A Quote by Claire Denis

I always thought of Djibouti as a place where human history hasn't really begun yet - or perhaps it's already over. There's something in the landscape that's stronger than human civilisation. There's no agriculture, for example, and there are live volcanoes.
If Mother Culture were to give an account of human history using these terms, it would go something like this: ' The Leavers were chapter one of human history -- a long and uneventful chapter. Their chapter of human history ended about ten thousand years ago with the birth of agriculture in the Near East. This event marked the beginning of chapter two, the chapter of the Takers. It's true there are still Leavers living in the world, but these are anachronisms, fossils -- people living in the past, people who just don't realize that their chapter of human history is over. '
We don't know the spiritual advancements long-term veganism - over generations - would have for human life. It would be certainly a different civilisation, and the first one in the whole of our history that would truly deserve the title of being a civilisation.
You give me the feeling that the universe Was made by something more than human For something less than human. But I identify myself, as always, With something that there's something wrong with, With something human.
The voodoo priest and all his powders were as nothing compared to espresso, cappuccino, and mocha, which are stronger than all the religions of the world combined, and perhaps stronger than the human soul itself.
I am persuaded to think that any climate change is bad because of the investments and adaptations that have been made by human beings and all of the things that support human existence upon this globe. Even minor fluctuations of climate could change the distribution of fish, … upset agriculture,…and inundate costal cities…… Such changes could occur at a faster rate perhaps than human society can evolve.
Sartre is one example of someone who does just this. Every text is, after all, a human document and whatever Kierkegaard thought about God was clearly a matter of human thought that can, in principle, be retrieved and interpreted by other human beings. A phenomenological approach to religion must, it seems to me, adopt the old adage: nothing human is alien to me.
The rise of Islam offers perhaps the most impressive example in world history of the power of words to alter human behavior in sudden, surprising ways.
We are at a major epoch in human history, which is that we don't need sex to recreate the race. You can have babies without sex. This is the first time in human history that has been true, and it means, for example, we could do some extraordinary things.
I believe that imagination is stronger than knowledge. That myth is more potent than history. That dreams are more powerful than facts. That hope always triumphs over experience. That laughter is the only cure for grief. And I believe that love is stronger than death.
The long history of mankind is studded with convergences, perhaps most notably in social systems and the use of artefacts and technology. But for human history, set in the arrow of time, there appears to be one intolerable stumbling-block. This is the catastrophic failure in human values and decency.
We can learn from history how past generations thought and acted, how they responded to the demands of their time and how they solved their problems. We can learn by analogy, not by example, for our circumstances will always be different than theirs were. The main thing history can teach us is that human actions have consequences and that certain choices, once made, cannot be undone. They foreclose the possibility of making other choices and thus they determine future events.
On this waterlogged landscape....are scattered palaces and hovels....It is here that the human spirit becomes perfect, and at the same time brutalised, that civilisation produces its marvels and that civilised man returns to the savage.
Artists use frauds to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on.
The planetary phase of history has begun, but the future shape of global society remains profoundly uncertain. Though perhaps improbable, a shift toward a planetary civilization of enriched lives, human solidarity, and environmental sustainability is still possible.
My art recognizes the human place, the human context - especially in Britain, which is a landscape so worked by people for thousands of years, written, deeply ingrained with the presence of people.
History is the history of human behavior, and human behavior is the raw material of fiction. Most people recognize that novelists do research to get the facts right - how a glove factory works, for example, or how courtesans in imperial Japan dressed.
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