A Quote by David Lowery
The only part of 'A Ghost Story' that was reactionary was a temporal one. I had spent so much time making 'Pete's Dragon' that I was really impatient and excited to make something new. When this project presented itself, I was ready to jump right into it. I started shooting two days after 'Pete's Dragon.'
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My imagination was really hyperactive as a child and animated. I had those elements, but as you live and go through the hardships, it fades. 'Pete's Dragon' reawakened that. It rekindled the feeling of the invisible dragon.
At the end of the day on 'Pete's Dragon,' if we didn't nail something, we could come back and pick it up later. I always knew there was a safety net built in that Disney would not let the movie fail. But in this case, with 'A Ghost Story,' it was all on the line.
Obviously 'Pete's Dragon' is more commercial than 'A Ghost Story,' but when making them, I'm just trying to tell a story that matters to me, that ultimately would satisfy me as a moviegoer. Because watching movies is my favorite thing to do. I watch a lot of them.
With 'Pete's Dragon,' Disney was very excited about the movie I wanted to make; they were very supportive of it, and it was a smooth process. I was really surprised by that.
Major League Baseball has created a Pete Rose purgatory, and that's where he is. And that's where he's always going to be. It's unfortunate that the commissioner's office has decided to allow that to be the reality. I don't think Pete would mind if they said 'No' to Pete. Pete wants them to go one way or the other and get him out of the void he's in.
Casey Affleck is someone I want to work with again. We almost had him on 'Pete's Dragon,' but his scheduling issues didn't work out.
Always be polite to a dragon. It's harder than it sounds. Dragon etiquette is incredibly complicated, and if you make a mistake, the dragon eats you.
I'm not so much a dragon slayer, more a dragon annoyer -- I'm a dragon irritater.
It was the television that turned me to film. My parents did take me to Pete's Dragon.
The funny thing is I showed my daughter E.T. recently, and she was like, it's Pete's Dragon. It's a boy, who makes friend with a creature, and has to say goodbye at the end. I'd never made that connection!
When I was a kid, I had THE biggest crush on Helen Reddy. I mean like for REAL crush - like 'spend some time in the bathroom thinking about her' crush. I blme Pete's Dragon. There she was - flushed, singing, clas in a tight wet plaid shirt. Judas Priest she was fabulous.
The heart of Dragon's Lair has always been its compelling story. With Dragon's Lair 3D, we think the team has really created an interactive animated movie.
I love dialogue, but I'm also terrified of it. In all my movies, I've done my best to cut out as much dialogue as possible. I love the spaces in those silences. Even in 'Pete's Dragon,' I was so happy that the first twenty minutes have about five or six lines of dialogue.
To be fair to Pete, I had just come off a very difficult owner relationship with my then head coach and I was looking for a different style. So I didn't give Pete all the power he should have had. I don't think there's any exact formula for how it's done. It's really what fits each individual system.
Did you see The Never-Ending Story? That's one kick-ass dragon. It's basically a giant puppy dragon.
We have reached the age, those of us to whom fortune has assigned a post in life's struggle, when beaten and smashed and biffed by the lashing of the dragon's tail, we begin to appreciate that the old man was not such a fool after all. We saw our parents wrestling with the same dragon, and we thought, though we never spoke a thought aloud, 'Why doesn't he hit him on the head?' Alas, comrads, we know now. We have hit the dragon on the head and we have seen the dragon smile.
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