A Quote by Emmy Rossum

My favorite episode is where the guy has a relationship with his car. An intimate and sexual and emotional relationship with his car. — © Emmy Rossum
My favorite episode is where the guy has a relationship with his car. An intimate and sexual and emotional relationship with his car.
The relationship between a manufacturer and his advertising agency is almost as intimate as the relationship between a patient and his doctor. Make sure that you can life happily with your prospective client before you accept his account.
It’s what non-car people don’t get. They see all cars as just a ton and a half, two tons of wires, glass, metal, and rubber, and that’s all they see. People like you or I know we have an unshakable belief that cars are living entities… You can develop a relationship with a car and that’s what non-car people don’t get… When something has foibles and won’t handle properly, that gives it a particularly human quality because it makes mistakes, and that’s how you can build a relationship with a car that other people won’t get.
New Zealand was such a weird place in the 1980s. For instance, we used to have this commercial in the late 1970s where this guy drives this car and stops outside a corner store. He goes in to buy something, and when he comes out, his car is gone. He's like, 'Huh?' Then a voice says, 'Don't leave your keys in the car.'
The usual relationship between an artist and his painting is like the relationship with the father, or a husband's with his wife. But mine is a relationship with a stranger... with the chance acquaintance.
What I noticed about L.A. is that people try to hit on you in your car. It's incredibly creepy to be in a car and have the guy next to you roll down his window.
He put on his hat and wrapped his scarf around his jaw, but did without the wig and the sunglasses. He clicked his key chain and the car beeped and the doors locked. "That's it?" He looked up. "Sorry?" "Aren't you afraid it might get stolen? We're not exactly in a good part of town." "It's got a car alarm." "Don't you, like, cast a spell or something? To keep it safe?" "No. It's a pretty good car alarm.
When he sees little kids sitting in the backseat of cars, in those little car seats that have steering wheels, with grim expressions of concentration on their faces, clearly convinced that their efforts are causing the car to do whatever it is doing, he thinks of himself and his relationship with God: God who drives along silently, gently amused, in the real driver's seat.
I was a young boy. A stock car guy used to live across the street from us. He'd work on his car, and both of my older brothers became gearheads.
Song writing is about the male-female relationship. Yes, there are songs of, of brotherhood and politics but very rarely do we write about computers or, there are car songs, cars are cool. But even in the car songs, it's, ah, usually gets down to me and my baby and my car.
I like Michael Moore, but I think of him more as a rabble-rouser. On his TV show, when he went to the home of the guy who invented the car alarm and set off all the car alarms on the block... pretty funny.
Ford used to come to work in a big car with two Admiral's flags, on each side of the car. His assistant would be there with his accordion, playing, Hail to the Chief.
Our relationship to the computer is much like our relationship to the car: rich, complex, socially messy.
Domestic violence refers to acts of violence (physical, sexual, emotional and psychological) that occur between people who have, or have had, an intimate relationship. It tends to involve an ongoing pattern of behaviour aimed at controlling a partner through fear.
A Polish guy locked his keys in the car. It took an hour to get his wife out.
Good sexual chemistry is fundamental to a vibrant intimate relationship.
Every man knows that his highest purpose in life cannot be reduced to any particular relationship. If a man prioritizes his relationship over his highest purpose, he weakens himself, disserves the universe, and cheats his woman of an authentic man who can offer his full, undivided presence.
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