Top 54 Quotes & Sayings by Rajiv Menon
Explore popular quotes and sayings by an Indian director Rajiv Menon.
Last updated on April 14, 2025.
I do what I feel like doing.
Rajarathinam Pillai was a performing genius and a crusader. His was a shining mind, prone to excesses of temper and his life can be seen as a continuous struggle for recognition.
When in school, I was interested in many things other than studies.
As an actor, one should be aware of all their capabilities. This is important, as films are becoming more realistic.
It is how you approach the role given to you, and how you relate to that character and then how you adapt and gel into that role which makes you a good actor.
My films are musically inclined.
I think directing a film is like a woman going through labour. After she goes through the labour pain and delivers her first baby, she says she will not going to have another baby. Then, when she sees the child growing up, she decides to have one more child!
The actor should understand the script and come prepared to play the role. At the same time, they should be flexible enough to take the director's input and portray his vision.
I don't have any romantic notions about villages.
Cinema is about transferring thought into action.
With realistic and deglamourised roles and live sound, the charisma of a star is not enough. Can you be many different people?
Information is available freely on the Net, but what's missing is passion. And only a teacher can impart that passion and deep desire for excellence every day. Moreover, a classroom environment helps overcome certain psychological aspects, including inferiority complex.
We have to create images that remain in people's memory because a film is judged by what they have already seen. You are trying to create an image that is unique and you have to employ all the resources available to you.
I make my living by shooting ad-films, and, in fact, that's how I began my career.
Ashok Mehta did not go to any institute. He did not carry the baggage of formal education.
I have a brother and we lost our father when I was 15. And that was a big emotional upheaval in my life.
Minsara Kanavu' was a hit in the South, but not in the North.
I believe that films are meant for entertainment, but in that process, you have the possibility to think about what kind of entertainment you're giving to audiences.
Accents are not for comic relief anymore; they root the character to the place they're from.
Filmmaking is a language where you empathise with human situations. Unless you have empathy for characters, you shouldn't be a filmmaker.
When you are shooting over a period of six months, you tend to forget how dark or bright it was. And when you are using different technologies, having a look book helps during the final grading of the film. So you can design what the film is going to look like even before the colouring process begins.
Dangal' worked because it dealt with the universal emotion behind the father and daughter.
When I was in the 12th standard itself, I decided to join the Adyar Film Institute and study photography. I specifically chose photography because I see photography as an applied science. There is an artistic element also in it. If you perfect your scientific element, you can attain certain quality.
Film music is always given a step-motherly treatment though it is the most popular form of music.
If the human story in 'STM' is relatable, it will work.
Everyone thinks I am rich, I have a plush office, I make advertisements and travel - but only I know the kinds of problems I face.
Looks are not important when it comes to acting.
Cinema has to move people.
I like to shoot feature films because it's about capturing emotions... words like guilt, hurt, betrayal.
I love telling stories. But I believe that nobody could teach you to direct a movie.
Nothing prepares you for shooting in the sea. Some days the sea is choppy, some days the waves are long. When there is no wind, it's fantastic to shoot, but your brain is burning because of the heat. You are shooting hand-held and taking a crane on a boat, which is risky since you can get toppled over.
Ashok Mehta was the man who brought contrast and lighting back to mainstream Hindi film cinematography.
I'm usually known for films that look beautiful and attractive, probably because I am a cinematographer too.
Developing aesthetic sense is vital for actors. They must understand that there is no small role, only small actors. A good actor will do the smallest role to perfection, and be recognised.
When an actor constructs reality, it has to be riveting and entertaining. There has to be an emotional connect with the audience.
Three years at the institute had not taught me as much as two weeks on the sets of 'Susman.'
When '36 Chowringhee Lane' was released in 1981, I was a student of the Film and Television Institute of Tamil Nadu. Everyone who had seen the film was very impressed with its flawless direction and acting. But we, cinematography students, were stunned by the visual style, which was truly international.
Films take us into an entirely different world, and that's why we must ensure that our long shots do justice.
Some films survive long in theatres, and some stay longer in people's minds.
Music is one field where your caste and religion is not important. People accept you so long as you can move them. It is a medium that allows you to fly beyond your caste.
The film industry is moving towards digital technology.
Sarvam'... has no gloss that you associate with my earlier work.
I think I have underperformed as a filmmaker.
I was witness to a beautiful relationship between cricketer Anil Kumble and a boy suffering from muscular dystrophy. Moved, I wrote 'Spin' - a small film about a cricketer and a spastic boy. But I couldn't find backing.
In Berkley, they have academic studies on all genres of music including rock and jazz, but in India, we don't have serious academic research and studies on film music; it is such an interesting area of study.
You no more have to come to the city and access a laboratory to make a film. If you have a DSLR and a reasonably powerful laptop, you could be making films anywhere.
I can't write about NRI romances.
I am very much open to doing cinematography for any talented filmmaker, if the script is good.
For example, Taj Mahal is the first thing which comes to the minds of many foreigners who visit India, and how Eiffel Tower in Paris, but there is lot more to every country.
I used to be a reasonably good student.
Good acting is confused with good dialogue delivery. Acting is about all about performance, and the way we interpret and understand the character that we bring alive onscreen.
You know, writing isn't easy. It's tedious. Ideas have a gestation period, and after a while, it becomes difficult.
I like fractured characters with human follies.
You have to keep the audience glued by hook or crook.
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