A Quote by Bryan Konietzko
We want our villains and antagonists to have distinct motivations.
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In American films, Russians are often portrayed like cartoon villains without clear motivations.
I like flawed characters, and I like seeing people who are supposed to be not villains but antagonists. There are elements to them, which are really annoying, but you kind of see where they came from. You see the things that caused those inadequacies.
I don't do villains often enough. There are two approaches: give them sympathetic, reasonable motivations for doing the most unspeakable things, or get inside heads that are interestingly broken.
My paintings capture the humor, zaniness, and depth of the Batman villains as well as the Freudian motivations of Batman as an all-too-human, venerable, and funny vigilante superhero.
I've played more villains than anything else. And I love playing villains, because I can just be evil and do whatever I want.
Basketball games - and seasons - make great narratives; they feature distinct acts, heroes and villains, and guaranteed resolutions.
Sometimes as you work, you find that you are learning things about your own perceptions and motivations that are way below you consciousness. If you get lucky, you recognize what you are doing, but all too often we don't find the connection between our work and our own motivations.
The thing about villains is that villains always have their own logic, and they don't necessarily see themselves as villains. Richelieu is not a villain, in his own mind. He's doing what he needs to do.
People do things with terrible motivations and those motivations are selfish and self-interested and financially driven.
Playing villains is very liberating because unlike the leading man, nothing is expected of you. Leading men have to look good, they have to behave in a certain way, they have to fulfill an audience's expectations. But as a bad guy, you have free license to take the audience by surprise. And that's what audiences want - they want unpredictability from their villains. The villain's job is to subvert it.
Actors endow the villain in fiction with a warmth and quality that makes them memorable. I think we like fictional villains because they're the Mr. Hyde of our own dreams. I've met a few real villains in my time, and they weren't the least bit sympathetic.
How do you get the protagonists and antagonists together, in the same space, without somebody having to die? So, we ended up having to tell two distinct stories, which is never the ultimate way to create a great serialized drama. So then, of course, we had the tragedy with Andy [Whitfield], which made everything very difficult and pushed back.
What's great about [Guettel] is his very distinct voice as a composer. And that distinct voice is something worth cherishing and expressing so we just didn't want to screw that up.
I keep attacking the villains, the know-nothings, the people who want to take our freedoms away.
I have always declared God to be a distinct personage, Jesus Christ a separate and distinct personage from God the Father, and the Holy Ghost was a distinct personage and a Spirit: and these three constitute three distinct personages and three Gods.
I have been thinking a lot about what we see in villains, how we relate to villains, and what it is about certain villains that we actually empathize with. Like Macbeth. We're not supposed to like a guy who kills the king and takes over, but there's something about him we're really fascinated by.
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