Top 154 Quotes & Sayings by Tim Burton - Page 3

Explore popular quotes and sayings by an American director Tim Burton.
Last updated on December 23, 2024.
One of the things I loved about the musical was that you listened to the soundtrack and it told you the story.
People always think I get really good reviews, but I don't. That's why I don't go on the Internet much - because you can go down a dark hole looking at stuff. Once, I clicked on my name and freaked out. It's too bizarre, it's too weird, it's too unsettling.
Unwisely, Santa offered a teddy bear to James, unaware he had been mauled by a grizzly earlier this year. — © Tim Burton
Unwisely, Santa offered a teddy bear to James, unaware he had been mauled by a grizzly earlier this year.
I'm going to put that on my gravestone. "He created such a category of unwanted pop culture - Famous for directing unwanted cultural references".
Now 3D is no longer a fad but I don't get all crazy about it and say that everything has got to be in 3D. It is a nice tool, like color or sound or whatever. I was quite intrigued and I learned, 3D opened up a lot of questions about how to use it. I think it is great. It's like if a movie needs to be in black and white then that's how I will shoot it. I see color as just another character or black and white as a character.
I have no idea what happens, but I do respond to other cultures that treat life with a much more positive approach. It teaches - especially when you're a child - it teaches you to be afraid of everything, you feel like something bad is always going to happen. As to where that other way seems a much more spiritual and positive approach.
I like actors who like to change and transform to other things.
The problem with film is you never know when you're going to be able to make a film so you can't have people waiting around for you. Sometimes it's fun to work with the same people and work with new people and mix it up.
A lot of things you see as a child remain with you you spend a lot of your life trying to recapture the experience.
A journalist in America told us that we'd [with Johhny Depp] been working together for 10 decades, so we're a lot older than we look! We actually knew each other before the invention of cinema, so we have quite a good, long relationship.
That's why I like old monster movie actors, because they transform into different characters or creatures.
3D is great, but I just think of it as another tool, like colour or music or sound. It has the potential to add another emotional layer to certain things if you use it right. But it's not the saviour [of the movies], the be all and end all, the reason to do something.
It's really nice to work with people who understand and really love the artistry of building sets, it's great.
One of the things that we were trying to do with this show was the complexities of relationships and love. There is both passion and longing and a bittersweet quality to it that is a part of life.
I remember being forced to go to Sunday school for a number of years, even though my parents were not religious. No one was really religious; it was just the framework. There was no passion for it. No passion for anything. Just a quiet, kind of floaty, kind of semi-oppressive, blank palette that youre living in.
Mayor: How horrible our Christmas will be! Jack Skellington: *No.* [the Mayor switches to his upset face] Jack Skellington: How *jolly*! Mayor: Oh. How *jolly* our Christmas will be.
That's what I always loved about [Federico] Fellini's films: You see the weird joy of the weird filmmaking family and the abstract craziness that goes along with it, and there's something about it that's quite beautiful.
My name is Jimmy, but my friends just call me the hideous penguin boy.
No matter what you go through with the business side or the Hollywood side at the end of it all, when you are there on the set, it is your thing. So it is your own private world and that's great. That's where you have that bubble to create something in.
The great thing about visual horror films is there's real potential for strong, beautiful imagery. It's the one genre that really lends itself to creating strong images. And I've always loved that idea of windmills - your mind aimlessly spinning.
Son, are you happy? I don't mean to pry, but do you dream of Heaven? Have you ever wanted to die?
Stain Boy Of all the super heroes, the strangest one by far, doesn't have a special power, or drive a fancy car. next to Superman and batman, I guess he must seem tame. But to me he is quite special, and Stain Boy is his name. He can't fly around tall buildings, or outrun a speeding train, the only talent he seems to have is to leave a nasty stain. Sometimes I know it bothers him, that he can't run or swim or fly, and because of this one ability, his dry cleaning bill is sky-high.
He can't fly around tall buildings, or outrun a speeding train, the only talent he seems to have is leaving a nasty stain!
My kid is a product of the fast computer lifestyle.
Technology is technology and then art form and people's creativity is another thing. Anything that helps an artist do anything - great! Technology for technology sake doesn't mean much to me anyway.
Minister: Welcome, brother! Do you reject Satan and all his works? Bunny Breckinridge: Sure. — © Tim Burton
Minister: Welcome, brother! Do you reject Satan and all his works? Bunny Breckinridge: Sure.
What I feel that "Alice in Wonderland" did for me and other people in exploring your dream state, and using fantasy in your dream state to deal with real issues and problems in your life. People like to separate those things but the fact is that they are things that are intertwined.
I always felt that Hollywood has a way of making you feel outside.
I'm not a big fan of spiders, rats, especially if they're like - I got up one morning on a holiday recently, and there was a centipede in the bed that big. I wasn't very happy about that.
And I Jack, the Pumpkin King, have grown so tired of the same old thing.
I always said that I'm not into mass-marketing things. If there's one thing that looks cool, that's fine by me. I'm not interested in a whole bunch of stuff.
Nobody had his [Ed Wood's] style. That's something I try to do in my films. You have your own kind of cryptic messages in there - cryptic things that most people wouldn't understand but are important to you. Things that kind of keep you going through the process.
And in that one grey hair I saw my whole life and I said "I think I need a hair.
I don't have a dog, because I travel too much. I don't want to just leave it abandoned.
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