A Quote by Genndy Tartakovsky
We use music, cinematic storytelling and very stylized backgrounds to create mood and atmosphere as 'Samurai Jack' travels an exotic landscape. The environment is a major character in each show.
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Music makes or breaks an atmosphere. It helps to create the mood and also is a very important aural cue; simply shut off the music when you want people to leave.
Jack' came from... I had the same dream since I was 10, about the world being destroyed and run by mutants. I'd find a samurai sword, pick up the girl I had a crush on, and we'd go through the land, surviving. That was the initial spark to 'Samurai Jack.'
I wasn't hip to 'Samurai Jack' until I saw it, but then I was all, 'This show is awesome!'
When you work on animation, the music has a great task: to create a sound and melodies and mood and atmosphere and energy dedicated to these extraordinary characters.
The goal was to create a mood, an atmosphere, and I think we have achieved that. We wanted people to not only get in touch with this character but also with themselves [in Wyatt Earp and the Holy Grail].
It's too bad music can't be like movies. For me, playing music and listening to music and creating music is very environmental. It creates a certain environment; it sets a specific mood.
The show is coming from the music. I get on the stage with the band, and I communicate with my musicians, and the music that we create and all that is coming out of us. The music is making the show and the music is creating the atmosphere, so if you close your eyes and listen and feel what it is that's coming out of the speakers, that's the whole point.
While writing Cold Mountain, I held maps of two geographies, two worlds, in my mind as I wrote. One was an early map of North Carolina. Overlaying it, though, was an imagined map of the landscape Jack travels in the southern Appalachian folktales. He's much the same Jack who climbs the beanstalk, vulnerable and clever and opportunistic.
While writing 'Cold Mountain,' I held maps of two geographies, two worlds, in my mind as I wrote. One was an early map of North Carolina. Overlaying it, though, was an imagined map of the landscape Jack travels in the southern Appalachian folktales. He's much the same Jack who climbs the beanstalk, vulnerable and clever and opportunistic.
Politics becomes a part of a writer's working life. The writer's protagonists are born in the context of the feelings that this atmosphere evokes. How can writers separate themselves from these feelings and create protagonists that come from Mars? Even writers who only write about psychological or internal issues or about love are writing under their prevailing atmosphere, and their writings will take on the hue of the time, place, and mood of their environment.
The music is not used repetitiously to create film atmosphere. It is, in fact, the leading character.
We [comics] create our own reality on the show. I'm in a cocoon of the character's creation. Even within that reality, he's in a cocoon. While I'm an improviser and enjoy discovery, the show follows a script. I have a pretty good idea what's going to happen. It's a very crafted, controlled environment.
Through our Building Bridges dialogues at Accenture, where we have brought together people from diverse backgrounds to have sometimes difficult conversations, such as around race, I have experienced the power of storytelling to help people from diverse backgrounds understand each other.
Use description of landscape to help you establish the emotional tone of the scene. Keep notes of how other authors establish mood and foreshadow events by describing the world around the character.
I think of setting as almost a character of its own, influencing the other characters in ways they're not even aware of. So much of the success of a good ghost story rides on creating a creepy atmosphere; details of the landscape itself can help create a sense of dread.
The atmosphere and the environment that you get on a Chris Nolan film that he and Emma [Tomson] create is one where you feel very safe and very confident and able to experiment with characters. It's a great place to be as an actor.
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