Top 107 Quotes & Sayings by James Gunn
Explore popular quotes and sayings by an American director James Gunn.
Last updated on September 17, 2024.
My girlfriend says I have frontal-lobe epilepsy. I have visions. They have slowed down as I've gotten older, but I still have them.
I've always believed in the power of rational thinking and behavior as the savior of the world, and science fiction as a powerful medium to encourage that, which explains my signature line, 'Let's save the world through science fiction.'
I love raccoons. I had a raccoon figurine collection as a kid, and I now have two movies with 'Ranger Rick' jokes in them. I love 'em. They come in my back yard all the time, and we just stare at each other like a couple of idiots.
I like the Nova Corps; I just don't like Nova that much! He's okay, you know? I just don't like that helmet!
Science fiction writers aren't in the prediction business; they're in the speculation business, using 'hasn't happened' or 'hasn't happened yet' to create entertaining scenarios that may or may not anticipate future realities.
When I was a kid, I was obsessed with different planets in the solar system, and I used to create, for every single planet, a different alien race with a certain kind of pet, a certain kind of house, a certain kind of water system, and everything. I would draw these pictures. I had hundreds of these pictures in a box.
When I got hired to do 'Guardians,' it was the dream of a lifetime for me. This is what I've been working towards. I've always wanted to create a space adventure, and especially a space adventure with a raccoon. Now that I'm finally able to do it, I created exactly the movie I wanted to make.
I don't think through anything I do. I just do it, and it's oftentimes landed me in huge amounts of trouble.
I have to say, I feel a weird sort of calling in filmmaking that I didn't feel with other things. I feel like there are things in life you want to do, and then things you are called to do, and hopefully you can allow yourself to want to do whatever you're called to do.
I was the kid in the neighborhood that was directing everyone else. I was director from the time I was a child.
When people go to the theater, people say they want something different, but what they really want is something the same with slight permutations. To really not know what is going to happen next is a hard thing.
The truth is that I didn't start out making commercial movies. My films were not film festival movies with the possible exception slightly of 'Super,' but I was able to nurture my gifts through the works of artists making lower budget films that needed a place and an outlet.
My life isn't just one genre. It's a romance one minute, an action movie the next - it's actually rarely, rarely an action film, to be frank.
In a way, metafiction breaks down the story and makes it less real. But in another respect, by that very breaking down, it actually makes things feel more real than they would to begin with.
A lot of people die in my movies. So if you're in a few of my movies, you have a good chance of dying!
When you're on an independent film, you have a lot of great people there who are telling really true and authentic stories. But you also have a lot of con artists and people who think they can do something that they can't.
I always felt restrained by lower-budget films. I enjoyed making them, and I felt fulfilled, but I really did always want to make bigger movies.
I think of the Avengers as The Beatles, and the Guardians are the Rolling Stones. That is really how I feel about the groups.
It's hard making a movie because it's like... you lose your life. I mean, really, I like being alive; I like having friends, going out, watching other people's movies, and all these things I can't do for a year while I make a movie.
When I write a screenplay - and I think it's one of the reasons why it was frustrating for me just to be a screenwriter - I'm not thinking of it in terms of words on a page; I'm thinking in terms of visual images - basically, a comic book. I'm thinking of it in a series of shots.
I don't see a big difference between the job of directing a low-budget movie and the job of directing a big-budget movie.
I'm a little bit twisted, so what makes me laugh the hardest doesn't necessarily make other people laugh.
I've come to trust that what I like is what works.
I saw 'Fifth Element' once when it first came out and never thought much of it.
'Belko Experiment' was the harshest, most extreme movie I ever made. But I still think there's a very cohesive center to it that wasn't always in my early films. And that isn't necessarily a bad thing. But I think it's a commercial thing.
I can't be told life is beautiful through a normal positive thinking book or a Hallmark movie; that language doesn't work for me.
I always like to think that I make movies that are like Nirvana songs. They have a slow verse, and then they pop into high gear, and then they go back into slow, and then they pop into high gear again.
I know, people have had different things to say about Marvel, about how creatively free they are or not free they are, but for me, the rule has always just been stay as good as I can possibly be, and stay one step ahead of the curve, and stay unique, and stay myself. And they seem to like that.
Science fiction always has had strains of pessimism and optimism weaving through its historical development, sometimes one dominating and then the other, usually depending on the state of the world.
