Top 100 Quotes & Sayings by Farah Khan
Explore popular quotes and sayings by an Indian director Farah Khan.
Last updated on December 25, 2024.
When I see a lot of the big Hollywood movies, I see they are all financed by Indian studios.
The idea of directing my own movie is definitely more challenging than choreography.
I feel 95 per cent of Indian boys are mama's boys and a few of them couldn't come out of their mother's shadows. Salman Khan is one of them. I feel one of the reasons he is unable to find a soul mate is he looks for his mother in every girl.
IVF is a wonderful thing. One has to ignore the injections as the reality is that nobody is going to invent a pill that you can take to get a baby.
The stars that I've worked with started their careers almost at the same time as me. Whether it is Shah Rukh Khan or Aamir Khan or Salman Khan.
I have fully retired as a choreographer. I do not have the patience now to make actors learn their steps. For me, that ship has sailed. I have enjoyed 22 years of it.
For me feminism is equality.
I don't smoke, drink, do drugs or even have affairs. If I don't even swear, I should be put in a shrine and sanctified.
I had babies at the age of 43 because sometimes you get so caught up, you are making your life, building your career and may be you don't want to get married.
I don't neglect my kids. They are my priority. They come on shoots.
One of my favourite scenes ever is in Mr India - when the kids are hungry and Sridevi comes with the pastries etc, and they become friends. It's impossible not to get teary-eyed.
Everyone has flaws. We are only human after all. But what's important is, we don't let our flaws stand in the way of what we can achieve.
My experience in Bollywood has been this: You work hard, you deliver, and nobody finds fault with you.
I am a hands-on mother, so I take long gaps between films.
I am not an actress.
Professionally, I like doing one thing at a time and enjoy directing the most.
You are punished only when you are not performing as per expectation, and not because you belong to a particular religion, caste, or creed. Here, you fail because your vision is not right or you have not worked hard. That's why I believe we have true democracy in the film industry. How I wish the rest of the country was like the industry!
Luckily, filmmaking is not a nine-to-five job.
I see people every day who think they're the be all and end all of the industry. I've seen so many people come and go, but the industry doesn't revolve around one person.
I always say a film should be given breathing space.
Every person with a phone is a critic.
You get paid what you deserve, according to the money that your movie generates. I get much more than a lot of male directors and I also get less than some. But I get paid what I deserve and what I ask for.
I make aesthetic movies which are grand and with some of the biggest stars. It's not fair to run them down. I don't make tacky films.
Adopting a pet is like taking the responsibility of a baby.
You are only part of the film industry if you are doing well, let me tell you. You will be invited to parties and flowers will reach you on your birthday. When you are not doing well, you are really an outcast.
Parenting three children at the same time has helped me grow as a filmmaker. It taught me to be more empathetic and understand what people want from me.
I always say that cinema reflects life, not the other way round.
I don't care for jewellery and fancy clothes.
Cinema, art and culture should definitely be shared. These things transcend borders.
I think it is important to enjoy your work.
I have to be someone; maybe I'm just doing it for my father. When I made a movie, it had to be a hit because when he died, he was a flop director.
I was chosen over British and French choreographers to work on 'Bombay Dreams.'
Manmohan Desai's films pack a lot of joy and have a child-like quality and you can see the director is having fun, but my movies don't suspend disbelief that much. But it's good to be compared to Manmohan Desai. He was run down by critics in his time.
Giving birth to triplets at the age of forty-three is no walk in the park, but I had little choice. I got married at the young age of forty, and both my husband, Shirish, and I were keen to start a family soon.
I had to let go of many things because we did not have much money growing up. Like joining the Film Institute in Pune or learning the piano.
I never imagined myself making these big movies and being married and having kids.
The climax of 'Johny Mera Naa,' it's one of the best climaxes ever written, ever directed. If I ever wanted to remake a movie, I'd try to do this one, just for the climax.
The best moment in 'Masoom' comes when the boy tells him that he knows he's his father.
The problem with people is that no matter how good you are at what you do, it's never enough for them. There will always be someone to point out some flaw. Someone will always find something lacking in you.
Women directors in India have mostly made niche films. Naturally, those films have a limited market.
I would love to make a sarcastic film; I am so sarcastic that even my kids are now getting used to my sarcasm. You see it a lot in British comedy because that's their sense of humour.
People tend to take themselves too seriously.
Since 'Main Hoon Na' is a cult film, if I want to make a sequel, the story has to be good!
Personally, I love being a mother the most. I dream of taking holidays with my three kids. I want to take my kids to beaches, gardens, the farm, malls everywhere.
In 'Purab Aur Paschim,' there's one of the nicer patriotic scenes which is patriotic without going jingoistic. There's a scene set in a rotating restaurant, where Pran, who has left India, is completely running India down and Manoj Kumar is taking up for India. And there's that song 'Jab Zero Diya.'
I'd taken 'Om Shanti Om' to Japan and they loved it because they just love the not holding back of emotions.
God bless IVF because it's never too late to conceive any more. However, having said that, I have to point out that going through IVF is a gruelling procedure; maybe that's why only a woman can go through it!
I don't socialise. My social life is minus zero.
Even as one of the best choreographers in the country, I was criticised for a lot of things I have done in life.
I never thought 'Mein Hoon Na' will do so well in Pakistan. Whenever I meet Pakistanis in London or the U.S., they have so much love and affection for me because of 'Mein Hoon Na,' which was my most criticised film in India.
Whenever I visit abroad, people recognise me - it feels great.
Even with a big budget, you can make a niche film.
Before I had my babies, I would tend to be self-absorbed, and worry about little things, but now I am a changed person.
Somewhere my dad gave up. He was really so successful at his level that after a point he could not handle failure.
People don't wish to watch masala films of the '50s any more. Audiences do not want loud films at all. They are watching Netflix and Amazon that have fresh ideas.
My father Kamran Khan was a successful producer, director and actor in B-grade films.
I make commercial films only. I don't make small, boring films.
Web series are the future.
I'm not promiscuous by nature.
Later in life there should not be any regrets. Sometimes you have children too early and regret it, 'If I wouldn't have, my career would have been different' and sometimes when you don't have, you miss that opportunity.
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