A Quote by Francis Ford Coppola

I realized I probably wouldn't make another film that cuts through commercial and creative things like 'Godfather' or 'Apocalypse.' — © Francis Ford Coppola
I realized I probably wouldn't make another film that cuts through commercial and creative things like 'Godfather' or 'Apocalypse.'
I was in a commercial when I was three. My godfather was a director and a producer of commercials. He took me in along with his kids and I couldn't remember my lines. I giggled my way through the commercial and they kept it.
When I get saturated by commercial films, I'll probably do another film like 'Siskiyaan.' But yes, as a viewer, I really enjoy commercial cinema; so obviously, as an actor, I would love to be a part of one.
As I've indicated, most books go out of print within one year. The same is true of music and film. Commercial culture is sharklike. It must keep moving. And when a creative work falls out of favor with the commercial distributors, the commercial life ends.
I'm a huge Coppola fan. But more of 'Apocalypse Now' and 'The Conversation.' 'The Godfather' for me is, like, number three or four on the list.
I was fortunate in the last century to be in the two biggest hits film-wise, 'Godfather I' and 'Godfather II,' and 'Lonesome Dove.'
I was fortunate in the last century to be in the two biggest hits film-wise, "Godfather I" and "Godfather II," and "Lonesome Dove".
Well, I think it's important to have some kind of a narrative engine that pushes the audience through the landscape. But I love films like 'Apocalypse Now,' which is a very mood driven film. It's a magnetic force that's pulling them through.
As much as I love to do commercial films, a touching romantic film like Mani Ratnam's 'Geethanjali' will satiate my creative appetite.
You see I don't like to be really too commercial about things but in this business you've just got to be commercial otherwise the films don't make money and you don't make films and as a long as a commodity is selling it's silly to kill it dead.
I always knew what I thought the theme was, the core, in one word. In 'The Godfather' it was succession. In 'The Conversation' it was privacy. In 'Apocalypse' it was morality.
What's that?" he snarled, staring at the envelope Harry was still clutching in his hand. "If it's another form for me to sign, you've got another -" "It's not," said Harry cheerfully. "It's a letter from my godfather." "Godfather?" sputtered Uncle Vernon. "You haven't got a godfather!" "Yes, I have," said Harry brightly. "He was my mum and dad's best friend. He's a convicted murderer, but he's broken out of wizard prison and he's on the run. He likes to keep in touch with me, though...keep up with my news...check if I'm happy.
I'm a huge fan of director's cuts or reassemblies if they're good, but I remember being really excited about the restored version of Apocalypse Now, and then I preferred the original film. Kingdom of Heaven as a director's cut is the real picture, but in fact someone recently told me that there was another cut, the original first cut, which he said was just extraordinary. I've never seen it - and of course now I want to, if it exists, and so would everybody else.
It has nothing to do with commercial success. You cannot calculate in your head how to put the mosaic together to make a commercial film: that's out of the question.
I wanted to be a playwright in college. That's what I was interested in and that's what I was moving toward, and then I had the lucky accident of falling in love with film. I was 19 or 20 that I realized films are made by people. Shooting digitally became cheaper and better. You couldn't make something that looked like a Hollywood film, but you could make something through which you could work out ideas. I was acting, but I was also conceiving the plots and operating the camera when I wasn't onscreen. I got very unvain about film acting, and it became a sort of graduate school for me.
I loved the Godfather. I thought that was the best interpretation of our life that Ive ever seen. Godfather I and Godfather II - the other one stunk.
Man is not intended to see through the eyes of another, hear through another's ears nor comprehend with another's brain. Each human creature has individual endowment, power and responsibility in the creative plan of God.
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