I think that one of the things that drives me in telling stories, and art in general, is finding the beautiful in a big mass of ugly.
It's impossible not to constantly adjust the way you look at yourself.
I feel like I've kinda danced around telling the truest story I can for many years of my life. I've been a little distracted by trying to be shocking or edgy or cool or whatever, and by letting go of that and telling the truest story I can - even if it's about aliens and talking raccoons - it works.
I like Jason Statham movies, like 'The Transporter' or whatever. I watch them all the time when they come on TV. Then I saw 'Crank,' and I couldn't believe how awesome it was.
Honest to God, for me, I've never been a guy to stack projects. A lot of these other guys, they like to do this and then line up what they're doing next and line up what they're doing next. I just can't do it.
Getting so much attention all at once, with so many people who want something from you or want to talk to you... for someone who is overly sensitive to other people's needs, that can be difficult.
I am not into this old-school way of doing things, where you kill characters, and you bring them back, and then you kill them again, and then you bring them back, and their deaths mean nothing.
I have a very strong imagination and have since I was a little kid. That is where a lot of my world comes from. It's like I'm off somewhere else. And I can have a problem in life because of that, because I'm always off in some other world thinking about something else. It's constant.
Movies aren't machines. They interact with our brains.
If I get a gig or I don't get a gig, I really have never, ever, ever cared.
I love 'Empire' - it's my favorite of the 'Star Wars' series.
I made 'Super' for $3 million, and that was filmed in 24 days. And that $3 million dollars went to a lot of things other than what shows up on screen. Once you get done with the unions and everything else, that's just, like, the basic cost of what you can make a movie for.
I guess I am an optimist in a pessimist brain, if that makes any sense. I believe in the innate goodness of most people in this world, and yet I'm a damaged soul like many other people and have my own demons and things I struggle with.
Definitely, 'True Detective' was a great example of one director, one story. It worked fantastically well. Well, I thought it worked fantastically well; I know a lot people didn't.
By isolating the issues of race, gender, sexual orientation, climate change, environment, governance, economics, catastrophe and whatever other problems the present embodies or the future may bring, science fiction can do what Dickens and Sinclair did: make real the consequences of social injustice or human folly.
The movies I like watching the most are these sort of cinema verite, handheld films where you really get gritty with people. But I also have this strange affinity for old Rock Hudson/Doris Day movies and things that sort of pop out where you see the frames, where you have these 2D animation moments and split-screens and things like that.
Science fiction literature's focus is on ideas, the concept of change, and the impact on humanity. Those concepts are hard to capture on film. They work better in the mind.
There will be a 'Guardians 3,' that's for sure. We're trying to figure it out. I'm trying to figure out what I want to do. Really, that's all it is.
One of the things that we've tried to do with the 'Guardians' films is to allow the women to be full characters.
When 'Blade Runner' came out, and especially, even actually when 'Alien' came out, it kind of changed how all science fiction movies were designed after that. And that was a really great thing. Now we're watching a lot of movies that are Xeroxes of Xeroxes of Xeroxes of Xeroxes of 'Blade Runner.'
That is who my people are - the oddballs, the rebels, and the geeks. That's what I am, so it's what I naturally feel connected to.
I love shooting movies. I love the shots. That's the thing that I love doing, and I've just never been able to do it.
I would say the main thing is, don't just copy yourself, which is what a lot of sequels do. And in some cases, it works. Like James Bond movies. But James Bond is a different type of character.
I wrote a 20-page document, before I was ever hired, on exactly how the visuals of 'Guardians of the Galaxy' would be approached, how we'd look at creating a new type of space epic. That's exactly what the movie is today - absolutely everybody has adhered to that original document.
I love the attention and I hate the attention, you know? It's not always good for your soul.
When I was a small child, I partially learned to read with comics, in particular with 'Scamp,' about the Lady and the Tramp's male child. That was the prime comic that made me fall in love with comics as a kid.
One rule of invention: before you can invent it, you have to imagine it.
Comics were not something that as a young kid you could say you were into in Manchester, Missouri. Kids did not read comic books back then.
Writing a comic book series, you're so reliant on whoever the artist is. It truly is collaboration.
The popularity of fantasy surpassing science fiction and the popularity of apocalyptic fiction, particularly for young adults, may indicate a desire to escape a more difficult and confusing reality, even in astrophysics and particle physics.
For me, I'm always hard on myself no matter what, so that's always a thing I have to deal with on a daily basis.
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