Top 70 Quotes & Sayings by Katie Aselton

I really want women to throw their shoulders back and stand up straight and use their big girl voices and not feel like they're compromising their femininity to be strong and smart.

If the opportunities are not being presented to me, I'm going to take the reins and do it. Brit Marling was not waiting for the phone to ring. The great roles are not there to be had. If you have an idea, do it.

I love profanity, but I think if it's used too much, it just sounds a little trashy. I think it's more effective when it's dropped intelligently. I like intelligent profanity.

I think I'm still trying to find my voice as a filmmaker and finding stories to tell.

I'm not super nostalgic for friendships I've lost along the way. I feel like, if they were truly meaningful and really special, they would still exist. I think we grow and change, and that's okay.

I have a very hard time picturing myself in a room with some type of goo oozing out of an air vent and killing me; that doesn't really scare me because I don't think that's going to happen to me.

I came to filmmaking as an actor looking for great characters and great opportunities, both of which are kind of hard to come by. It turns out I really love the process. And, it's exciting to be able to take my career by the reigns and make things happen for myself. Hopefully, in doing so, more opportunities will become available to me.

If people want to talk about anything I do, they can give it any name they want. As long as they're talking about it, I think it's great.

There are very few shows that show women talking like strong, sassy women. Do you know what I mean? 'Sex and the City' started doing that, and that was why that was such a huge hit.

Okay, sense of humor: plus one. Being able to laugh at yourself: plus one. Being able to laugh at other people without being mean: plus one. Vanity: minus one.

I don't love horror movies with something surreal happening. That doesn't work for me. What's terrifying is something that could actually happen to me and what I would do. I don't know how to throw a punch, and I've never had to do it.

I love my kids, they are amazing children, but they drive me bananas sometimes. And sometimes, I want to sell them on eBay... but I'm not going to.

Part of the process of acting in a film that you're also directing is really trusting the people around you to capture your vision, which hopefully you have communicated well to them.

I think the idea that women can stand up and be strong and still be seen as beautiful and sexual is kind of cool, and I would like to see more of that.

By the time you are in your thirties, most of the time, you've got a job, you can pay for your rent, you can create this nice world around you. And still, you're only in your thirties - you're not that far away from your twenties, which is when you're making all of your stupid mistakes.

I am a very talented belcher. Very deep and bassy.

I would like to get jobs doing other things that aren't necessarily always with my husband. I'd like to show range - and kiss another guy.

What I get really excited about are movies that I connect with emotionally. 'Deliverance' was on TV, and they don't really make movies like that anymore, just simple and scary. The truly scary thing is, 'I'm going to threaten your life, I'm going to threaten the people you love. What are you going to do about it?'

There is something really nice about learning that you can take the reins of your life and your career.

I really like oysters, and I won't eat them alone. They're just a weird thing to eat by yourself.

I love sports. I was an athlete in high school, and my school was so small we didn't have a football team, so it's the one sport I didn't bother to learn the rules to because I never went to game.

That one thing you do give up when you get married is that magic moment of meeting someone, and the sparks and the spontaneity.

I have always had this secret fantasy of being a Bourne girl or Bond girl, and I've never even gotten called in on one of those roles.

It took me a really long time to decide who I want my circle to be and who I want to surround myself with. Once you make that choice, that is where I feel like I have built my strength. This is my life choice. These are the people that make me feel good about me, and that I love and adore and will do anything for.

I think there are certain tenets set in place for all different types on genres. For thrillers, women usually die first. I can't say exactly why, and it's kind of a bummer... But I also can't explain why the wallflower girl in the romantic comedy always gets the guy in the end. That's just the way those movies go.

I have respect for anyone who's going to go out and make a movie for a small budget and turn it into a phenomenon. God bless you. Please keep making movies. That's great. But it's not what entertains me.

It took me 30 years to figure out who I really am, as a person, and who I want to surround myself with. I was very much the kind of person who would just meld in with whatever group I was near.

You put three girls in a house, and all of a sudden before you know it, you're talking about boys and drinking whiskey, and things go down and you get deep real quick.

If you're a woman, just make a freaking good movie. I don't believe in the women who say, 'It's too hard, I'm getting shot down.'

It's not rocket science to make a movie.

I don't know what's wrong with me, but like, the second I stop working, I have a panic attack, so it's good for me to be thinking of projects ahead of time and lining things up.

I'd like to make mistakes on my own dime and not have a herd of people tell me what I'm doing wrong. and I'm also still trying to find and develop my voice as a filmmaker, and I think that's easier to do on your own terms than trying to satisfy a bunch of people that are paying for the movie.

