A Quote by Alfred Lunt
Miss Fontanne and I rehearse all the time. Even after we leave the theater, we rehearse. We sleep in the same bed. We have a script on our hands when we go to bed. You can't come and tell us to stop rehearsing after eight hours.
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I just wanted to do my own thing after The Murderdolls. The Murderdolls were so spread out all across the US that we couldn't just say, "Let's go rehearse." For us we had like four days to rehearse because everyone had to book flights, so we just never got as tight as most bands should be.
I love the rehearsal, as long as it's not over-rehearsed. I love it when the actors can rehearse until we feel really comfortable, and then the crew come in and shoot it. I'm not especially a big fan of rehearsing with the crew and the crew rehearsing and, "Let's rehearse this tracking dolly shot 25 times until it's just right." Television has to be shot a certain way to have a certain look. And sometimes the tried-and-true method is the best.
My secret is I cannot go to bed, I cannot sleep, if my bed is not made before I go to bed. I can leave it unmade in the morning, but I have to remake it before I get into it to sleep.
The summer after I got divorced, my children asked to sleep in my bed again. It would be the first time we'd shared a bed since they were infants.
Lying in bed, half-covered by the blankets, I would drowsily ask why he had come to my door that night long ago. It had become a ritual for us, as it does for all lovers: where, when, why? remember...I understand even old people rehearse their private religion of how they first loved, most guarded of secrets. And he would answer, sleep blurring his words, "Because I had to." The question and the answer were always the same. Why? Because I had to.
Late at night, I train after I put my kids to bed because putting my kids to bed is very important to me. I have three daughters; they are 8, 6, and soon to be 4. So I train after they go to bed.
I don't really leave the house. Literally, I train, come home, look after the kids, the dogs, my missus... then it's time to go to bed.
My background with Cummings was rehearse, rehearse, rehearse, but Tuesday liked to walk in and do the scene. I must say that she was really wonderful. Aggravating, but wonderful.
I've heard expressions like, 'Are you good in bed?' What does that even mean? For me, good in bed means sleeping seven hours. Undisturbed! If I get eight hours, that means I'm amazing!
I don't rehearse a lot. I try to keep it organic. Even in movies, the less I rehearse, the better I am.
I'm always late to bed - usually after midnight - but then I sleep for around ten hours.
I always map out how to get a good eight or nine hours of sleep before I even start my day. And my rule is to put my phone on silent when I go to bed; that way, no texts or emails can disturb me.
In theater, you get to rehearse several weeks, you memorize everything, and by the time you open, you know what the play is. In film, it's almost the opposite. You do your work on your own and maybe have a couple of minutes to rehearse. When the camera rolls, you generally don't know what's going to happen.
I didn't see my son the entire time I did 'Dancing With the Stars.' The only time I saw Jeffrey was when he came to the show Monday and Tuesday nights to watch me dance. You literally rehearse six to eight hours every single day - 40 to 50 hours a week.
To be home for story time is brilliant. Even if after 14 hours of filming you're exhausted and just want to fall into bed.
The saddest thing is that when I sat down to rehearse for the Pixies, I couldn't believe that I had given up something that I loved. Now I hold the drum at night and I want to go to bed with it.
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