A Quote by Catherine Tresa

I don't subscribe to the idea of a first and second heroine. I go by if a role is strong. — © Catherine Tresa
I don't subscribe to the idea of a first and second heroine. I go by if a role is strong.
I never stopped being a heroine. I began acting when I was four and bagged my first film as a heroine at the age of 15.
I formed, in early life, two purposes to which I have inflexibly adhered, under some very strong pressure from warm personal friends. They were, first, never to be a second in a duel; and, second, never to go security for another man's debts.
Very rarely a heroine get to act in such a strong role which showcases two different phases of life. 'Jersey' is one such film with honest emotions which everyone will relate to easily.
I subscribe to the idea that personality is like a muscle, and sometimes you have to let it go limp and detach yourself from any associations.
Well, it seems to me that there are books that tell stories, and then there are books that tell truths... The first kind, they show you life like you want it to be. With villains getting what they deserve and the hero seeing what a fool he's been and marrying the heroine and happy endings and all that... But the second kind, they show you life more like it is... The first kind makes you cheerful and contented, but the second kind shakes you up.
God is an idea that people believe in and I spend time arguing with people that subscribe to that idea(man made idea).
What makes a heroine? I think I can answer that. A heroine is a woman who risks going too far in order to find out how far one can go for a cause greater than herself.
I would have loved to do a film like 'Piku' or 'Neerja.' But I never got a role where a woman played an authoritative role. In my time, the hero and the villain were both men. The heroine was only the victim.
'Legends Walking' was the first of my books to go to a second printing based on strong initial orders, but much of that printing never found its audience.
I can't do the conventional heroine's role.
Without either the first or second amendment, we would have no liberty; the first allows us to find out what's happening, the second allows us to do something about it! The second will be taken away first, followed by the first and then the rest of our freedoms.
I'm more interested in the idea of role-playing in general than the idea of role-playing in art. I like the childlike quality of making pretend or the optimistic idea of pretending something's happening when it's not.
'Heroine' is about a declining and imbalanced superstar - a very brave and bold role. I wanted to test whether I could carry a role like this. I have given 200 per cent to this role. She's a very complex character, very aggressive, manipulative and bold, yet she's very fragile.
We need economic policies in the U.S. that produce jobs, first of all, but good jobs, second of all. Believe it or not, Germany, a country characterized by high wages, strong unions, a social safety net, and so forth is the second largest exporter (after China) in the world. The idea that the only way to succeed is by eliminating vacations, sick days, worker protections, and so forth is simply belied by the competitiveness rankings produced by the Economist magazine's intelligence unit and by the World Economic Forum.
Theron says that she was intrigued by the psychological demands of the material in playing the complicated 'Queen Ravenna', and Stewart's performance as 'Snow White', the fairest of them all, in her first action-heroine role, kept her literally in constant motion.
I don't think it's a mistake to put every great idea into the first movie, because I've always said there won't be a second movie if you go 'we'll hold back these ideas for another one.
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