Top 1200 Editing Room Quotes & Sayings - Page 17

There is interest in a crime-based reality show. With my novels, we are now editing the second book in a series about a defense lawyer whose name is Samantha Brinkman. And I am reviewing speaking engagement opportunities.

'Waiting For Guffman' was different right away from 'Spinal Tap,' because we didn't show the interviewer. That person became invisible immediately. That created a different way of tuning it and ultimately editing it.

I think it makes the game much easier to play once you have a good cohesion off the court. I think that's big because you come into a locker room at the NBA level, there's so much emotion, so much pride in the locker room.

Writing, of course, is writing, acting comes from the theater, and cinematography comes from photography. Editing is unique to film. You can see something from different points of view almost simultaneously, and it creates a new experience.

I've had to learn about my body and I've had to figure out things that will work for me - I had to change my diet and, having been injured, I've been in the treatment room and learning from those guys and people outside of the treatment room.

Editing requires you to be always open, always responding. It is very important, for example, not to allow yourself to want the writer to write a certain kind of book. Sometimes that's hard.

Professional humorists and cartoonists have to go through a stage in which they have to kill their own internal editor just so they can get stuff out. So whether they believe it or not, they need me on the other end to do that editing for them.

Sitting in a room, alone, listening to a CD is to be lonely. Sitting in a room alone with an LP crackling away, or sitting next to the turntable listening to a song at a time via 7-inch single is enjoying the sublime state of solitude.

You know, I do music. If you look under the hood of the industry I'm in, it's all based on technology. From radio to phonographs to CDs, it's all technology. Microphones, reel-to-reels, cameras, editing, chips, it's all technology.

I always say writing is like dreaming, shooting is like living, and editing is like murder, because you take all these gifts that actors give you, and you cut them.

Hundreds of scientists from around the world are gathering in Washington, D.C. for what some say could be a historic meeting. They are attending an international summit to debate one of the most controversial subjects in modern science , editing human DNA.

I put myself in the place of the listener when editing my writing. The last thing that I want to do is be preached at and told who to be or what to think when listening to an artist. However, I do want to be inspired. There's a fine line.

I've been told that I'm a very different person on the set than I am in postproduction when the movie's over and I'm editing, in that I get so wound up in the film that I become selfless to the point where I lose too much weight.

There's room for everyone. There's room for pop country, for 'rock & roll' country, for stone-cold country, and everything in-between. Great music is great music.

Imagine that we are sitting in an ordinary room. Suddenly we are told that there is a corpse behind the door. In an instant the room we are sitting in is completely altered; everything in it has taken on another look; the light, the atmosphere have changed, though they are physically the same. This is because we have changed and the objects are as we conceive them. That is the effect I want to get in my film.

Hip hop is usually a bunch of guys talking to a bunch of guys, in my experience. It's homosocial, not homosexual, in that it's almost always all one gender in a room where it's being created. That locker-room environment has an impact on the language. I think the music suffers 'cause it allows an almost cartoonish level of misogyny.

After all the field of battle possesses many advantages over the drawing-room. There at least is no room for pretension or excessive ceremony, no shaking of hands or rubbing of noses, which make one doubt your sincerity, but hearty as well as hard hand-play. It at least exhibits one of the faces of humanity, the former only a mask.

The Colonel explained to me that 1. this was Alaska's room, and that 2. she had a single room because the girl who was supposed to be her roommate got kicked out at the end of last year, and that 3. Alaska had cigarettes, although the Colonel neglected to ask whether 4. I smoked, which 5. I didn't.

It may be a point of great pride to have a Van Gogh on the living room wall, but the prospects of having Van Gogh himself in the living room would put a great many devoted art lovers to rout.

If you're in the writer's room, in any writer's room in the world, before you pitch a joke or suggest an idea, you first think it's funny and decide to say it out loud. The next step is for the people around you to accept it or reject it, before it ever sees the light of day, on film or in front of an audience.

