A Quote by Asghar Farhadi
I tend to jot down moments, lines, interactions that don't really make any sense. I try and explain these scattered notes to my close friends, and they become more and more logical. I see screenwriting as a bit like a math equation which I have to solve.
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I see screenwriting as a bit like a math equation which I have to solve.
I try to communicate with the musicians the way I communicate with the filmmakers. I'm not going to say to them, can we be a little bit more presto here. Hang on, this should be a bit more exciting, or I try to explain the scene to them, or I try to explain the context the notes are supposed to live in.
Math is discovered. To be invented requires an inventor, but math exists outside of humanity. But ultimately, the laws of the universe will be reduced down to a single equation, perhaps no more than one inch long. But leaves the final question, where did that one inch equation come from?
I think we need more math majors who don't become mathematicians. More math major doctors, more math major high school teachers, more math major CEOs, more math major senators. But we won't get there unless we dump the stereotype that math is only worthwhile for kid geniuses.
My friends tell me that I've calmed down, that I seem more centered. I don't know, I think my inner self was more hollow before, which made me more scattered, and more needy to get laughs.
So as a seventh grader, no, you weren't friends with people you didn't like. But sometimes you also weren't friends with people you did like, which was complicated, and which didn't make any sense if you tried to explain it. Sometimes things just changed. That's where the sadness came in.
As convenient as that would be to make it easier to communicate with more prolific musicians, I don't want to think of music like a math equation.
I'm probably a guy's girl, although I hate that phrase. I tend to have more close male friends than I do female friends, and I always have. I would say that of my 10 close friends, seven are men.
The more money you spend, the more you need to make back, and the more pressure there is to appeal to everyone - which to the studio means that the specificity and uniqueness must be watered down. But I think mass audiences like things that are more specific and tend to have a voice, like 'Napoleon Dynamite' or 'Superbad.'
It's interesting to have the awkward moments play out, and the real human interactions. The more you cut that down, you lose the joke, which is that this is painful and hard.
Kafka was a complex character in a complex historical era. In order to understand him, you have to do more than cite facts. It is necessary to connect the facts in a meaningful way. His relationship to Judaism, to his father, to women, to literature - all of this is interconnected; and there are decisive moments in his life, in which such interactions suddenly become visible and can be experienced in an almost sensuous manner. It is these moments above all that I try to narrate dramatically.
I teach something called The Law of Probabilities, which says the more things you try, the more likely one of them will work. The more books you read, the more likely one of them will have an answer to a question that could solve the major problems of your life.. make you wealthier, solve a health problem, whatever it might be.
When you can sit down with a plain sheet of paper in front of you and make some notes, and, little by little, you see it take shape and become a concept for a movie or a TV show. That's a real thrill. You watch it go from notes on a paper to a meeting with writers and directors and actors. I can't think of anything that's more exciting.
The average MMA guys have a boxer's stance which makes it easier for a wrestler when they try and take you down. I tend to stand sideways and that gives them only one leg to shoot for, it tends to make it more difficult to try and take me down.
When we try and blend the two together, the songwriting and the touring like we did before, it doesn't really work. We tend to become very focused on what we are doing. And we tend to be a little bit one-track-minded.
History tends to take the simplest possible view. As soon as you start to scratch the surface of any historical event, it starts to become more and more complicated, which is not the stuff of Hollywood films. Complications tend to break down the budget.
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