A Quote by David Ayer

As a writer, you have to be willing to kill your darlings, and I'm a writer first. As a director, I've got no problem cutting the scenes. — © David Ayer
As a writer, you have to be willing to kill your darlings, and I'm a writer first. As a director, I've got no problem cutting the scenes.
Kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings.
Writer-directors are a little bit more liberal, rather than having just the writer on the set, because I think sometimes the writer becomes too precious with the words. If you're a writer-director, you can see what you're doing and see your work in action, so I think you can correct it right there and still not compromise yourself.
I've been a writer for years, but it was mainly as a function of trying to be a director, so I just got work as a writer. I want to keep directing.
My dad is a successful television producer, director and writer, and my mom's a director and writer. Even when I was young, I wanted to be an actress.
I see myself much more as a writer/director or at least an aspiring writer/director - not necessarily in film.
I don't think of myself as a producer. In television, it's part of the business - if you progress and become successful as a writer, you're called a writer-producer. What that means is that you have a lot of say in casting and behind-the-scenes stuff. But I'm just a writer.
My dad is a successful television producer, director and writer and my mom's a director and writer.
I've been a writer for a long time but I kind of had to get rid of a lot of the things I learned in Hollywood but I kept some of them too. And things I kept were: don't be precious, kill your darlings is always good, give it dynamics - you don't want it to be all joyful, all sad.
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
If you're mostly a writer - if your point of departure is writing something - which for a writer/director is sort of where you start, you're really influenced by the writers you love one way or another.
I didn't have a burning desire to be a writer or director - writer probably more so, certainly not a director.
I thought I was depressed because I wasn't a writer/director. I moved into a space where I'm a writer/director, my movie is a hit at Sundance, I have a wonderful, loving boyfriend, and wow, I have financial stability. Why can't I get out of bed still?
Nothing can injure a man's writing if he's a first-rate writer. If a man is not a first-rate writer, there's not anything can help it much. The problem does not apply if he is not first rate because he has already sold his soul for a swimming pool.
First of all you are a writer, a writer is what you are, so it doesn't actually stop the moment you leave your desk, your computer, your keyboard, whatever. Something is operating the back of your mind.
I don't think it's so important to be a movie director. It's a beautiful profession, but no more than to be a cartoon writer. A very rich cartoon writer. I've done a lot of films, and I know deeply that, in all of cinema, there is no director who is as good as Shakespeare.
As an SF writer, you've got the infinite toolkit of the writer at your disposal.
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