A Quote by Gurinder Chadha
Constantly, I've been asked to make a sequel to 'Beckham.' However, I thought a West End show was the proper way to go. Once we made the show, I wanted to make sure that I embraced the West End genre rather than just put the film on stage.
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New West End Company ensures that there is a body that can put significant investment into the West End, targeted directly to the needs of the area and particularly the customers. Great progress is being made to improve Oxford Street and make it a great destination.
The most tragic moment of my life was the first show I ever designed for. I had been asked to make shoes for Ossie Clark's show in the early '70s. I was so inexperienced that I didn't put the steel in the heels of the shoes, which is required to support the shoe and the wearer. So the girls came out walking very strangely in these rubber, bendy high-heeled shoes I had made. I thought 'Oh dear god! This is the end of me.' But after the show, even David Hockney and Cecil Beaton said to me 'It was so interesting that the girls were moving in such a different way.'
It [The Esemblist] is also about the generation of audience members that are watching shows and listening to us at the same time; hopefully, in time, when they listen to our show and then go see a show, they'll realize even more what it takes to make a show, and they'll know even more about everybody on stage, rather than just people above the title of the show.
I was once asked if I had any ideas for a really scary reality TV show. I have one reality show that would really make your hair stand on end: "C-Students from Yale".
My dad took me for an audition once, to show me, OK, you want to be a child actor, this is what its like. I sang a folk song about donkeys on this West End stage with this big director, and there was a queue of 200 girls all singing Memory. I was terrible. Terrible.
My dad took me for an audition once, to show me, 'OK, you want to be a child actor, this is what it's like.' I sang a folk song about donkeys on this West End stage with this big director, and there was a queue of 200 girls all singing 'Memory.' I was terrible. Terrible.
The West has never been all of the world that matters. The West has not been the only actor on the stage of modern history even at the peak of the West's power (and this peak has perhaps now already been passed)... It has not been the West that has been hit by the world; it has been the world that has been hit - and hit hard - by the West.
At the end of the day, whether it's on film or on stage or for a crowd of however many at Kenwood House, my job is to make sure people have a good time and come away with a feeling and a story.
The think that we hung the film version all on was 'Hedwig' on tour. On stage, it's one theatre, one show. It just seemed natural to change it. In the film, we were able to go to flashback rather than have her talk to the audience. And we had the play to practice and to see where we had made mistakes.
I've always had a passion for dancing, and I wasn't lucky enough to go to stage school, so when I got onto the show, I was like a kid in a sweet shop. I went into it just to have fun. The support was overwhelming, to say the least. It wasn't until the end of the show that I realised how much I really wanted to win it.
I am very keen to take on a 'West End' show soon, as I haven't done much theatre, and that would be amazing. It is quite liberating to be on stage night after night.
When you're looking at a sea of people there ready for a band, it is an unbelievable feeling. You've just got to seize the moment and put on the best show you can and make sure everybody's having a good time by the end of it.
Larry David called me and said, "You can never watch The West Wing again. Either the show is going to be great without you and you're going to be miserable, or the show is going to be less than great without you and you're going to be miserable." So I had them send a tape of the first episode that I didn't do. I put it in the VCR and I don't think I got 15 seconds in before I leapt up and slammed it off! It felt like I was watching somebody make out with my girlfriend. I've never seen a West Wing episode in seasons five, six or seven.
Davy once asked me if I thought it was better to be a has-been than a never was, but maybe it doesn't make much of a difference. In the end, people are just people, and the only things that matter are whether they are good or bad, loving or unloving, loved or unloved.
I just need to make sure I don't get in my own way of a truthful and organic moment. Regardless of the research involved, at the end of the day, I have to show up, breathe, and listen.
You don't get a lot of life milestones in show business. It's really difficult to make things, and a lot of times you don't know you're at the end of something. With Mr. Show, I was only a writer and we knew we were going into the movie, and we thought, "Okay, like Monty Python, we're going to make five movies." And we didn't know it was the end. So it ended up being a bummer and such a terrible ending for Mr. Show. We never got to feel like, "Wow, we did it! We did something."
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