With all the movies I've made about history, it's not really fun because you're trying to get it right. You've got history telling how it was, and then my imagination is telling me how I wish it had been, but I can't go there, so I have to censor myself. I'm very good about stopping myself from creating history that never occurred, but it's frustrating.
It is said that the history of peoples who have a history is the history of class struggle. It might be said with at least as much truthfulness, that the history of peoples without history is a history of their struggle against the state.
Won't it be wonderful when black history and native American history and Jewish history and all of U.S. history is taught from one book. Just U.S. history.
History is a living horse laughing at a wooden horse. History is a wind blowing where it listeth. History is no sure thing to bet on. History is a box of tricks with a lost key. History is a labyrinth of doors with sliding panels, a book of ciphers with the code in a cave of the Saragossa sea. History says, if it pleases, Excuse me, I beg your pardon, it will never happen again if I can help it.
'Good wine needs no bush', and if there were need to urge the reading of history it would be proof that history is too dull and unattractive to be read.
All other forms of history - economic history, social history, psychological history, above all sociology - seem to me history with the history left out.
I don’t know much about history, and I wouldn’t give a nickel for all the history in the world. It means nothing to me. History is more or less bunk. It's tradition. We don't want tradition. We want to live in the present and the only history that is worth a tinker's damn is the history we make today.
Reducing everything immediately to good and evil is bad history - not only because it isn't true, but because reductionism is unpersuasive; it is boring. Good history, on the other hand, demands that one talk socratically - that one can present alternate viewpoints, not strawman arguments.
You don't have to be a good person to be a good writer--history shows it's better if you're not--but you have to understand your badness.
The Gospel is ‘Good News’, not ‘Good History’, because when it’s preached, it happens.
You are doing something over here and over there someone is telling you a joke, or giving you an important piece of information about sanitation, and no matter how weird the other subject is, there is a connection, or you can make a connection. I’ve always loved history and history is collage, it is a juxtaposition of the good and the bad and the strange, and how you place those sentences together changes the whole mood of a history.
The antidote to feel-good history is not feel-bad history but honest and inclusive history.
I have a new theory of history, which is certain things happen because they seem like a good idea at the time. And suburbia seemed like a good idea at the time, but it was a special time and place in history, with special dynamics. And now, we're going to have to live with the consequences of that. And the consequences will be tragic.
Good women are no fun... The only good woman I can recall in history was Betsy Ross. And all she ever made was a flag.
And what we students of history always learn is that the human being is a very complicated contraption and that they are not good or bad but are good and bad and the good comes out of the bad and the bad out of the good, and the devil take the hindmost.
History is full of really good stories. That's the main reason I got into this racket: I want to make the argument that history is interesting.
Black history isn’t a separate history. This is all of our history, this is American history, and we need to understand that. It has such an impact on kids and their values and how they view black people.
When I went to high school - that's about as far as I got - reading my U.S. history textbook, well, I got the history of the ruling class. I got the history of the generals and the industrialists and the presidents that didn't get caught. How 'bout you? I got all of the history of the people who owned the wealth of the country, but none of the history of the people that created it.
The moment I realised that my history was an excuse for nothing, was the moment I was freed from my history. The great danger of history is that we use it as an excuse and remain trapped in it. I cannot blame my history for anything, and therefore I have to have high standards for myself.
It's always good to be somewhere with some history, maybe that's England, which has a long history.
Except for the people who were there that one day they discovered the polio vaccine, being part of history is rarely a good idea. History is one war after another with a bunch of murders and natural disasters in between.
Universal history, the history of what man has accomplished in this world, is at bottom the History of the Great Men who have worked here.
I've always tried to write California history as American history. The paradox is that New England history is by definition national history, Mid-Atlantic history is national history. We're still suffering from that.
It's great to have a great past and history. But it's even greater to have a good future. So the most important history is the history we make today.
What makes a good writer of history is a guy who is suspicious. Suspicion marks the real difference between the man who wants to write honest history and the one who'd rather write a good story.
There's a lot we should be able to learn from history. And yet history proves that we never do. In fact, the main lesson of history is that we never learn the lessons of history. This makes us look so stupid that few people care to read it. They'd rather not be reminded. Any good history book is mainly just a long list of mistakes, complete with names and dates. It's very embarrassing.
Do not feel trapped by the facts of your history. Your history is not some set of sacred facts. History is an interpretation, and your history is yours to interpret. To know the history and then reinterpret it gives you additional depth.
I love history. It was the only thing I did well at in school. I'm not ashamed to admit that I was not a good student but I was great at history.
A good history covers not only what was done, but the thought that went into the action. You can read the history of a country through its actions.
History is a commentary on the various and continuing incapabilities of men. What is history? History is women following behind with the bucket.
Much of the social history of the Western world, over the past three decades, has been a history of replacing what worked with what sounded good.
I wanted to be a part of history and not just a recorder and teacher of history. So that kind of attitude towards history, history itself as a political act, has always informed my writing and my teaching.
