A Quote by Doug Liman
More of 'The Bourne Identity's script was taken from the events of the Iran Contra, which my father investigated for the Senate, than what was taken from Robert Ludlum's novel.
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I thought I was done making CIA movies after 'The Bourne Identity.' I really had used my father's work in Iran-Contra on 'The Bourne Identity.' You get one experience like that in your life where you have personal exposure to something, and you put it in a movie. That's it.
I've often found, as I did with 'Bourne,' where I was inspired by the events of Iran-Contra when I designed the CIA for the 'Bourne' franchise, that the reality of how things work is usually more compelling than the superficial, made-up version that Hollywood sometimes does.
I populated 'The Bourne Identity' with real characters from American history, specifically characters from the Iran-Contra affair, which my father ran the investigation of. But at the heart of it was a fictional character.
My springboard is always the script. Even if the script is taken from a novel, I often haven't read the novel...
While working on my first five books, I kept wishing I was writing a novel. I thought until you wrote a novel, you weren't taken seriously as a writer. It used to trouble me a lot, but nothing troubles me now, and besides, there has been a change. I think short stories are taken more seriously now than they were.
Christianity teaches that, contra fatalism, suffering is overwhelming; contra Buddhism, suffering is real; contra karma, suffering is often unfair; but contra secularism, suffering is meaningful. There is a purpose to it, and if faced rightly, it can drive us like a nail deep into the love of God and into more stability and spiritual power than you can imagine.
The more real I got on 'The Bourne Identity,' the more interesting it got. So 'Fair Game' was the chance to go a few more steps in that direction. In fact, I discovered this whole other world that I had ignored in the 'Bourne' franchise, which is the domestic life of a spy, and how you make the two halves of your life coexist.
Who would ever have thought that Robert Ludlum would have become the father of modern action cinema?
I think all of us, looking back on our careers and our lives, there'll probably be a "road not taken" that we'll regret and mourn. Certainly, artists will always feel that way, especially when the path taken was more commercial than the one not taken.
I like reading a lot. Jeffrey Archer and Robert Ludlum are my favourite authors. I love making realistic cinema, so I read non-fiction more.
I pass no judgment about historic events. I defend the human freedoms. Whatever event has taken place throughout history, or hasn't taken place, I cannot judge that.
I was taken to a boarding school when I was four years old and taken away from my mother and my father, my grandparents, who I stayed with most of the time, and just abruptly taken away and then put into the boarding school, 300 miles away from our home.
The post-totalitarian malady has taken its most acute form in Romania. And it has taken place for very specific reasons. The repression here has been more cruel, more brutal, than in other states caught in the inferno of a 'socialist paradise.'
President Ford was taken for a ride by his predecessor, whom he unpardonably pardoned; Jimmy Carter was also taken for a ride, but by his successor, Ronald Reagan, over the return of the Iran hostages.
With a historical novel you know that liberties are being taken. Since Walter Scott, we know that poetic license, dramatic license, that events been conflated and that liberties have been taken, characters ditto, dates rearranged. But people don't seem to understand that movies are fictions, they are dramatizations, at least historical movies, and we should accord the moviemakers some of the same understanding and latitude. When you go to a movie you know it's a dramatization and not history.
The Israelis have taken a lot of security measures which reduce significantly the ability of Iran to inflict truly severe pain in Israel. But America is vulnerable with 100,000 troops in Iraq and more than half of that in Afghanistan, and we depend heavily on access to Middle Eastern oil. We're sitting targets for debilitating Iranian retaliation.
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