A Quote by Cary Fukunaga

I was imagining films in my head and trying to gather friends together to make movies since I was a kid. I tried to do comedy skits and a horror film. — © Cary Fukunaga
I was imagining films in my head and trying to gather friends together to make movies since I was a kid. I tried to do comedy skits and a horror film.
I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
I have always been doing sketch comedy since I was a kid because one of my mom's boyfriends was an improv comedy guy so were doing skits all the time growing up.
When I was a kid I wasn't allowed to watch horror movies at all. And actually, one of the genesis points for 'Mandy' and 'Black Rainbow' was this memory I have of being in video stores, reading the backs of videos and looking at the art, imagining some kind of non-existent imaginary film based on that.
I make unpopular versions of popular things. I make a horror film and it's not a horror film. None of my genre movies function as genre movies.
When I was a kid I was really into horror films. I watched every single horror film that came out in the 80s.
I love horror movies! I've loved horror movies since I was about eight years old, not that an 8-year-old should be watching The Shining, but I was allowed to, for some reason. Ever since then, I've loved good horror movies.
When horror turns into gore, when you show the monster, the killings, and the blood, it loses its suggestive powers. It loses part of what makes a horror film a horror film, which is that the images you see develop in your brain and you become the one imagining what you are not seeing on screen.
I laugh a lot in horror films. If I'm scared in a horror film, I try to think about what's scaring me... particularly, if it's a bad movie, but something they're doing still works. It's the same way I look at comedy. I've always had an intellectual view of comedy, and what makes people laugh, and how does it work.
There's something very terrifying about that and very primal about it. It's my belief that what horror does for people is that it provides that primal fear that, when we were wild hunter-gatherers, we had as part of our natural lives because maybe something was trying to hunt and gather you as well. We don't have that anymore in life and that's one of the things that horror films and action films provide for us.
The safest genre is the horror film. But the most unsafe - the most dangerous - is comedy. Because even if your horror film isn't very good, you'll get a few screams and you're okay. With a comedy, if they don't laugh, you're dead.
I'd love to continue my career in Hollywood - I'd love to do another action film, or a romantic comedy, or horror. I love horror films.
I like torture. Torture is photogenic. If you make horror movies, you always have to think what's photogenic and what's not. If you stay home with the candlelight and you read a book, Rilke, or whatever, or Sigmund Freud, it's boring. But if you watch Udo Kier in a horror film and people are hunting me and trying to kill me, and there's my love interest with big breasts and beautiful hair, and I believe in her and they kill me at the end, that's more interesting. We're talking about films here. We're not talking about writing stories.
The human comedy is always tragic, but since its ingredients are always the same - dupe, fox, straight, like burlesque skits - the repetition through the ages is comedy.
Nobody uses skits at all anymore, so it seems like I use a lot. That's how I grew up on tapes. Biggie tapes, Biggie albums would have skits. The Lox would have skits. Mase would have skits. All the dudes I grew up on in Nineties rap would have skits on their projects, just to make you feel like you were right there with them.
I have a few friends that have inspired me since I was a young kid. When I watch old films or modern movies - particularly 'Gladiator,' 'New Jack City' and 'The Skin I Live In' - I'll also get ideas.
I think that, back in the day, there used to be a lot of horror films that kind of had a checklist of what went into making the 'perfect horror film', and I think now people are raising the bar in the industry, as far as the types of horror films that are being made.
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