Top 11 Quotes & Sayings by Ernst Lubitsch

Explore popular quotes and sayings by a German director Ernst Lubitsch.
Last updated on September 18, 2024.
Ernst Lubitsch

Ernst Lubitsch was a German-born American film director, producer, writer, and actor. His urbane comedies of manners gave him the reputation of being Hollywood's most elegant and sophisticated director; as his prestige grew, his films were promoted as having "the Lubitsch touch". Among his best known works are Trouble in Paradise, Design for Living, Ninotchka, The Shop Around the Corner, To Be or Not to Be and Heaven Can Wait.

You could name the great stars of the silent screen who were finished; the great directors gone; the great title writers who were washed up. But remember this, as long as you live: the producers didn't lose a man. They all made the switch. That's where the great talent is.
There are a thousand ways to point a camera, but really only one.
In Hollywood we acquire the finest novels in order to smell the leather bindings. — © Ernst Lubitsch
In Hollywood we acquire the finest novels in order to smell the leather bindings.
I let the audience use their imaginations. Can I help it if they misconstrue my suggestions?
I sometimes make pictures which are not up to my standard, but then it can only be said of a mediocrity that all his work is up to his standard.
I've been to Paris France and I've been to Paris Paramount. Paris Paramount is better.
Nobody should try to play comedy unless they have a circus going on inside.
The job of the director is to suggest two plus two. Let the viewer say four.
Any good movie is filled with secrets. If a director doesn't leave anything unsaid, it's a lousy picture. If a picture's unsaid, it's a lousy picture. If a picture is good, it's mysterious, with things unsaid.
I've been to Paris, France, and I've been to Paris, Paramount. I think I prefer Paris, Paramount
It is the task of the scenarist to invent little pieces of business that are so characteristic and give so deep an insight into his creatures, that their personalities clearly and organically unfold before the eyes of the audience so that the latter feel that the actions of these people are contingent upon their characters, that there exists some kind of a logical fate, and that nothing is left to mere accident or coincidence.
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