History is laden with belligerent leaders using humanitarian rhetoric to mask geopolitical aims. History also shows how often ill-informed moralism has led to foreign entanglements that do more harm than good.
I think where you're born brings a history with it - a cultural history, a mythical history, an ancestral history, a religious context - and certainly influences your perception of the world and how you interpret everyday reality.
All of political history history can be summed up as a struggle to throw the bad guys out and put the good guys in.
The colonists usually say that it was they who brought us into history: today we show that this is not so. They made us leave history, our history, to follow them, right at the back, to follow the progress of their history.
I mean it's always good to document your history. 'Cos for some strange reason black history has a tendency of getting lost. So I think it's beautiful to have the ability to document it.
I know Leeds have had a few Scottish captains but I don't look too much to that because you can get lost in the history of the club. There's so much good history but it's all about the present and the future.
In history, good intentions do not always make good consequences
If people really want to know and learn from history, why do they want bad history? Why don't they want good history? Wouldn't you rather know the truth, rather than the legend?
Good history is good story-telling. And good story-telling demands empathy; it requires understanding different actors, differing motivations, competing goals.
One of the things I know from the study of history is that history surprises you. History is not written. It's not inevitable.The victory of evil is not certain.
Music expresses feeling, that is to say, gives shape and habitation to feeling, not in space but in time. To the extent that music has a history that is more than a history of its formal evolution, our feelings must have a history too. Perhaps certain qualities of feeling that found expression in music can be recorded by being notated on paper, have become so remote that we can no longer inhabit them as feelings, can get a grasp of them only after long training in the history and philosophy of music, the philosophical history of music, the history of music as a history of the feeling soul.
Good writing is almost the concomitant of good history. Literature and history were joined long since by the powers which shaped the human brain; we cannot put them asunder.
The history of jazz lets us know that this period in our history is not the only period we've come through together. If we truly understood the history of our national arts, we'd know that we have mutual aspirations, a shared history, in good times and bad.
We have good history in Virginia... and we have history that's not good and I don't think we can shy away from any of it. We must tell it all, we must put it in perspective.
I've seen things change and people forget: the history of Berlin, the history of queer struggle, the history of AIDS, the history of New York changing from an artistic powerhouse to more of a financial one now.
If anybody had a sense of history, it wasn't me, I'll tell you that. I, I was just enjoying life and, and making a living and, and, you know, listening to all this good music. No, there was never in my mind any kind of sense of history, nothing.
I am opposing it with an idea of the history of philosophy as a history of philosophers, that is, a history of mortal, fragile and limited creatures like you and I. I am against the idea of clean, clearly distinct epochs in the history of philosophy or indeed in anything else. I think that history is always messy, contingent, plural and material. I am against the constant revenge of idealism in how we think about history.
If good history is dispassionate history, it must naturally wait until the passions of the period subside.
The state can be a force for good. The Rule of law is absolutely essential to a good life. God has instituted government and leaders throughout history and throughout the Biblical narrative. However, the state is growing precisely as the church is fading as a force for good, and this does not seem to be a good trend.
All who affirm the use of violence admit it is only a means to achieve justice and peace. But peace and justice are nonviolence...the final end of history. Those who abandon nonviolence have no sense of history. Rathy they are bypassing history, freezing history, betraying history.
If, in schools, we keep teaching that history is divided into American history and Chinese history and Russian history and Australian history, we're teaching kids that they are divided into tribes. And we're failing to teach them that we also, as human beings, share problems that we need to work together with.
I'm a good son, a good father, a good husband - I've been married to the same woman for 30 years. I'm a good friend. I finished college, I have my education, I donate money anonymously. So when people criticize the kind of characters that I play on screen, I go, 'You know, that's part of history.'
We know only a single science, the science of history. History can be contemplated from two sides, it can be divided into the history of nature and the history of mankind. However, the two sides are not to be divided off; as long as men exist the history of nature and the history of men are mutually conditioned.
I've always loved history and history is collage, it is a juxtaposition of the good and the bad and the strange, and how you place those sentences together changes the whole mood of a history.
Should we be rewriting history just to make people feel good? That's not history, that's psychiatry.
There has always been interest in certain phases and aspects of history - military history is a perennial bestseller, the Civil War, that sort of thing. But I think that there is a lot of interest in historical biography and what's generally called narrative history: history as story-telling.
To me this question whether liberty is a good or a bad thing appears as irrational as the question whether fire is a good or a bad thing. It is both good and bad according to time, place, and circumstance, and a complete answer to the question, In what cases is liberty good and in what cases is it bad? would involve not merely a universal history of mankind, but a complete solution of the problems which such a history would offer.
If history records good things about good people, the thoughtful hearer is encouraged to imitate what is good; or if it records the evil of wicked people, the godly listener or reader is encouraged to avoid all that is sinful and bad, and to do what he knows to be good and pleasing to God.
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