A Quote by Alexis Ren

I don't like tan lines, and I work out a lot. — © Alexis Ren
I don't like tan lines, and I work out a lot.
I work out like a maniac and I spray tan a lot. Genetics were kind, but I work very hard.
I'm European. I don't like wearing tops. And I don't like tan lines.
In Europe, you can sit out and sit in the sun, and you get a very golden tan. The tan you get in Las Vegas is a darker tan, and it's not the same.
There's no California tan about me. People assume I can't tan, but I actually can. I went on a trip to Hawaii when I was younger and came back so tan that people were like, 'What happened?' It's just not something I actively do. I want to embrace my ivory.
When you're younger, you don't believe in it, but it's really so important to stay out the of sun as much as you can. Like if you wanna get tan, you can get a spray tan and not get skin cancer.
Fake tan is really difficult to get right. When I was younger, I'd always do it wrong. I'd leave it on and forget to wash it off. So I embrace being pale. I like getting a tan, but I also think that if you're going to do it, it has to be gradual. I just work the pale thing now.
One character mistook me for the model and remarked 'That Man-Tan sure works wonders!' That ain't Man-Tan. I'm tan, man. From my head to my toes.
Everyone always asks me how to get the most mileage out of a spray tan. I'm spoiled and I get a fresh one every week; but my best advice for the rest of the girls out there is to wax a day in advance of your spray tan.
Everybody thinks I wear fake tan but I hate fake tan! Never been able to get on with it. I'm always linked to different fake tan brands and it's nonsense because I've probably had three fake tans in my life.
The one thing I really lucked out on is that all through my teenage years, when my sister was a lifeguard and everyone I knew was out in the sun all day - I was in the theater. Everyone called me Casper because I never had a tan, and everyone else was tan all the time. I think that was the luckiest thing of my life.
I don't write as much now as I used to, but I write. The lines still come, maybe periodically, and I'll go through these little bursts of time where I write a lot of things then a long period of time where maybe I don't write anything. Or these lines will come into my head and I'll write 'em down in a little book, just little sets of lines, but I won't try to make stories or poems out of them. I'm doing a lot of that now, just the lines.
I'm the girl that's on the beach with a hat on, under an umbrella. Like, very shaded. But my weird thing is, I only tan my legs. My whole body's covered in the shade, and I tan my legs.
I'm a comedian. I can't get a spray tan. I can't get a weave. I can't get my teeth done. Can you imagine if I came out on stage looking really hunky? Comedy doesn't work like that.
I’m not good-looking. I used to be, but not anymore. Not like Robert Taylor. What I have got is I have character in my face. It’s taken an awful lot of late nights and drinking to put it there. When I go to work in a picture, I say, ‘Don’t take the lines out of my face. Leave them there.’
I like doing voiceover work. I just like it in general, because you're constantly working on a very first-instinct level. You show up, you get in front of the microphone, you look at the lines, you say the lines, and then you move on. You work on a really primal level, is what I'm saying. You don't have to shave. You don't even have to wear pants. But, uh, that wasn't your question.
Your work isn't just to learn and say the lines. Your work is to figure out what the chatter in your brain is, that's going on under the lines. It doesn't matter whether you're speaking or not speaking because your mind is working the way your character's mind would work.
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