A Quote by Damien Chazelle
I guess I'm kind of interested in that elusive search for a bond between life and work and between compassion and competitiveness. There's always something at the end you have to find to live a full life, but it's hard to find.
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I always try so hard to find a male doll and shoot a male doll, and it always kind of implodes. Whenever I use men, they're so scary and so dark, and I can never find this sort of lightness or this place between doll and human that I find with female dolls.
There's no doubt that the search for planets is motivated by the search for life. Humans are interested in whether or not life evolves on other planets. We'd especially like to find communicating, technological life, and we look around our own solar system, and we see that of all the planets, there's only one that's inhabited.
If you work hard at something, you're going to find a way that you can live in this life, no matter what your handicaps are.
If you're an atheist, you know, you believe, this is the only life you're going to get. It's a precious life. It's a beautiful life. Its something we should live to the full, to the end of our days. Where if you're religious and you believe in another life somehow, that means you don't live this life to the full because you think you're going to get another one. That's an awfully negative way to live a life. Being a atheist frees you up to live this life properly, happily and fully
The bond between a parent and child is the primary bond, the foundation for the rest of the child's life. The presence or absence of this bond determines much about the child's resiliency and what kind of adult they will grow up to be.
Truth in drama is forever elusive. You never quite find it, but the search for it is compulsive. The search is clearly what drives the endeavour. The search is your task.
The boundary between real life and acting is hard to find.
Our stories are all stories of searching. We search for a good self to be and for good work to do. We search to become human in a world that tempts us always to be less than human or looks to us to be more. We search to love and to be loved. And in a world where it is often hard to believe in much of anything, we search to believe in something holy and beautiful and life-transcending that will give meaning and purpose to the lives we live.
Death is not the end, but the beginning of a new life. Yes, it is an end of something that is already dead. It is also a crescendo of what we call life, although very few know what life is. They live, but they live in such ignorance that they never encounter their own life. And it is impossible for these people to know their own death, because death is the ultimate experience of this life, and the beginning experience of another. Death is the door between two lives; one is left behind, one is waiting ahead.
We will create life from inanimate compounds, and we will find life in space. But the life that should more immediately interest us lies between these extremes, in the middle range we all inhabit between our genes and our stars.
There is a close relationship between a house full of possessions and a heart full of desires, between a cluttered closet and a crowded schedule, between having no place to put possessions and having no priorities for our life. These are precious clues. They remind us to slow down, to live in the present, to reduce the desires that drain our vitality, to clarify priorities so we can give our time and attention to what matters most. Tragically, in the press of modern life, we have managed to get backwards one of life's most vital truths: people are to be loved; things are to be used.
It's kind of hard to spend long hours trying to help people and then find out that the favorite game of the columnist is to sit back and second guess you and try to find something that you did wrong.
My parents, and librarians along the way, taught me about the space between words; about the margins, where so many juicy moments of life and spirit and friendship could be found. In a library, you could find miracles and truth and you might find something that would make you laugh so hard that you get shushed, in the friendliest way.
When you've always worked hard in the theatre, you find that, when you stop playing, at the end of a run, the evenings seem very long indeed. You have to find something to keep yourself occupied with because you're so used to gearing yourself up to that eight o'clock curtain, but to find any kind of real, absorbing alternative is impossible. Nobody is as interesting to spend an evening with as a really good part.
You have to strike hard from the beginning and create a depressurizing zone between the viewer's own life and the one onscreen. The creators of James Bond got it right: the attention-grabbing scene of each Bond movie is the very first one, before the opening credits.
Over the years, I've found that I either live life or write about it. I can't seem to do both simultaneously - I have to do it sequentially. When I write incessantly, I lose touch with the issues and passions that fuel the work. But when I get too involved in organizations or movement endeavors, I almost forget that I'm a writer. It's a constant struggle to find a balance between these two worlds - the solitary writing life and the life of a social justice activist.
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