Top 137 Quotes & Sayings by James Cameron - Page 2

Usually, when you go to a movie, your consciousness floats above the film. 3D sucks you in and makes it a visceral experience.

But failure has to be an option in art and in exploration - because it's a leap of faith. And no important endeavor that required innovation was done without risk. You have to be willing to take those risks.

All my films are love stories.

We have a great responsibility. Whatever we make will become the truth, the visual reality that a generation will accept.

The nation that leads in renewable energy will be the nation that leads the world 10, 20 years from now.

Every time my cameras go out on a movie, we learn something new and then we take what we learn and we put it into the next generation of the cameras so we're constantly improving. It's kind of like building a race car, racing it, then running back to the shop and working on the engine some more and tinkering with it to improve it.

That worst evil of long dictatorships: the loss of all political experience.

It's important for me to have hope because that's my job as a parent, to have hope, for my kids, that we're not going to leave them in a world that's in shambles, that's a chaotic place, that's a dangerous place.

Broken Horses is an artistic triumph. Beautifully written, acted and imaged, this film wraps slowly around you like a king snake and squeezes.

You can't be an environmentalist, you can't be an ocean steward without truly walking the walk and you can't walk the walk in the world of the future, the world ahead of us, the world of our children, not eating a plant-based diet.

I'm King Of The World!!!

It’s not a requirement to eat animals, we just choose to do it, so it becomes a moral choice and one that is having a huge impact on the planet, using up resources and destroying the biosphere.

So my message is in whichever realm, be it going into space or going into the deep sea, you have to balance the yin and yang of caution and boldness, risk aversion and risk taking, fear and fearlessness. No great accomplishment takes place, whether it be a movie or a deep ocean expedition, or a space mission, without a kind of dynamic equipoise between the two. Luck is not a factor. Hope is not a strategy. Fear is not an option.

You don't rest well as long as you're seeking vengeance. I feel sad justice wasn't done, but it's time to move on and sleep well.

Nature's not our enemy, it's our sustenance; and we need it - and we need nature healthy for us to be healthy and to survive long term

I guess Titanic because it made the most money. No, I`m kidding. I don`t really have a favorite. Maybe Terminator because that was the film that was the first one back when I was essentially a truck driver.

When you have the feeling that anything’s possible, sometimes you wind up acting on it.

Old Rose: It's been 84 years, and I can still smell the fresh paint. The china had never been used. The sheets had never been slept in. Titanic was called the Ship of Dreams, and it was. It really was.

Climate change is critical to me because I'm a parent; I feel a sense of responsibility to the future. I'm not going to be around to see its worst effects, which are going to be hitting in the 2030s, '40s, '50s, but my kids will.

The literature now is so opaque to the average person that you couldn't take a science-fiction short story that's published now and turn it into a movie. There'd be way too much ground work you'd have to lay. It's OK to have detail and density, but if you rely on being a lifelong science-fiction fan to understand what the story is about, then it's not going to translate to a broader audience.

There is a vast frontier that's going to take us a while to understand... it was very lunar, a very desolate place, isolated.

I want to challenge all of you as people of deep conscience, people who are environment stewards of the earth and oceans ... By changing what you eat, you will change the entire contract between the human species and the natural world.

Failure is an option, fear is not.

If you want to move through a virtual reality it’s called a video game, it’s been around forever.

The quickest way to destroy ocean science is to take human explorers out of the water

If you faced a long hungry period with nothing between you and starvation but a bit of barley and a pig, you'd be better off turning the barley into beer and letting the pig starve.

Getting the audience to cry for the Terminator at the end of T2, for me that was the whole purpose of making that film. If you can get the audience to feel emotion for a character that in the previous film you despised utterly and were terrified by, then that's a cinematic arc.

Don't get seduced by your own stuff; work hard to keep a blank slate state of mind each time you watch your film.

When Nikita Khrushchev wrapped himself in the bloody mantle of the Czars he broke Hungary, he broke the little Communist parties over the western world, and he broke the hearts of many honest men who had trusted a little too far, a little too long.

I've sworn off agnosticism, which I now call cowardly atheism. I've come to the position that in the complete absence of any supporting data whatsover for the persistence of the individual in some spiritual form, it is necessary to operate under the provisional conclusion that there is no afterlife and then be ready to amend that if I find out otherwise.

I tried [being a mogul]. It bores me. I don't really want to produce other people's movies. Because they're either grown-up filmmakers like Steven Soderbergh or Kathryn Bigelow that didn't really need me - and I've produced both of them. It's fun to sit around with them and be collegial, but they don't need me. They can make the film without me. I make my own stuff. There are tons and tons of other things I'm interested in that have nothing to do with movies or are documentary projects.

