Top 76 Quotes & Sayings by Max Joseph

Explore popular quotes and sayings by an American director Max Joseph.
Last updated on December 22, 2024.
Max Joseph

Max Joseph is an American filmmaker and television host.

I feel like there are probably more films about white male friendships than almost any other types of movies.
Those elements that make 'Catfish' so interesting to watch, elements of deception and mystery, make any movie or any piece of content exciting to watch. It makes characters complex and interesting.
Most people who recognize me don't even know my name. They just yell out ''Catfish!'' or 'Where's Nev?' or sometimes just 'Nev!' — © Max Joseph
Most people who recognize me don't even know my name. They just yell out ''Catfish!'' or 'Where's Nev?' or sometimes just 'Nev!'
We've had Obama for eight years, who, to me, is a model of integrity, sensitivity, empathy. He's wise, he's patient, he maintains his composure, and I would have voted for him again.
I love the tradition of male coming-of-age films like 'Saturday Night Fever' or 'Mean Streets' or 'Go.' I love those films that work music into those stories.
We've seen the worst that human beings are capable of. We've seen what happens when leaders abandon common decency in favor of rage and hate. Through the lens of history, the Holocaust happened yesterday, the civil rights movement was this morning, so we are not as out of the woods as we might have thought.
Book stores drive me insane because I know that I will never be able to read everything I want to in my lifetime.
What's easy to forget once you're minorly famous is how nerve-racking it is to walk up to someone famous and interrupt them. When I'm taking a picture with a fan, it's not uncommon for their hands to be shaking or for me to feel their heart pounding through their rib cage. But the best part is how easy it is for me to make someone's day.
Trump's hate-filled rhetoric, blatant chauvinism, mean bullying, and open admiration of authoritarian rulers are more than just hints of what's to come if he is elected.
When you grow up Jewish, you are exposed at a very young age to the phenomenon of anti-Semitism and its extreme manifestation in the Holocaust. I spent a lot of time as a little kid wondering how something like that could happen.
For basically three years, I was doing 'Catfish' and 'We Are Your Friends' at the same time - it was like straddling two very long-term creative marriages. And when you're in a long-term creative commitment, you tend to daydream and fantasize about smaller creative flings that you want to have.
When I say I'm famous, I'm not kidding myself. I know my place in the celebrity kingdom - right at the bottom next to reality-show contestants, local politicians, and day-players on 'Law & Order.'
The things I'm making for Vero are very pure. They're from my point of view, and I'm not pulling any punches. — © Max Joseph
The things I'm making for Vero are very pure. They're from my point of view, and I'm not pulling any punches.
It's funny - until 'Catfish,' none of my films were angled at young people except for the fact that they were angled at me and my contemporaries. And that's who I'm constantly making things for. I'm not imagining a younger audience I'm trying to impart wisdom to; I don't want to seem pretentious enough to think I can impart wisdom.
As the leader of the most powerful nation in the world, our president is more than a list of policies. They set the tone of our national character.
I grew up in New York City. We used to diss Long Island and Jersey. Every big city has its own suburb like that.
I don't know why so many people seem upset about the fact that Nev Schulman and I are so against Trump.
The truth is complicated, and few people are actually monsters.
I think with social media and Instagram, people are able to see what's over the fence of everyone else, and it all seems within reach.
I am a huge Sublime fan, and I think their music immediately puts you in SoCal when you listen to it.
The thing I really love about 'Saturday Night Fever' is that the movie is a gritty drama. Most people just remember the amazing, whimsical fantasy dance scenes, but then, when you watch it again, it's raw.
Oddly, I think that a lot of the haters of EDM and DJs are actually within the world of electronic music.
I mostly get noticed in shopping malls, airports, red states. The Cheesecake Factory. I am more likely to get stopped in San Antonio or Oakland than in New York or L.A.
The less you know about the person, the more you fill in the rosiest details.
I worry about revealing too much of my life on my Instagram posts.
I find reggae is really nice in the morning.
Even bros have depth, complexity, and emotion.
Getting everyone on the same team is a form of hustling.
I love bridge-and-tunnel characters. In some respects, they have a chip on their shoulders, but they're proud of where they're from. They're fun and colorful.
I'm a documentary filmmaker, I know what it means to craft a story, especially when you've shot a lot of material.
