A Quote by Afrojack
People buy a ticket to see your show, so from the moment I get onstage, I can have no insecurities, because they're already there. You have to get people to listen. If they listen, everything's cool.
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Also, when we did "Smallville," we didn't have an opportunity to interact with people who watched the show. And see what they had to say and listen to criticism and listen to praise at the same time. So a lot of this is a new experience and it's very interesting and rewarding for us. I think we get honest feedback. You get hate. You get a lot of love as well. And I'm actually very curious what people think of the show. For us, it's been a passion project of ours, and an incredibly challenging show to make.
My show is an adult comedy show, but it isn't offensive. Your kids could listen to it, even though I hope they wouldn't 'get' most of it. But I get a lot of fan mail from soccer moms saying 'I love having your CD because I can listen to it with my kids in the car.'
Everything is not serious. If you don't like what I'm saying, change the channel - don't look at me, don't buy a ticket. You either get it or you don't, and it's fascinating because it's usually intelligent people with a sense of humor who get it.
People sinking into self-pity and depression are dreary, but they can't get out of it by themselves. So every now and then, just sit there and listen, and listen, and listen. You're paying your membership dues in the human race.
It is easier to talk than to listen. Pay attention to your clients, your users, your readers, and your friends. Your design will get better as you listen to other people.
And other people get the opportunity to leave prison, and then they do something to get put back in there because they can't actually function in society. It's really cool because you get to see all these different women, their backstories, where they come from, their upbringing and why they get to where they get to, and they're all completely different. It's really cool that you get to see all those storylines.
Both times I was in India, I could not get people to listen to each other. I had to literally tell people to listen to each other and tell them that they can't get creative and find alternate solutions if they don't listen to each other. There's a lot of arguing and justifying.
I'm always intrigued by people that listen to my music, I just naturally want to get to know people who listen to my music because people who end up having such an attachment with my stuff, I wonder why they have such a connection to something that's so personal to me in the first place.
Some people buy records just to dance to 'em. Some people buy records to listen to the radio. And there's people that buy records 'cause they listen to every song.
I’m a hopeless romantic. I buy things because I fall in love with them. I never buy anything just because it’s valuable. My husband used to say I look at a piece of fabric and listen to the threads. It tells me a story. It sings me a song. I have to get a physical reaction when I buy something. A coup de foudre – a bolt of lightning. It’s fun to get knocked out that way!
I think your posing and your onstage presentation is yet another piece of the craft. So anytime you get onstage to show the muscles and show the finished work, that should be looked at with the same kind of respect and appreciation. I'm glad everybody else appreciates it, but I still want to get better.
The music that we listen to these days, everything is right there in your face. There's no real mystery. It's not poetic. I want people to think. I want to make people listen to my lyrics.
I used to not listen that much, but I've really learnt to listen to other people and to really listen to what they're saying. I've found, especially being on a film set, people have so many different stories; if you just listen, you can pick up so much stuff. I try to listen as much as I can.
You don't try to get influenced by everything that's going on with all the other music around you. You don't listen to the radio - I mean, I don't. When I get ready to do an album, I don't listen to anybody else; I don't wanna be influenced.
When I was a kid, it was so important to listen only to bands nobody had ever heard of. I missed out on so much interesting music because of my need to listen to a psychobilly band that only two people knew about... Because I thought I was cool.
It's kind of fun at my age to go back and talk to business-school people. I tell them, "I can summarize everything you need to know to lead a major corporation. Are you prepared to write this down?" And then they get all ready. I tell them I can summarize how I succeed as a leader: Listen to your employees, listen to your customers, shut the f - - up, and do what they tell you.
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