A Quote by Diane Kruger
I truly, genuinely like clothes. Making them is an art form, and wearing them is a form of self-expression. I find it very emotional because I can remember moments in my life - my mood, how I felt - through these clothes.
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Fashion to me is very emotional. It's my strongest form of self-expression, and I love wearing a piece of clothing where I feel like I can run around at any moment and dance in it. So you know, I guess when I'm designing, I want the clothes to feel celebratory and feel very light and fun and feel like you could move seamlessly.
It's very hard to find men's clothes that do what you want, especially when you go through them as quickly as I do. I need them to be flashy, but I never like to be overdressed. I need to make a statement, but I hate wearing too many clothes.
I'm not interested in clothes that just convey a certain look or fashion. Clothes for me have always been a form of self-expression.
If you feel good about your clothes, you get excited. And I want women to feel good when they're wearing my clothes - not just because they're beautiful, but because the process and every step involved in making them is incredibly thoughtful. You can be proud wearing them.
Language disguises the thought; so that from the external form of the clothes one cannot infer the form of the thought they clothe, because the external form of the clothes is constructed with quite another object than to let the form of the body be recognized.
clothes, after all, are a form of self-expression.
Through death you find yourself, because you no longer identify with form. You realize you are not the form with which you had identified neither the physical nor the psychological form of "me". That form goes. It dissolves and who you are beyond form emerges through the opening where that form was. One could almost say that every form of life obscures God.
I've seen people wearing clothes that don't look good on them, but they're really loving those clothes and the experience of wearing those clothes. Fine. At the end of the day, it's fashion.
I'm the kind of person who, as much as I like clothes in real life because it's a fun expression of who you are and everybody kind of enjoys wearing things that make them...well, in movies you're wearing things that aren't necessarily the things you would choose to put on or wear.
I think in Japan I think there is a lot of style and a lot of subcultures, but it will be interesting to see how much of them... how much of the people wearing those clothes are really expressing something about who they are or who they want to be and it will be very interesting to see, especially once you get there, once you get to a certain city like in Stockholm you really get to know the people a little bit and what they're saying through their clothes. It's more... To me I think it's much more interesting than just the clothes they're wearing or the length of the skirt.
Maybe clothes are a form of creative expression for me. An outlet. Because I don't get to express myself creatively through my official duties.
I do think I know more about clothes than any 500 designers, because there's nothing like wearing them. You buy them, you study them, and you start to understand how they're crafted.
I write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don't write to protect them. It's far too late for that. I write to give them weapons-in the form of words and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed.
When I see beautiful clothes, I want to keep them, preserve them... Clothes, like architecture and art, reflect an era.
I have spent my life paying attention to my art form, developing my art form, worrying about my show and what I'm bringing to people, making sure that I give them a fine trade.
I got into architecture because I was searching for a way to produce in the world. I went to art school and thought I would do it through art, but I realized very quickly that I was interested in the social ramifications of form making. So buildings became the vehicle and fulfilled that thing. That satisfied me when I produced them. I decided this is what I wanted to do with the rest of my life.
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