A Quote by Diane Kruger
I'm intrigued more and more by complex female characters because I'm more in touch with myself. I realize how screwed up or complex I am. And I'm flattered that, little by little, more and more directors want to meet me.
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Every actor will tell you it's so much more fun to play the bad guy because usually those characters are more complex and more broad and more interesting, and have more sides to them.
I believe that if the story is fleshed out and the characters more believable, the reader is more likely to take the journey with them. In addition, the plot can be more complex. My characters are very real to me, and I want each of my characters to be different.
We're interested in complex characters and he's a complex character, [J. Edgar] Hoover. I like these types of dramas. I've made a few of them and I'm also interested in power structures so it just has elements that fascinate me, and the more you learn about Hoover, the more polarizing you realize he is.
A little more kindness, A little less speed, A little more giving, A little less greed, A little more smile, A little less frown, A little less kicking, A man while he's down, A little more "We", A little less "I", A little more laugh, A little less cry, A little more flowers, On the pathway of life, And fewer on graves, At the end of the strife.
As we build systems that are more and more complex, we make more and more subtle but very high-impact mistakes. As we use computers for more things and as we build more complex systems, this problem of unreliability and insecurity is actually getting worse, with no real sign of abating anytime soon.
There's something extremely rewarding about following characters that you like and knowing that there's as many hours of viewing as you have the appetite for. You can tell more complex stories; you can create more complex characters in the longer form.
What I like about Paper Girls in particular is that because we're approaching it more from a female perspective, we're able to consider the emotional states of these characters a little bit more, and think more of their interiority.
What I like about 'Paper Girls' in particular is that, because we're approaching it more from a female perspective, we're able to consider the emotional states of these characters a little bit more and think more of their interiority.
If we ask for more and more material for the construction, i.e. more and more choice, we're likely to end up with a lot of combinations that don't do much for us or are far more complex than they need to be.
We are constantly nothing but a bunch of energy being processed. Into this whirlpool, the more complex the system, the more energy it requires to hold it together. Therefore, the more complex - the scientists call it 'coherent' - the more fluctuations are possible.
I am not interested in things getting better; what I want is more: more human beings, more dreams, more history, more consciousness, more suffering, more joy, more disease, more agony, more rapture, more evolution, more life.
Now, the topic of religion seems much more complex, and I have a more complex relationship with it myself because I love religious music. I often find myself wanting to be in a religious state of mind even though I don't intellectually believe it. I want to go to that place emotionally. So it doesn't feel like something that I really want to debunk in that way. It's just not where my interests lie at the moment.
The shows which have strong female characters are long overdue. I think there should be more and I am glad to see that there are more. There are fantastic female and diverse actors all around the world. I am glad to see that they are getting more recognition and being pushed into light more and more.
It seems that the more places I see and experience, the bigger I realize the world to be. The more I become aware of, the more I realize how relatively little I know of it, how many places I have still to go, how much more there is to learn. Maybe that's enlightenment enough - to know that there is no final resting place of the mind, no moment of smug clarity. Perhaps wisdom, at least for me, means realizing how small I am, and unwise, and how far I have yet to go.
I think you leave your imprint on every screenplay. I like to bring my experience as a woman to all my female characters that hopefully makes them a little more layered and complex.
Television's grown up a lot. It's a little more adult, which I think is a good thing. It allows actors to tell more complex stories. I'm happy to see where it ends up.
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