'Trainspotting' is among my favourite films of all time.
What I like so much about Vero - the app and the community - is that it offers the perfect venue to share my work and myself with like-minded, curious people and without the negativity and hate that can come in other online forums.
No one has it easy, and to some degree, everyone feels lonely and powerless, which may cause them to make hurtful decisions.
The safest person, sometimes, is a stranger on the Internet who lives in a different place. If they're a daily source of support and advice, no one really wants to lose that once they have it. If they know deep down that the person they're talking to isn't exactly who they say they are, it's not worth finding out.
As someone who's been a filmmaker and an editor, I was wary of being on camera.
There's something unique about coming of age in 2015 with the way the world is.
I'm from New York City. I grew up in the city. Suburban life was very odd to me.
I put a lot of time and energy into studying the art of filmmaking, but I hadn't put a lot of energy or time into the art of learning how to manage people. — © Max Joseph
I put a lot of time and energy into studying the art of filmmaking, but I hadn't put a lot of energy or time into the art of learning how to manage people.
We all have excuses. We could all take all of the things that have happened to us over the course of our lives and use them as excuses for being cruel to others.
When it comes to creating a product or running a company, you need to prioritize the goal of the company or the creation of the product over and above every personal interaction you have.
I think making electronic music isn't much different from writing a book or painting a picture or making a film. It's a creative process, and it's an art form.
It's not that what LCD Soundsystem and Juan MacLean do is necessarily simple, but they are basic loops and beats and songs that are just pleasurable in a really basic way.
Everyone's on their phones, and everyone makes things with the aid of some electronic tool. Electronic music is no different.
I don't think the Internet is necessarily a dangerous place. It's only dangerous if you don't make people earn your trust. You can't take people at their word. You got to do a little digging and make sure to verify that you are talking to a real person or the person that you think you're talking to.
I often wonder if I should adopt a cause to call my own or start tweeting inspirational messages. And when tragedy strikes and the world takes to social media, is it now my responsibility to respond with #RIPs and #prayfors?
I was actually cyberstalked twice.
I don't know why we have this shame about obesity, but it's kind of a good thing that we have this shame about obesity - we shouldn't accept the fact that everyone is obese.
There is a lot of sadness in America. — © Max Joseph
There is a lot of sadness in America.
If you live in a big city, and you're surrounded by people, you're way more in touch with humanity than you would be if you lived in a very remote area and just spent all day long on the computer.
I have long been a fan of Holy Ghost! and think they've got the best dance grooves around.
On 'Catfish,' I'm a co-host and onscreen cameraman, maybe the second onscreen cameraman after Wes Bentley's turn in 'American Beauty,' which is funny and ironic. But before that, I'd been doing a lot of creative nonfiction.
I'm a fairly neurotic person.
In documentaries, the process is that you film a lot of things, and out of what you've shot, something organically reveals itself, and there's a discovery process.
I think people throw the term 'sociopath' around a lot without knowing what it means - but people who don't understand that what they're doing is mean and wrong and cruel, they need to be made to understand that.
One thing you learn about doing nonfiction is that you've got to get it right, fact-check, do your research. You've got to not only get the facts right but represent the subject to the world in a way that insiders feel like it's an access port and outsiders can access it. If you're too insider, you block access to anyone else.
As fame becomes more democratized, we might all have to start struggling with the powers, anxieties, and responsibilities of being a minor celeb.
When you make a movie with a lot of music in it, you can't always put all the songs onto the soundtrack. They just don't all fit.
Electronic music has existed since the '70s, and it's almost comical how many subgenres of it there are.
One thing we see a lot is this - the idea kids have now that they don't have to go to college. They don't have to get a real job. They feel they can become 'Internet famous' by taking selfies. They think they can become a star through social media. We see that a lot. You can succeed. But it takes time and persistence.
No one believes that they're a bad person at the end of the day.
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