If it was up to the studio, everything would be shot with a camcorder.

I'm a curious guy. I can't turn away from an investigative story, when it comes to the forensic analysis. I've done 33 dives, to the titanic wreck site. I've spent over 50 hours piloting robotic vehicles at that wreck trying to piece together what happened during the disaster. How the ship broke up, comparing the historical record with the forensic record. Documentaries are kind of my new life. I love documentary filmmaking.

Rose: But now you know there was a man named Jack Dawson and that he saved me... in every way that a person can be saved

Tread softly upon the earth because the faces of the unborn look up at you.

When the ship docks, I'm getting off with you. This is crazy. I know it doesn't make any sense, that's why I trust it.

Don't get seduced by your own stuff. Don't get high on your own supply. The hardest thing as a filmmaker is when you're watching a film that you've worked on for several years. You know every frame so intimately that holding lots of the objectivity of a new viewer who has just seen it for the first time is the hardest thing. Every aesthetic decision you make - and you make thousands of them every day, have to - in theory, must be done from you being a blank slate. You almost have to run a program, like a mind wipe, every time you watch the movie.

Hate is a disease, and in 1930 I became sick with hatred.

I pick my feature film battles very carefully. They're going to be personal and they're going to take a lot of my energy. I'm not going to be some big production company and be Jerry Bruckheimer or something like that. It doesn't interest me.

There seems to be a lot of excitement around something that, to me, is a yawn, frankly.

I don't look at scripts. I just write them.

With 'Avatar,' I thought, Forget all these chick flicks and do a classic guys' adventure movie, something in the Edgar Rice Burroughs mold, like John Carter of Mars - a soldier goes to Mars.

It's about human imagination and curiosity. What's out there? What's in the great beyond? What exists at levels we can't see with our five senses?

Avatar is the most high tech film in terms of its execution, dealing with essentially a very low tech subject; which is our relationship with nature...and in fact the irony is that the film is about our relationship with nature and how our technological civilization has taken us several removes away from a truly natural existence and the consequences of that to us.

I love it when I have a nightmare to me that means I got my money's worth out of that eight hours

James Cameron doesn't do what James Cameron does for James Cameron. James Cameron does what James Cameron does because James Cameron is... James Cameron.

Go home, pick up your video camera, and make a film.

Action is a way of externalizing an emotional state. You might not be running, leaping, climbing and doing all that. But, the way you create that emotional state in a movie is by having the characters have physical jeopardy that they have to work against.

In writing the new films, I’ve come to realize that AVATAR’s world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen.

I'm certainly not a fan of conversion when you could shoot the movie in 3-D.

I tend to like strong female characters. It just interests me dramatically. A strong male character isn't interesting because it has been done and it's so cliched. A weak male character is interesting: somebody else hasn't done it a hundred times. A strong female character is still interesting to me because it hasn't been done all that much, finding the balance of femininity and strength. [From a 1986 Fangoria interview]

Everybody's going to do the 3D slightly differently the same way that people are going to deal with color differently. Some movies downplay the color, some color is very vibrant. Color design is very different. We've got to think of 3D like color or like sound, as just part of the creative palette that we paint with and not some whole new thing that completely redefines the medium.

I don't just want to be associated with a few good 3D movies and the audience is saying all of the other ones are crap.

I am king of the world!

People of conscience in our leadership in Washington have been scared off by the right and the fossil fuel lobbies. They won't even use the term "sustainability" or "climate change" in an energy bill, which is ludicrous on its face. It completely ignores the elephant in the room that we're all dealing with. The average American doesn't even believe climate change is real, they think it's all a hoax.

I don’t feel that I’m making movies for iPhones. If someone wants to watch it on an iPhone, I’m not going to stop them, especially if they’re paying for it, but I don’t recommend it. I think it’s dumb, when you have characters that are so small in the frame that they’re not visible. I’m trying to make an epic.

The universe is like a giant bank vault lock, where the tumblers are constantly moving and once in a while the tumblers line up and you have to listen for the click. So you must be prepared in that moment to step through the door.

It was long ago in my life as a simple reporter that I decided that facts must never get in the way of truth.

Literary science fiction is a very, very narrow band of the publishing business. I love science fiction in more of a pop-culture sense. And by the way, the line between science fiction and reality has blurred a lot in my life doing deep ocean expeditions and working on actual space projects and so on. So I tend to be more fascinated by the reality of the science-fiction world in which we live.

Religions fulfill deep-seated psychological needs for people, and if you don't get it from a specific religious doctrine, you'll get it from the kind of films I like to make. A film like The Terminator is consciously meant to give a sense of empowerment to the individual.