It was only after the Grimms published two editions primarily for adults that they changed their attitude and decided to produce a shorter edition for middle-class families. This led to Wilhelm's editing and censoring many of the tales.

There's an academic tradition called the 'Last Lecture.' Hypothetically, if you knew you were going to die and you had one last lecture, what would you say to your students? Well, for me, there's an elephant in the room. And the elephant in the room, for me, it wasn't hypothetical.

I think Gram did his best work in co-writes. Sometimes when you're working with one other person, it's such a magical thing. You're editing each other and you're trying to create that one spark.

I think we filmed a lot of the recording and it would be nice to do something with it but you know, videos are tricky because we know how to make albums but I'm not very good at video editing .

I can hire out for editing, proofreading, formatting, and cover design, and those are fixed, sunk costs. Once those are paid, I can earn 70% on a self-pubbed ebook.

The lessons of slushing and editing build up over time, and you're not necessarily thinking about them while you're working, but they're in the back of your mind, probably influencing your choices.

I'm interested in pitches that have compelling people and ideas at the core - and a good news peg certainly doesn't hurt. We look for stories that are solutions-oriented, but not irrationally upbeat, from writers with a strong voice. For LadyJournos, where I'm curating not editing.

I believe there's a platonic ideal for every book that is written, like there's the perfect version of the book somewhere in the ether, and my job is to find what that book is through my editing.

There's no room for him in your head, Elle. I'm there. I'll always be there and if he tries to come in I'll drive him out until you're strong enough to do it yourself. And there was never room for him in your heart because I was already there. He couldn't touch your soul. It belongs to you and no one else unless you decide to share.

It's very hard to be a screenwriter. I remember getting a couple of awards. I got a PEN West award a million years ago when I did Running on Empty, and I sat in the room with all these writers. They wrote everything from novels to non-fiction to children's books to journalism - any kind of writing - and I realized that there was no one in the room who would ever read anything I'd written.

When I go into a room to write, it's like I'm not trying to say, 'I need to write a song that sounds like Eric Church or Jason Aldean.' I just try to get the best song that's in the room that day. Whatever style or sound that may be, I'm not afraid to attack it at that angle.

It's like you take these great actors and put them in an aquarium of life and just watch them swim. That's what makes editing tough because you get all these beautiful, unplanned moments.

Going to directing wasn't a reaction away from acting as much as it was a move towards something I always wanted to do. Ever since I was a kid, I was interested in the camera and how it worked and why one director would place it in this part of the room and then another would place it in that part of the room.

Many years ago, I had the pleasure of editing a book by Joan Crawford, who, like Norma Desmond, was still a big star; it was just the movies that had gotten smaller.

'Close To The Edge,' we actually had played it from beginning to end before we recorded it in the studio. So we knew how long it was, and we knew it would fit on the album fine, so we didn't do any editing.

Small hotels are going to be in vogue. In my view, small is going to be the new big, wherein people will rethink a lot about going back to that 1,000-room hotel versus going to a 40-room niche hotel.

The way I perform or the setup is always same - just me and a microphone and the text - and they usually have some relation of how physical that stack becomes. When I'm editing it together, the density of the papers is an indicator to be like, "You need to stop."

Most fledgling and mid-list writers are lucky to be offered a 4-figure sum and are not only expected to deliver copy that needs minimal editing but also take an active part in marketing and publicizing their work.

I'm trying to photosynthesize like a plant. I'm off eating. Although I am making a lot of banana daiquiries in my room in the blender I've got, with lots of powdered vitamins in them. This tour I'm going to get some Afghani hangings and put them in my room, so that my hotel rooms look like mosques.

I prefer a change of surroundings anyway, and I like to be around some energy and white noise, so I usually go to a Barnes & Noble cafe or to the library on 5th and 42nd. In the afternoons, I do research, reading, editing, and play with the kids.

If you have 8-foot ceilings, you'll want a low sofa, which gives the impression that the ceiling is taller than it is. In a room with a high ceiling, you want a high-back sofa to be a weighty presence that can hold up to the room.

