A Quote by Danny Boyle

I've never done a film before where every single person in the audience knows the ending. I mean suspense, twists are almost impossible these days. People are blogging your endings from their cinema seats.
I mean suspense, twists are almost impossible these days.
I'm not an endings person. I don't do endings. There may have been people in the band who wanted this to be an ending from time to time, but me and Amy don't really do endings. You cannot escape from us. Once we're friends with you, that's it.
Everybody knows that Black Sabbath started everything and almost every single thing that people are playing today has already been done by Black Sabbath. They wrote every single good riff... ever.
I used to feel defensive when people would say, 'Yes, but your books have happy endings', as if that made them worthless, or unrealistic. Some people do get happy endings, even if it's only for a while. I would rather never be published again than write a downbeat ending.
There are no endings, and never will be endings, to the turning of the Wheel of Time. But it was an ending.
When I started in television, it was brand new. It was the miracle over in the corner of your room. Now the audience has seen every story line. People have heard every joke. They can predict the plot almost before a show starts. That's a hard, sophisticated audience to reach.
I like actors who just become that person and then react, and Adam [Driver] is completely reactive in that way. So every day working with him was really a pleasure. And he's in almost every scene in the film, so the poor guy had to work the - almost the entire 30 days of our film shoot. But, yeah, he was really a pleasure, and I really love what he - how he embodied this character.
It is impossible to foretell the future with any degree of accuracy, that it is impossible to rehearse life. A fault in the scenery, a face in the audience, an interruption of the audience on to the stage, and all our carefully planned gesture mean nothing, or mean too much.
Almost always, great new ideas don't emerge from within a single person or function, but at the intersection of functions or people that have never met before.
Almost always great new ideas don't emerge from within a single person or function, but at the intersection of functions or people that have never met before.
Normally, I think the people you would use on your first film, it would be a real struggle to bring them with you onto your television show. I just brought every single person with and expanded my little indie film world.
He only invited me because of you and Chase.' 'Right,' she said, following me inside. 'He's never shown the slightest interest in you before. I mean, he's never stared at you like you're the only person in the room when we're all together. Or sulked around for days because you turned him down for a dance. Or touched the sleeve of your sweater when he thinks no one's looking-' 'He's never done any of that,' I said. Then, less confidently, 'Has he?
Every night I try to look at the audience and treat every audience differently. It's almost like it's a single entity or a person. I always try to treat it like a conversation and allow it to happen naturally in the same way that you would engage in conversation.
I still go to the conventions, and I like to hear the point of view of people today. I'm a little afraid they're being brainwashed by this new pop-culture. I think it's not really elevating our lives like it did in the good old days of Hollywood, where you had a happy ending. They used to criticize happy endings, but really, what's the point of going to a film if you have to come out hating your fellow man?
Sequels are not done for the audience or cinema or the filmmakers. It's for the distributor. The film becomes a brand.
It's a tough job to tell a story when the audience already knows the ending, and the ending is bleak.
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