A Quote by Alex Graves
I was, and am, a frustrated filmmaker and film student, and my passion and love for movies was so broad that, in the earlier part of my career, I stumbled into doing 'Sports Night' and was a comedy director.
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Well, there's two things I have criteria for doing a film: The script, which is the story, and the filmmaker, and it's a filmmaker's medium. I like really strong directors, and so when I do a film, I'm out there to serve the director, really, which is in turn to serve the script, to serve the director cause he's the one making the film. I relied on Todd Haynes for that.
I'm a film director. Gay is an adjective that I certainly am, but I don't know that it's my first one. I think if you're just a gay filmmaker, you get pigeonholed just like if you say I'm a black filmmaker, I'm a Spanish filmmaker, I'm a whatever.
I like doing commentary. As a filmmaker and film student, I think it's really interesting to hear what a director did and how they figured out how to do things. I often like the technical commentaries myself.
I like broad comedy. If I had an idea tomorrow for a film that was all slapstick and broad comedy, and it was an idea that interested me, I would not hesitate to do it because I enjoy watching these kinds of film.
It is true that I got recognition. But however good the comedies are, nobody will accept a good comedy director as a good director. That is the sad part of it. Nobody knows who directed the 'Laurel and Hardy' movies. They know only Laurel and Hardy. Directors will never get a good name if they direct a comedy film.
Being the son of a filmmaker, you are aware of a career as a director. You don't think of it as just movies, but as a life.
I love Carpenter, I love Craven - these are all the classics - the Romeros of the world, but I think the biggest influence on me as a storyteller and as a filmmaker is actually Steven Spielberg. I love that even though Steven isn't known for being a horror director, he started out his career making scary movies.
As a filmmaker and film student, I think it's really interesting to hear what a director did and how they figured out how to do things.
As a filmmaker, I believe in trying to make movies that invite the audience to be part of the film; in other words, there are some films where I'm just a spectator and am simply observing from the front seat. What I try to do is draw the audience into the film and have them participate in what's happening onscreen.
I moved out to L.A. to be a filmmaker or director. I didn't even think about doing comedy or even acting. I wanted to be like Paul Thomas Anderson or Wes Anderson, but I wasn't going to a lot of comedy.
I love straight-face comedy or relatively subtle comedy. And then I turn around and I find myself doing very broad comedy but it's all fun and you have to keep your sense of humor and not take yourself seriously.
I wanted to be in film. I wanted to be a film student, possibly be a director or cinematographer, not an actor. That was my goal. I didn't believe I had the physical beauty that I'd seen projected and advertised in movies, in theater. It just wasn't for me.
I learned that you have to say that you're a filmmaker. You're not a screenwriter; you're not a director for hire. You've got to take charge. You're a filmmaker, and you're going to make a film.
As a filmmaker I have changed, yes. I seem to have crossed a line and that journey, trajectory change is more apparent. I'd say, what changed dramatically in me as a filmmaker is the fact that now, it is about why am I making the film, what is this supposed to mean to people. Earlier, it was more about entertaining or engaging them.
I was a frustrated musician, frustrated designer, frustrated art director, frustrated novelist, right. I'd fail at all these different professions.
I love the novel as a form, as an adventure of mind and soul. Really, I absolutely love writing them; they consume my days and nights - what can I say? But I am an avid film student, too: I watch a movie every night.
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