A Quote by Antoine Fuqua

I watched the 'Seven Samurai' a lot because I loved it growing up. I can't describe to you how powerful that was. When you're a kid, you can't watch an almost-three-hour movie, but this was a war I just never saw before, with these samurai. I could relate to it, just being poor.
I always loved samurai movies, and I wanted to incorporate that whole level of elegance and just the code of the samurai to 'Conan.'
I remember my roommate was watching 'Seven Samurai,' and I just couldn't fathom why anybody would watch it.
The person who practices an art is an artist, not a samurai, and one should have the intention of being called a samurai.
This is almost the most famous story The last samurai - Samurai story - in Japan.
Before I go off and direct a movie, I always look at four films. They tend to be The Seven Samurai, Lawrence Of Arabia, It's A Wonderful Life and The Searchers.
I didn't watch a lot of American television growing up. I just liked to read a lot and watch movies - movies, movies, and more movies. My family used to make fun of me because I'd like every movie I saw.
You re-watch 'Napoleon Dynamite', and there's a lot of thrift shopping that goes on in that movie; there's a lot of funny stuff. It's definitely amusing, and paying 99 cents for a samurai sword is amazing.
Jack' came from... I had the same dream since I was 10, about the world being destroyed and run by mutants. I'd find a samurai sword, pick up the girl I had a crush on, and we'd go through the land, surviving. That was the initial spark to 'Samurai Jack.'
I don't want there to be this separation between the rich and poor. I may be part of the three percent because I've been fortunate and done well for myself, but I will never forget about the 97 percent. That was me growing up. I was so poor I dreamt about being just 'regular poor,' not 'poor, poor.'
Mental bearing (calmness), not skill, is the sign of a matured samurai. A Samurai therefore should neither be pompous nor arrogant.
The new book is a result of my well-documented... absorption in Samurai movie culture. It's called 'The 47th Samurai: A Bob Lee Swagger novel,' and it takes Bob to Japan in search of the sword his father recovered on Iwo that has gone missing under extremely violent circumstances.
Growing up as a kid, I wanted to be a ninja. In martial arts, even though I did Chinese kung fu, I always wanted to be this secret samurai or a ninja. There's something about ninjas that was very appealing to me as a kid. So of course, I was climbing a lot of trees and other things and getting up to mischief - good mischief.
It's so nice to run into people even now who - if I'm out, a couple of times a week, somebody comes up to me and says, 'I just loved you in '50 First Dates.' That movie is my favorite movie. I just watched it last night.' In my head, I'm always thinking, 'You're kidding me. I never watch anything twice.'
You know when you're a kid and you get to pick a movie every Friday? I watched everything. There's no particular genre that was appealing. I just loved the idea that you could dress up and play.
I believe samurai in the Edo period and modern hip-hop artists have something in common. Rappers open the way to their future with one microphone; samurai decided their fate with one sword.
I've had enormous luck and enormous pleasure in working in such forms as movies and plays that I loved when I was a kid and I just - because I could always write dialogue, because I always had a sense of how people spoke. And because I had a strong narrative sense; growing up and loving stories, loving novels, I just seem to know how to tell a story and I read a lot, I went to a lot of movies, I went to a lot of plays, and it rubbed off on me. And that's all. It just rubbed off on me.
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