Top 30 Quotes & Sayings by Jessa Crispin

Explore popular quotes and sayings by Jessa Crispin.
Last updated on December 21, 2024.
Jessa Crispin

Jessa Crispin is a critic, author, feminist, and the editor-in-chief of Bookslut, a litblog and webzine founded in 2002. She has published three books, most recently Why I Am Not A Feminist: A Feminist Manifesto (2017).

Born: 1978
I would never tell anybody to get a divorce.
A wild appreciation of men and women . . . who passionately and fearlessly and recklessly redefine romance. . . . The passionate creatures who refuse to play it safe and settle down now have an intelligent, like-minded advocate.
I believe in free will. — © Jessa Crispin
I believe in free will.
I wish other people would write about loneliness more. It's hard to remember that it's not personal. We live in a world that is built to make people lonely... It's difficult to remember that your loneliness is not really about you and everyone has it.
Just send the emails and talk to people. Spend all your money on nail polish and opera tickets.
I mean, many times your creative problem is accidentally your personal problem, but it's not quite the same.
Most of what I do is for creative people - writers and painters and photographers - trying to work through creative problems.
I don't behave the way people necessarily want me to, but I tried behaving that other way for a short period of time and it didn't take.
Men exist on the planet. We have to deal with them at some point.
You don't have to go to New York and you don't have to go to LA or London. Go somewhere cheap. Go somewhere with free art museums and then just go to art museums.
I have yet to get sued. My father thinks I should get liability insurance.
There's this resistance to actually talking to people who are smarter than you about things and I don't know why that is.
Women still get angry at me. I mean, men go after me sometimes, but most of the bad responses come from women.
I have a really good life and I really like it.
American culture never necessarily made sense to me, but they should warn you: leaving comes with a huge sense of alienation that never goes away.
I like European and South American literature, but mostly I read nonfiction.
Once you leave, you're no longer of that country, but you are never actually of the country that you go to, and if you go back, you're not anywhere. You never belong to anything.
I think American literature is in a tedious place, horrible place. I can't even engage with it.
I don't think you can write an experience as you're having it without being an idiot.
I don't think that I can be settled and I don't think that I would ever want to be.
Go to a place and just send out emails. That's my entire life. I go to countries and I ask, "Who would I know who lives here?" Not even do I know, but who exists and is on the planet.
I was twenty-one when I was hired by Planned Parenthood. It was my first work experience outside of either temping or working for my father at his store.
I knew my motivations for going to each place and what I was looking for. If I don't do that then I generally don't write about my travels. — © Jessa Crispin
I knew my motivations for going to each place and what I was looking for. If I don't do that then I generally don't write about my travels.
I understand maybe some people are more impressionable than my hard, cynical self, but maybe they need to figure out how to be less of that.
Talk to people who know more than you. I feel like we're in this stupid sea of opinion, like "My opinion is valid because it's mine and I have it."
Feminism now seems to be defined as success is defined: as being as good at capitalism as men are. I feel very estranged from it.
I never asked anybody to take me seriously.
My belief that the publishing industry is run by prigs and cowards dates back to many years before I even had the idea for the book.
I don't tell clients what to do. I don't even really tell them what the future is.
I don't think that if I had spent the time that I was in, say, Belgrade, writing about my time in Trieste, which is where I had just been, that would have been productive. I told myself: take extensive notes while you're there, do the research part of it, and then pray, pray, the muses will be available when the actual 'ready' happens.
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