A Quote by Cary-Hiroyuki Tagawa

When you start working on a series, it's almost too much work. It's like a movie a week. — © Cary-Hiroyuki Tagawa
When you start working on a series, it's almost too much work. It's like a movie a week.
Since the start of the Ashes I have had a hectic workload. I've played almost every game, but I'm thinking that after South Africa and the Bangladesh series I can clock off for two or three months. It's like Friday afternoon for a guy who goes to work all week.
There's too much of everything - too many bands, too many albums, too much information all the time. You're seeing fewer album releases treated as big events, because of the influx. It's almost a "here this week, forgotten next week" thing.
I like working in series, so instead of just doing one separate body of work, what if I come up with a different rhythm, instead of every week, what if I make it every year? And so I'm still setting up a series, a repetition, but it's a completely different work flow.
When I was eight years old I went to visit my brother who was working on a movie of the week with my mother and I saw how much fun he was having and I decided I wanted to try it too.
Every movie you're going to forget that it's 3D whether it's widescreen or whatever it is, you're going to forget everything if the movie is working. If the movie doesn't work or if the movie generically doesn't work then immediately you start to pick apart whatever has contributed to that.
Working on television is much more stressful than working for a movie. The pace of work is relaxed while shooting a movie.
I was a regular, so that meant I was working every week on the series. Which was fine. 'Family Ties' was a fantastic series. It's all good.
I don't like, speaking about the movie, if I may say couple more words, I like a movie that doesn't drag too much, unless it's purpose. I like a movie with an action with a certain pace. If it's too monotone, I hate it. No, I don't hate it, I just don't like it, period.
I've never met anybody who enjoys every moment of making a movie as much as Pierce Brosnan. He doesn't stress out too much, he is always in a good mood. And he has little rituals throughout the day, which he does with a lot of style - almost like he is celebrating life, not just the work. He has to have his special cup of tea, in nice china, not Styrofoam.
I'm just happy when directors make a movie that is really sentimental but without being maudlin or saccharine or too much like Chewels gum. I don't want to be involved in a movie that's too much like a piece of Chewels.
I think the biggest issue for legacy media - both TV and film - is that it just costs too much money to develop a TV series or movie. And most of them don't work. Then the one that works has to pay for the rest.
You can change a person's life in an instant; put him in a movie, and you start thinking differently, you want to be in another movie. It's like an addiction almost.
My parents didn't want me to be a regular in a series. I was a working actor from time to time but they thought was a little too much being a star of a series. They wanted me to have a slightly more normal childhood.
I just find the people I want to work with and put it all together, and it's a lot of hard work, and all kinds of catastrophes happen, but I don't really get too much resistance. But when you make a movie, it seems like there's nothing but resistance. It's kind of a miracle that any movie ever gets made.
When you work so much in between starts, you realize how long the season is. It's exciting to look at and be a part of, obviously. It's almost like a challenge, to see how, from start to start, things may feel a little differently.
In my opinion, visual effects are great when it compliments a good story, and action is great when it compliments a good story, but just to have them for the sake of having them, it gets a little boring, especially if you're talking a TV series. At least with a movie that's an hour and a half to two hours, you see it and you're impressed, and then you're out. With a series, if it's only that, week after week after week, there's nothing there to bring you back. You have to get invested in the characters and care about them and want to follow them.
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