A Quote by Dave Gahan
The whole 'serious artist' thing is very damaging. The powers that be will steer you towards your own demise. One thing I've learned is that it's not very glamourous, and my problems are no different from anybody else's.
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The hardest thing as somebody who does both is - and I'm very serious as an actor, and I consider myself very serious as a musician, engineer, music artist - is learning that it's OK to be versatile.
For me, addiction comes down to basically where a pattern of behaviour has developed and that pattern of behaviour is becoming a very damaging cycle. It's sort of damaging your relationships, friends or lovers, it's damaging your own personal health and it's damaging for you and your workplace.
If you are really feeling happy, you are feeling happy even if the whole world contradicts you. If the whole world agrees that you are not happy, then too it doesn't matter. Your happiness is real. It cannot be canceled by anybody's opinion. But if your happiness is unreal, it can be canceled by anybody. Even a small child can cancel it. You will be constantly looking towards people. You will be smiling, trying to show that you are happy so that they can say, 'Yes. You are very happy. You look very happy.'
and a charge of lying against someone whom you have always found truthful is a very serious thing; a very serious thing indeed.
I don't steer towards anything. I steer towards character and truth. If it's funny then so be it. If it's dramatic, so be it. I just steer towards characters.
I've been exploring a lot of different avenues with a number of very different and very, very exciting filmmakers and writers. That's been the trip. I like to find something very, very different from the last thing I did, which might be similar to something I've done before, but as long as it's different from the last thing I did, it keeps me entertained.
I mean, being a solo artist is very different than being a member of a band. It's absolutely different. The whole situation is very different - situations where you can't really compare, it's so very different. But I found happiness.
Circumstantial evidence is a very tricky thing. It may seem to point very straight to one thing, but if you shift your own point of view a little, you may find it pointing in an equally uncompromising manner to something entirely different
I decided when I was 19 that I didn't like all these stereotypes that I was supposed to fit into. I wasn't comfortable and they made me very unhappy. So I tried and I spent a miserable summer, and then I went back to school and said, 'I'm going to do my own thing because I think I have a thing to do. I'm not going to live in anybody else's image because I don't like that.' I felt much better. I didn't do it to rebel against anybody or anything.
It's a very brave thing to fall in love. You have to be willing to trust somebody else with your whole being, and that's very difficult, really difficult and very brave.
I think crisis starts with the government of Puerto Rico. It has to take measures to solve the fiscal problems that it has, which are very serious. It's very basic: it's the same thing that is happening in Washington.
I'm very selfish. I make music that I love because I only live once, and I'm an artist. I don't try to revolt against anybody, and I don't try to please anybody. I feel very strongly that I if love it, someone else will love it - not everybody, though.
I think that so much of the creative process is a fragmentary one, and then it's about just allowing your intuition to put it together for you. It's funny how you create something and you think you're going in a million different directions, and then the thing you end up with is the thing that you wanted to create your whole life, but you're just as surprised by it as anybody else.
The chemotherapy was very peculiar, something that makes you feel much worse than the cancer itself, a very nasty thing. I used to go to treatment on my own, and nearly everybody else was with somebody. I wouldn't have liked that. Why would you want to make anybody sit in those places?
My collection with Missguided is all about doing you - it was completely my process; I designed the whole thing and didn't let anybody make decisions for me. I'm creative in my own right, and I wanted the collection to reflect that. The clothes are very much based on my daily wear and are very versatile, as they can be dressed up or down.
I love musicals but it's very, very different. It's really just a different form than serious drama, and has very different rules and a completely different set of characters and requirements and ambitions. It maybe shouldn't be as separate as it is, but it's got a different history. In terms of serious drama, I think you'd have to say that you could break it down essentially into the narrative realist tradition and experimental theater.
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