Top 89 Quotes & Sayings by Jason Silva
Explore popular quotes and sayings by an American director Jason Silva.
Last updated on December 25, 2024.
Once we realize the extraordinary power we have to compose our lives, we'll move from passive, conditioned thinking to being co-creators of our fate.
I design therefore I become.
A lot of people go through life thinking that they don't have any control, that life is just happening to them. But that's not true.
For me, it's always a failure of the imagination. I have that anxiety that time is passing, that everything is ultimately fleeting and impermanent. I better take advantage of every single moment.
We live in a world where, for whatever reason, the conversations that tend to stick are the ones where 'if it bleeds, it leads.' But we've always been afraid of new technologies in spite of the fact that they've helped improve our lives in countless ways.
Technology is the means by which we have decommissioned natural selection and are seizing control. We are no longer to be victims of some blind evolutionary process where sentient beings are massacred by entropy.
I make short films, little documentaries, about the co-evolution of humans and technology.
I always loved watching movies because I loved what certain moments inside of films did to me.
My approach to creating content is focused on pulling people out of their intellectual comfort zones. I'm interested in presenting ideas in unique ways that challenge people to question their assumptions.
I've built a network that curates interestingness. In my universe, it encompasses thousands and thousands of filters and people, each person being a filter. So it's kinda cool. Like I've created my own utopia, removing the boring stuff and showing only the amazing stuff.
Technology is, of course, a double edged sword. Fire can cook our food but also burn us.
We are gods. Our tools make us gods. In symbiosis with our technology, our powers are expanding exponentially and so, too, our possibilities.
If you use it intelligently, Twitter can be a form of engineered serendipity.
Ideas are powerful because they allow us to see the world as it could be, rather than what it is.
I always tell people that revelling in big ideas for me is kind of like an antidote to existential angst.
There's always going to be the circumstances you can't plan for. There's always the unexpected relevance and the serendipity.
Technology sometimes gets a bad rap because of certain consequences that it's had on the environment and unforeseen problems, but we shouldn't use it as an excuse to reject our tools; rather, we should decide that we need to make better tools to solve the problems caused by the initial tools in a progressive wave of innovation.
Look at the evidence and to be willing to question your own truths, and to be willing to scrutinize things that you hold dearly because that way, that transparency, that self-awareness, will protect you from ever becoming somebody that whose beliefs somehow make them have myopic vision about what could be.
As long as you're not hurting anybody else, as long as you're being kind to people and you're doing what you love, only good things can come of it.
We're the first technology-creating species. We use technology to extend our reach. We didn't stay in the caves, and we haven't stayed on the planet. To play jazz with our genomes and the universe might ultimately be what we're all about.
I want big ideas to have aesthetic relevance. I want to tickle people's intellectual sensibilities and instill a sense of wonder.
The scientist and engineers who are building the future need the poets to make sense of it.
iphone therefore I am.
Creativity and insight almost always involve an experience of acute pattern recognition: the eureka moment in which we perceive the interconnection between disparate concepts or ideas to reveal something new.
I'm not a religious person. But, when I look at a beautiful cathedral, what brings awe, what induces awe is the idea that architecture, you know, a beautiful cathedral, a beautiful building.
My mode of presentation is short-form video - basically I create fast cut, impassioned 'idea explainers' that explode with enthusiasm and intensity as they distill how technology is expanding our sphere of possibility.
There has always been this narrator in me - I loved ideas, and part of the great love affair I would have with ideas consisted of talking about them.
As technology continues to increase our possibilities, what we're seeing is a shrinking of the lag time between what we dream about and what we create.
Human beings are attracted to novelty: to probe the 'adjacent possible.' We didn't stay in the caves. We didn't stay on the planet, and soon we won't stay within the limitations of our biology. We move forward. We transcend our limits. We go to the moon, and we create the Internet.
I was at the University of Miami, and I still had, like, a semester or so left. And through the film school, I found out that Al Gore was launching a new TV network; they were looking for passionate young storytellers to transform television, which was, like, ambiguous but magnificent-sounding.
I think people who have all kinds of debilitating mobility issues will benefit from robotic augmentation. That is, even before we get into organ replacement and organ printing and synthetic biology and so on and so forth.
I basically look at how exponential emerging technological changes runs counter-intuitive to the way our linear brains make projections about change, and so we don't realize how fast the future is coming.
