A Quote by Esther Dyson

I joined the board of the Santa Fe Institute. — © Esther Dyson
I joined the board of the Santa Fe Institute.
Suddenly the land is haunted by all these dead Indians. There is this new fascination with the Southwest, with places like Santa Fe, New Mexico, where people come down from New York and Boston and dress up as Indians. When I go to Santa Fe, I find real Indians living there, but they are not involved in the earth worship that the American environmentalists are so taken by. Many of these Indians are interested, rather, in becoming Evangelical Christians.
When I came to the States, I still wanted to be an electric guitar player. But moved to Santa Fe in '86. And just decided that nylon string guitar is really what I wanted to do... And that really change my life totally as well... And Santa Fe is one of those really unusual places that is such an interesting mix of culture. There is a lot of from restaurants to music... I remember one of the first groups I saw playing there in the back of a restaurant, was a banjo player, a classical violinist, and a flamenco guitarist. And I thought to myself, "What? You know, this is great."
I have just joined the Board of the Population Institute because I am convinced that early stabilization of the world's population is important for the attainment of this objective.
I've always loved opera; it never occurred to me that I would write a proper libretto. One of my closest friends is a composer, Paul Moravec, and a few years ago, Paul and I were at lunch, and I said to him, "you really have to write an opera." So, he says very casually to me, "I'll do it if you write the libretto." Well, little did I know that the within a couple of years we would end up getting a commission from the Santa Fe Opera to write an opera together, "The Letter," which turned out to be the most successful commissioned opera in the history of the Santa Fe Opera.
My dad founded the 'Rancho Santa Fe Times' and won a lot of journalism awards.
Santa Fe is fun to visit, but property there will cost you an arm and a dillo.
I was fairly young when we moved to Santa Fe, but it wasn't long after that I started to figure out who I was, and that entire process took place in this city.
Santa Fe is a great place which people don't get there often, but it's like a unique place.
I think every responsible public board at every board meeting should be discussing succession. And, of course, Walmart has a very mature board: our chairman Rob Walton and other members. So succession is an ongoing. I think when I first joined the board of directors, it was discussed then. And it's discussed at every board meeting continually.
My connection to Santa Fe is very closely, and continuously a connection with Reid. I believe in him and his philosophy of photographic education.
A board constituted as the board of Sydney Hospital is constituted is not a suitable body to have control of an institute of medical research.
I come from a small village called Murud Janjira near Alibaug. I started doing theatre right from school days and later joined the Sir J. J. Institute of Applied Art, after which I joined an advertising agency.
I have a deep attachment to the natural world. It's a major influence on my writing, and as I look out over the wonderful snow-covered Santa Fe hills, I'm grateful for every day that I live here.
I live a lonely photographic life here in Santa Fe. I do see Eliot Porter occasionally, and Ansel storms through every so often, otherwise I plug along in my old fashioned way.
I wrote my senior essay on the Santa Fe Writer's Colony and my dissertation on sacred landscapes - the Grand Canyon, the Dakota Badlands. As a setting, I love the West. I just love that western landscape.
I live in Santa Fe, New Mexico. And I travel a tremendous amount. I'm in New York and California a lot, but then also I like faraway places a lot.
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