned, I was still faithful to their way of thinking. But not in the American Communists.
The first thing you should do with an actor is not sign a contract with him. Take him to dinner. And take him for a walk afterwards.
You have to remind people of their own struggles. It's a responsibility.
I was even superior to the Communists and when they didn't go along with me, I quit them.
Whatever hysteria exists is inflamed by mystery, suspicion and secrecy. Hard and exact facts will cool it.
Miller didn't write Death of a Salesman. He released it. It was there inside him, waiting to be turned loose. That's the measure of its merit.
I owe Bankhead a gift; she made a director out of me.
Hey, you must be doin' good, 'cause I never hear from you.
There was no doubt that there was a vast organization which was making fools of all the liberals in Hollywood and taking their money, that there was a police state among the Left element in Hollywood and Broadway.
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