I'm happy to be content-maker as well as curator, so I'm happy to also be a presenter for amazing things.
Not too many people in cocktail parties are aware of Bioprinting and growing organs, or the coming technological singularity; I've seen very little philosophical speculation about how far we can go, how much we could achieve.
By cultivating rich social networks, by cultivating weak ties, not just close ties but the weak ties, by becoming connectors and by connecting others so that they connect us, we create a world in which these self-amplifying feedback loops feed on top of each other.
Consciousness, when it's unburdened by the body, is something that's ecstatic; we use the mind to watch the mind, and that's the meta-nature of our consciousness; we know that we know that we know, and that's such a delicious feeling, but when it's unburdened by biology and entropy, it becomes more than delicious: it becomes magical.
I prefer the word 'journeyman' to 'journalist' because I think that certainly, when you hear a story, you want to hear certain facts. But I also think what makes a story interesting is the points of view expressed therein.
We must not be afraid to push boundaries; instead, we should leverage our science and our technology, together with our creativity and our curiosity, to solve the world's problems.
We have all kinds of limitations as human beings. I mean we can't see the whole electromagnetic spectrum; we can't see the very small; we can't see the very far. So we compensate for these short comings with technological scaffoldings. The microscope allows us to extend our vision into the micro-sphere.
You can't win the hearts and minds of the masses unless you inspire them - you must lift their spirits and enliven their hearts.
Movies have these transcendent moments where everything is just right, from the dialogue to the music to the lighting to the narrative context; everything is just perfect, and something magical happens - the film breaks through the screen and does something to you.
If the process of life is about moving toward increased complexity and organization, a sort of sublime unfolding of greater and greater self-organizing systems, then we're actually doing pretty well.
We're the only species that can look into the future and know that we're going to die one day, and it causes all sorts of cognitive stress on your system.
Techno-optimism is a belief in the power of technology to extend our sphere of possibilities and, ultimately, a belief that technology helps us solve and transcend problems, limitations and obstacles.
As a media artist and filmmaker, I'm constantly considering the role of situational context when creating my work.
Imagination allows us to conceive of delightful future possibilities, pick the most amazing one, and pull the present forward to meet it.
Awe is the best drug in the world
Consciousness, when its unburdened by the body, is something thats ecstatic; we use the mind to watch the mind, and thats the meta-nature of our consciousness; we know that we know that we know, and thats such a delicious feeling, but when its unburdened by biology and entropy, it becomes more than delicious: it becomes magical.
Once we realize the extraordinary power we have to compose our lives, well move from passive, conditioned thinking to being co-creators of our fate.
Cinema is a technologically mediated dreamspace, a way to access, a portal to the numinous that unfolded in the fourth dimension, so cinema became sort of a waking dream where we can travel in space and time, where we can travel in mind. This became more than virtual reality, this became a real virtuality.
Human beings are attracted to novelty: to probe the adjacent possible. We didnt stay in the caves. We didnt stay on the planet, and soon we wont stay within the limitations of our biology. We move forward. We transcend our limits. We go to the moon, and we create the Internet.
I think in a way, what it is to be human is to transcend our boundaries. That is the human story.
To be inspired is the ultimate antidote to existential despair.
We fit the universe through our brains and it comes out in the form of nothing less than poetry. We have a responsibility to awe.
I do NOT accept the ephemeral nature of this moment. I'm going to extend it FOREVER! Or at least I'm going to try.
For me, its always a failure of the imagination. I have that anxiety that time is passing, that everything is ultimately fleeting and impermanent. I better take advantage of every single moment.
I think we defy entropy and impermanence with our films and our poems. We hold onto each other a little harder and say, 'I will not let go. I do not accept the ephemeral nature of this moment. I'm going to extend it...forever. Or at least I'm going to try.'
Death is not necessarily what gives meaning to life LIFE gives meaning to life, and what we do with life, which is to create knowledge like music, art, science To this end, I believe intelligent life might be evolution's secret weapon: the ultimate hack that might help us transcend entropy.
Mindgasm (noun) - An exhilarating neurostorm of intense intellectual pleasure. Fully revelatory understanding of a certain topic. Involuntary contractions of brain muscles usually accompanied by the overwhelming sensation of truth proximity. Visionarism. State of awe.
Everything that we design is designing us back
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