A Quote by Debra Granik

There are sayings and mantras that sometimes occur in filmmaking discussions, and one of them is that sometimes filmmaking is an olive branch or a reason or an excuse to be able to reach out and create an encounter with someone.
Sometimes it's hard for me to tell the difference between independent filmmaking and studio filmmaking because all the studios have these little independent satellites. It's interesting.
I'm very influenced by documentary filmmaking and independent filmmaking, by a lot of noir and films from the '40s. Those are my favorite. And then, filmmaking from the '70s is a big influence for me.
Filmmaking is about moments. In real life, things might take six months, a year, but [in filmmaking] you have to create the moment where it happened.
I feel filmmaking is not an easy task. People make films but sometimes they are not able to release it.
With filmmaking in general, I have never absorbed the traditional knowledge of film history or filmmaking. It has always been just pick up the camera and go figure it out.
Sometimes I wonder how my filmmaking would have been affected by film school but in the end I'm glad I got to figure it out on my own.
You know, when people talk about filmmaking and the techniques of filmmaking, we use them all the time in network television news in order to make our stories simpler, tighter and more understandable to the general public.
A big part of filmmaking, and a big part of the power of filmmaking, is creating characters that people fall in love with. So, those things, like the bloopers, create more reality and dimension, and the sense that these are not drawings or shadows, but they are living, breathing, thinking characters. That's the illusion.
Sometimes it is the destinations out of reach that create the circumstances God uses to remind that we are never out of his reach.
Documentary filmmaking has all the challenges and hardships of narrative filmmaking without any of the infrastructure or support. That's both a blessing and a curse.
I've always been an angel. Sometimes I transform into a witch only because the filmmaking demands it.
The thing about playing percussion is that you can create all these emotions that can be sometimes beautiful, sometimes really ugly, or sometimes sweet, sometimes as big as King Kong and so on. And so there can be a real riot out there, or it can be so refined.
Religious life is an encounter with the living God. Sometimes that encounter is preceded by a kind of soul-searching agony that tries desperately not to hear, runs in the opposite direction, and frantically tries to reason itself out of answering the invitation.
I come bearing an olive branch in one hand, and the freedom fighter's gun in the other. Do not let the olive branch fall from my hand.
I think I have a real interest in filmmaking, and it's nice when I can go and do that sometimes. Then it's also great to not do it and not have the responsibility .
What I always tell people is... Unless you are so passionate about filmmaking that you would rather live out of your car than not do it, find something else to do as a career and do filmmaking as a hobby. This industry is one of the hardest to break into and be successful. It takes a lot of passion and dedication for it to get anywhere.
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