It's really fun to go back and forth from acting projects to directing projects. You don't have as much responsibility when you're acting, but you have more fun. But then you miss having that responsibility, and so you go back and torture yourself and make a movie.

I think part of what makes someone a great actor is being able to walk into a situation emotionally available and open, and have all your guards down, and just have that level of trust and security in yourself to know that you could walk out on that limb with someone else and be safe.

As an actor, you're lucky if you get a month before a project starts. There are times when you get a day before a project starts. So to be able to really sit and inhabit that mind and the story is really beneficial, and it really helps for me to be able to then compartmentalize as we're shooting and detach and go somewhere else.

I'm kinda doing a lot of stuff.

It's cool to get some more energy going and more interest. It's definitely more than it was, still not as much as I'd love it to be, but things are picking up and interesting projects are coming my way, and I love that.

I don't think I'm going to go into Iron Man. I mean, I can't say that I won't go into something like an Iron Man franchise.

I love the studio system. Love that studio system and all their money. They're great; I think they're fabulous . You know, what it is right now is I feel like I'm still learning as a filmmaker, I'm still starting out.

I've got a couple of full-time jobs, since I'm raising a kid, so it's a lot.

If you can throw $5 back in the crafty, we'll take it, because it just means another meal, which is nice.

When you start using more expensive cameras, everything around it gets more expensive, which is something we hadn't necessarily taken into account beforehand. Your lighting package gets way more expensive, and then coloring it is going to be more expensive. So I think all of that will essentially be cushioning our camera package. Budgets beget budgets, and expenses beget expenses.

The Freebie cost virtually nothing. We funded the movie ourselves, people got paid, but were mostly paid in the back end, we used one of the cheaper cameras we could get. The movies have a look to them, you can sorta point out the really low-budget movie. So even if the heart of the movie and the story are really, really great, they always sorta feel a little cheap.

There is something really nice about learning that you can take the reins of your life and your career. There are a lot of times, doing what we do, that you feel no control and get very panicky feeling. It's nice to know that you are able to do it on your own.

I didn't even grow up with football. I learned the rules of football on this show [The League].

It takes no prisoners. We had to completely change wardrobe for the girls because we had summer wardrobe set and it was so frigidly cold while we were shooting. And the bug population was through the roof, that summer. It was just silly! The fact that we even survived at all is shocking. The fact that we came out of it with a movie that I really like is awe-inspiring.

There was no glam squad, whatsoever. There were no dressing rooms. There were no bathrooms. Let's start at our base level. We didn't have toilet paper. We went to the woods to use the bathroom.

You can't sit there and feel bad for yourself and say, "But, it's just not coming to me." That's an instinctual thing to do because that's the way the business normally works. But, when you've got a good brain on your shoulders, I think you can make it happen.

I get very nostalgic for times and places and experiences, but I have a wonderful group of core friends and family who I love and adore, so I don't mourn the loss of any particular friendship. I think they're all part of a path, and the ones that really mean something are still important in my life.

The director of 500 Days of Summer is doing the Spider-Man movie. That's not necessarily the movies I want to make, but it's all about the story, and if you connect to the story, and you feel you can tell that story better than anyone else, then great. Jon Favreau killed Iron Man, I loved it.

When you're generating your own stuff, you can never have too much money around, because you've already sacrificed so much and cut your budget so much that everything's taking a hit.

The story of survival is a nice metaphor for our experience making this movie, finding your inner strength and powering through and getting to the endpoint alive.

I'd also take any acting job...well, not any acting job, that's not true. I'd take a cool acting job.

[It is nice] to explore someone's will to survive, the ferocity of loyalty, how far you would go to protect the ones you love... I believe women have more power than we give ourselves credit for... We have been known to lift cars off of babies! That's incredible.

Everyone grows and changes. It's not even to say that you become a better person than you were, but you're morphing. This whole thing is just a weird river that we're on.

I will never be a skinny waif as I am physically unable to say "no" to free booze and snacks. Oh well.

I'd like to get something small and self-generated in before Black Rock has whatever life that it has.

Steve Rannazzisi, Nick Kroll, Paul Scheer, Jon Lajoie - and they're such funny guys that they bring their own sort of twist to it all.

You put three girls in a house, and all of a sudden before you know it, youre talking about boys and drinking whiskey, and things go down and you get deep real quick.

Everything was a constant battle. My first film was beautiful. I got an amazing cast. That worked out great. Everything else was like murphy's law. Everything that could go wrong, did go wrong.