Only an open mind still has room for new knowledge. What is outgrown and used up must be discarded to make room for what is yet to be learned. And much of the best thinking is done alone-in deserts, on beaches, in bed, behind closed doors. It is why we say we need to get away-to escape from clutter and busyness-to hear ourselves think.

Every audience is different, even within the same venue. You have to just make every audience your audience; you can't pre-judge an audience based on the size of the room or the type of room. You've just got to be in the moment and go with it.

There are plenty of paths to becoming a writer, but I think the most reliable ones involve total commitment: writing for magazines and newspapers, teaching writing, editing books, representing authors.

There's some things that you learn as you're shooting, and as you're editing that are key, because when you start you don't have the brain that can finish it. You don't really know what it is, and that's the key job; figuring out what you actually have, not what you're dreaming of having.

While there are certainly food-focused content out there on the Web and on TV, most of this content need to weave through many layers of editing before it reaches the viewer.

The best moments can't be preconceived. I've spent a lot of time in editing rooms, and a scene can be technically perfect, with perfect delivery and facial expression and timing, and you remember all your lines, and it is dead.

I only ever did one hotel room because at the end of the tour, I had a little less money than the rest of the guys, and the tour manager said, 'You remember that hotel room you destroyed in Iowa? Well, we had to pay for it.' And I was like, 'Ooooh. That's how it works.'

I have to think in terms of musical tempo. Let's say someone comes into a room and slowly sits down or someone rushes into the room and rushes to sit down. That's how to work out the tempo of the music you produce.

I've been in WWE for 22 years and reached a point in my career where, within the locker room, I'm one of the people that guys come to if something needs to be discussed. I'm also one of the people that the WWE executives, if there is a problem in the locker room, I'm one people that is consulted about that.

I literally coded Facebook in my dorm room and launched it from my dorm room. I rented a server for $85 a month, and I funded it by putting an ad on the side, and we've funded ever since by putting ads on the side.

I think Alma Reville was the only one Alfred Hitchcock trusted. When it came to issues of taste or what the audience wanted, down to editing, script and casting, he would turn to her first. She was his partner.

Film editing is now something almost everyone can do at a simple level and enjoy it, but to take it to a higher level requires the same dedication and persistence that any art form does.

I always try and bring screenplay, shooting and editing into a sort of symbiotic - as close into alignment as you possibly can get them, consistent, obviously, with the resources that you've got and the time you've got available.

If you close your eyes you can imagine the hackers sitting in a room, combing through the documents to find the ones that will draw the most blood. And in a room next door are American journalists doing the same thing. As demented and criminal as it is, at least the hackers are doing it for a cause. The press is doing it for a nickel.

They put everything that's wrong with boxing in one room, did everything that's wrong with boxing in that room, and gave birth to Adrien Broner.

I go into every meeting, into every room and for every speech understanding the standard deviation, the Bell Curve. I know there are about 10-15 percent of people in the room, who say, "I've been trying to say this for years. Finally. I agree. Yes, yes, yes." I know there are about 15 percent of the people in the room who think I'm an idiot, who think I don't know what I'm talking about, who think I'm naive or I have oversimplified everything. The majority who are open to the ideal.

When you write, you're alone in a room. And when someone reads a book, they're alone in a room, too, usually. It's a really intimate exchange. And so people ask me where I get the boldness to talk about this or that, but I didn't feel like it required any sort of courage, because I was alone. Sometimes it feels weird for people to read it.

Let us leave a little room for reflection in our lives, room too for silence. Let us look within ourselves and see whether there is some delightful hidden place inside where we can be free of noise and argument. Let us hear the Word of God in stillness and perhaps we will then come to understand it.

If you are a certain kind of hands-on learner and have been in a writers room and know how scripts get made, and you know what pre-production is, then mostly it's making sure the actors get what they need, and you are providing creative oversight while allowing room for everyone else to own the material, too.