A Quote by Chloe Zhao
I often feel like an outsider wherever I go, so I'm always attracted to stories about identity and the meaning of home.
Related Quotes
Wherever I go - like, I go to elementary schools, I go to middle schools - wherever it is, if it's in Florida, if it's up in New England, I just feel like wherever I am, the kids always go crazy whenever they see me.
I feel like I've spent a lot of time imagining home and thinking about a dream-like place, as opposed to a real place, because that's not what I was able to do, meaning go home or be home.
I've always felt like an outsider, and I'll probably continue to always feel like an outsider. Hopefully that's a good thing. I feel like I approach things differently than other designers.
I don't know if I feel like an outsider or an insider; I just feel like I always did. I don't have one of those stories where I felt like no one understood me.
Most writers begin with accounts of their first home, their family, and the town, often from quite a hostile point of view-love/hate, let's say. In a way, this stepping outside, in an attempt to judge enough to create a duplicate of it, makes you an outsider. . . . I think it's healthy for a writer to feel like an outsider. If you feel like an insider you get committed to a partisan view, you begin to defend interests, so you wind up not really empathizing with all mankind.
I've always been an outsider. I've always been attracted to roles that would challenge me and that wouldn't come around very often.
That experience of losing home, longing for home, that yearning for meaning and rootedness and identity in a floating world, it's what often makes an immigrant story into an American story .
You go through your life feeling like an outsider, and you respond to society in a different way when you feel like an outsider.
I love telling stories. I think of myself as a storyteller, and I don't feel bound by being just a singer or an actress. First, I'm a storyteller, and history is stories - the most compelling stories. There is a lot you can find out about yourself through knowing about history. I have always been attracted to things that are old. I have just always found such things interesting and compelling.
I feel like wherever I go, I will make it home.
I'm attracted to stories that excite my imagination, stories that, as I'm reading the script, I feel it, I can see it, I can hear the characters. I'm attracted to characters that are real, that tap into something inside me that I haven't explored yet.
I think it's true that, as is often observed, the writer is always an outsider. A writer is someone who is telling stories about what's going on, which is something you can't do if you're totally caught up in the moment.
I tend to write about people. I look at things from the bottom up and from the perspective of outsiders. A part of me just identifies with them. It's my messed up internal nature that I always feel like an outsider. It's just my nature. At film festivals, I was an outsider for sure, but I always felt like one as well. I have that feeling at parties, too. I don't belong there.
I've always straddled a weird line - there's a lot of mainstream stuff that I love. At the same, I still feel like an outsider. I'm the outsider who's on the inside.
I confused gender identity with sexual orientation. Your gender identity is about who you are, how you feel, the sex that you feel yourself to be. Sexual orientation is who you're attracted to.
Every time I go to Veracruz, I feel like, OK, I am back. When my feet go to the ground on the earth, I think, 'This is me, this is home, these are my roots, and now I can go and travel again to wherever you want me to go.'
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