A Quote by Charis Wilson
If the face appears, the picture is inevitably a portrait and the expression of the face will dictate the viewer's response to the body.
Related Quotes
What I find really interesting is, whenever you see the person who gives you the portrait of yourself, the portrait seems to be a combination of their face and your face.
I see the President almost every day. I see very plainly Abraham Lincoln's dark brown face with its deep-cut lines, the eyes always to me with a deep latent sadness in the expression. None of the artists or pictures has caught the deep, though subtle and indirect expression of this man's face. There is something else there. One of the great portrait painters of two or three centuries ago is needed.
It is easy to make a picture of someone and call it a portrait. The difficulty lies in making a picture that makes the viewer care about a stranger.
I don't want to face the reality of what people want from a female pop star. Everybody always laughs because I feel so much more comfortable with, like, a giant paper bag on my whole body and paint on my face. Sometimes I try really hard to take it all off. But inevitably what's underneath is still not a straight edge. And I don't think it ever will be.
The 50s face was angry, the 60s face was well-fed, the 70s face was foxy. Perhaps it was the right expression: there was a lot to be wary about.
At the bottom of not a little of the bravery that appears in the world, there lurks a miserable cowardice. Men will face powder and steel because they have not the courage to face public opinion.
Life wanted faces that would express what we wanted to tell. Not just the unusual or striking face, but the face that would speak out the message from the printed page. I am always looking for some typical person or face that will tie the picture essay together in a human way.
It is not likely that posterity will fall in love with us, but not impossible that it may respect or sympathize; so a man would rather leave behind him the portrait of his spirit than a portrait of his face.
I hear poets complaining: 'We face what our forebears did not face. We face TV. We face radio. We face this and that.'
True worth is as inevitably discovered by the facial expression, as its opposite is sure to be clearly represented there. The human face is nature's tablet, the truth is certainly written thereon.
You’re just using me for my body.” “You don’t have a body,” I’d remind him. “Throw that in my face.” “Technically, you don’t have a face either.
I use Simple face wipes and Nivea face cream. For my body any kind of body butter, the more moisturising the better.
Face dance means you don't know what the hell the rest of your body was doing but your face is fierce. That's face dancing.
When I draw a character, very often as I'm doing a face, my face mirrors the expression.
Expression is not a matter of passion mirrored on the human face or revealed by a violent gesture. When I paint a picture, its every detail is expressive.
Each and every one of us, at the end of the journey of life, will come face to face with either one or the other of two faces... And one of them, either the merciful face of Christ or the miserable face of Satan, will say, "Mine, mine." May we be Christ's!
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