A Quote by Gore Verbinski
I think that's really the kind of exponential factor in being in a punk-rock band or making music videos and movies -pirates and rock 'n' roll go hand in hand. There is a `question authority,' `don't be afraid to break the rules' quality that whether you're a 4-year-old bouncing on your bed as your parents are trying to stop it or an adult longing for that feeling, there's something inside all of us that piracy speaks to. I'm going to do what I want to do and I don't care what you think.
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Rock and roll by its nature is sexual. So girls playing rock and roll is saying to the world, "We own our sexuality." I think that pop music is sort of about "you can do what you want to me" kind of energy, while rock and roll is "I'm going to do what I want to you" kind of energy.
Good rock 'n' roll is something that makes you feel alive. It's something that's human, and I think that most music today isn't. ... To me good rock 'n' roll also encompasses other things, like Hank Williams and Charlie Mingus and a lot of things that aren't strictly defined as rock 'n' roll. Rock 'n' roll is an attitude, it's not a musical form of a strict sort. It's a way of doing things, of approaching things. Writing can be rock 'n' roll, or a movie can be rock 'n' roll. It's a way of living your life.
Rock and roll is not an instrument. Rock and roll isn't even a style of music. Rock and roll is a spirit that's been going since the blues, jazz, bebop, soul, R&B, heavy metal, punk rock and, yes, hip-hop.
I have absolutely no interest in rock and roll. I'm just being David Bowie. Mick Jagger is rock and roll. I mean, I go out and my music is roughly the format of rock and roll, I use the chord changes of rock and roll, but I don't feel I'm a rock and roll artist. I'd be a terrible rock artist, absolutely ghastly.
The biggest question I have is if you're a rock singer or a rock 'n' roll band, or if you're a pop singer if you've made your way in another genre of music and now you want to make a country record, why? That's my question. Why?
The biggest question I have is if you're a rock singer or a rock 'n' roll band, or if you're a pop singer... if you've made your way in another genre of music and now you want to make a country record, why? That's my question. Why?
The music industry went through such a strange stretch in 1977, especially in this country, with the whole punk rock thing coming about. Punk was rebellious-and justified in that response-but it had very little to do with music, and so it created a highly-charged but frighteningly floundering atmosphere that I found very, very disheartening. Musical quality for me has always been an important part of rock'n'roll-and winning recognition for that has long been an uphill battle all the way. Punk seemed like rock'n'roll utterly without the music.
How can you go on stage and shout 'Yeah! Rock'n'roll forever!' and then go to bed at 10 o'clock with a nightcap on, a candle in your hand and a Bible under your arm?
No matter what though, there's always rock & roll. There's rock 'n' roll in hip-hop, there's rock & roll in pop music, there's rock 'n' roll in soul, there's rock 'n' roll in country. When you see people dress and their style has an edge to it, that rebellious edge that bubbles up in every genre, that's rock & roll. Everybody still wants to be a rock star.
I think we as a band, as individuals, understand that all popular music stems from blues and jazz and even pop, but rock 'n' roll especially comes from blues. What we're trying to do is play rock 'n' roll, but other people call it different things.
I don't like to go into the studio with all the songs worked out and planned before hand ... you've got to give the band something to use its imagination on as well. That can make a very ordinary song come alive into something totally different ... the X-factor - so important in rock and roll - which is the feel.
Prog-rock and concept records and some ambitious projects were kind of anathema post-punk. They were destroyed with the advent of punk rock. You don't necessarily need to have a degree in music composition to play in a rock band anymore, which is a great thing.
Such a strange thing, to hold a six-year-old's hand. Especially a six-year-old you've only just met. A toddler will grab hold of your finger, and someone your own age will clasp on to your whole hand, but with six-year-olds it's something in between, this acknowledgment that they can't be the one to take hold, so you have to do all the holding, folding your hand around theirs, feeling so much bigger and responsible.
There's rock n' roll in hip-hop, there's rock n' roll in pop music, there's rock n' roll in soul, there's rock n' roll in country. When you see people dress, and their style has an edge to it, that rebellious edge that bubbles up in every genre, that's rock n' roll. Everybody still wants to be a rock star, you know?
I don't blame the average seventeen-year-old punk-rock kid for calling me a sellout. I understand that. And maybe when they grow up a little bit, they'll realize there's more things to life than living out your rock & roll identity so righteously.
What's amazing is how rock n' roll lasted. It started losing its commercial power in the late 1990s. But think of swing, which we think of as this big music before rock n' roll. It only lasted five years in total. So, rock going 50 years is amazing, because young people want new things.
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