A Quote by Derek Cianfrance
So I don't think being an artist you can ever satisfy - the moment you do get satisfied is the moment you're done, really. I'm actually starting to bug out now, because it's not enough. I get joy and pleasure in the movies out there in the world that people are seeing, but for me, it's about making it. That's why I do it, is to make it, to deal with my life.
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These people who are making a big deal out of gay marriage? I don't give a fuck about who wants to get married to anybody else! Why not?! We're making a big deal out of things we shouldn't be making a deal out of. hey go on and on with all this bullshit about "sanctity"—don't give me that sanctity crap! Just give everybody the chance to have the life they want.
The main thing about the character [in the Ordinary World] is that he loves music, and he shares it with his daughter. He's having a mid-life moment, and it's a small moment, really. I think that the character actually really loves where he's at, in his life. He's just trying to have it make a little bit more sense while he figures out what he actually wants to do with it.
I think it’s very important to live in the present. One of the great things that improvising teaches you is the magic of the moment that you’re in … because when you improvise you’re in right now. You’re not in yesterday or tomorrow—you’re right in the moment. Being in that moment really gives you a perspective of life that you never get at any other time as far as learning about your ego… You have to see your unimportance before you can see your importance and your significance to the world.
One of the significant facts about the moment of birth is that it is an unconscious moment. No one ever knows when he is being born that the event is actually taking place, and sometimes we don't find out about it until quite a long time afterward. Sometimes, we never do really find out that we have been born. So frequently, we don't know why we were born; we don't know where we came from; we don't know what the purpose of life is; nor do we understand the possibilities of our godly destiny.
I like making movies that people feel inspired by, a film that they will think about a few days after seeing it, and not entertainment that is completely forgettable the moment you walk out of the theater.
In a world where people die every day, I think the important thing to remember is that for each moment of sorrow we get when people leave this world there's a corresponding moment of joy when a new baby comes into this world. That first wail is-well, it's magic, isn't it? Perhaps it's a hard thing to say, but joy and sorrow are like milk and cookies. That's how well they go together. I think we should all take a moment to meditate on that.
Well, we are not doing that film actually. At least I am not at the moment, but we are making an effort to get it done; I don't know whether we'll get the financing for it. The old story we had it, it fell out of place and this and that.
Scripts are a house of cards and you can't just reach in the middle and pull out the middle card because the house of cards will fall down. But at a certain point you almost have to allow that house of cards to get knocked down a few times because you need to make it sturdier. How many times do you hear, "No, that doesn't make sense," or "Why would this happen?" That was a mistake. You shouldn't have those moments, because the moment you're knocked out of the story, then you're dead. And all you can go is moment to moment,or joke to joke. And that's gonna wear people out.
When I was a kid just starting out on the radio, I would always watch people. And I'd see the interest they'd have in trying to get a photo with an artist or get a ticket stub signed. I guess, to me, that's the ultimate thing - to know that what you've done is important enough to other people that they want to take a picture with you.
When people ask me now about why I make art, I think that's what I'm seeking - a moment of transcendence with a piece. Because otherwise you're just in the hustle, you're trying to pay your bills, to do this and that, and then there's that unique moment, when you're not thinking about the market, or if it's going to sell, and all of that bullshit.
I don't think as highly of myself as some people make me out to be. I am so far from arrogant, because I have been through enough to know that everything can go away in a moment. You know, I really don't understand why anyone would want to put me on a pedestal.
It is always the young that make the change. You don't get these ideas when you're middle-aged. Young people have daring, creativity, imagination and personal computers. Above all, what you have as young people that's vitally needed to make social change, is impatience. You want it to happen now. There have to be enough people that say, ‘We want it now, in our lifetime.’ This is your moment. This is your opportunity. Be adventurists in the sense of being bold and daring. Be opportunists and seize this opportunity, this moment in history, to go out and save our country. It's your turn now.
The title's 'Cowboys & Aliens,' so you can get away with a lot if you chose to. You could make it the union of Cowboys Movies and Alien Movies and done whatever was convenient at any given moment. I think that's what most people would do, especially if you went broader and more comedic. Do whatever's the most fun in the moment.
I suppose in some ways that's why my collaborations worked out, because I would go in the studio with such enthusiasm and it would never be a chore for me. I was never itching for the process to be done so we could get out live. It's a different matter for me now. Now I've noticed that I actually have one eye or one ear on how I'm going to do it on stage. And maybe that's because I'm the frontman in the group; I do believe that any good frontman should be impatient in the studio to get out.
I think that a lot of women get out of the business because it's so not family-friendly. And so women that could be in there making good women-roles don't do it, 'cause they're smart and get out. But I think there is a consequence to that. I think us gals need to stay in and just change the way it works, so men aren't being workaholics and avoiding life and relationships, and they can make films in a reasonable amount of time, so you can have a family and a life outside of work. And have more balanced, content-driven, enjoyable movies.
I think a lot of people get so obsessed with the wedding and the expense of the wedding that they miss out on what the real purpose is. It's not about a production number, it's about a meaningful moment between two people that's witnessed by people that they actually really know and care about.
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